The Walking Dead, Season 5, Episode 3, “Four Walls and a Roof”

“Four Walls and a Roof”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

Well, my WDO darlings, we have much to talk about with The Walking Dead’s Season 5, Episode 3, “Four Walls and a Roof,” do we not?  While many questions were answered within this episode, we WD fans were left with a couple of lingering questions, and a few new ones, by the episode’s end…as Alice in Wonderland said, “Curiouser and curiouser!”

“Four Walls and a Roof’ opens with a grisly montage, layering close-up images of Terminal Mouths biting into, tearing, and chewing greasy chunks of meat from Bob’s leg, as a group of walkers watch them through a window, hissing and pawing at the glass.

terminans eating bob

On Talking Dead, Chris Hardwick referred to the Terminans as “Hungry, Hungry Hipsters.” Ha!

hungry window walkers

Hey, give us some!

terminans eating bob 2

As we watch this gross series of images, intertwined with Bear McCreary’s sinister background music, we hear Gareth’s voice, speculating, “It’s probably pretty stupid to be here…dangerous…I don’t know, maybe not…you can see the threat…that’s something. Looking at them (the walkers) makes me feel better about things. My mom used to say, every day above ground was a win…doesn’t really apply any more, but…you can still get some perspective.”

While Gareth speaks, Bob sits against a metal pole, looking towards the window, at the pawing walkers on the other side of the glass. Around him, Terminans (including Shitty Martin) are intent on chewing their ill-gotten meat, which, watching them eat, looks like it’s really chewy.  Gross.  The walkers appear to be inside a brick building, like a school, while the Terminans are camped outside in an area surrounded by tall, chain-link fencing.

Gareth goes over to the window, puts his hand up on the glass, watches the walkers for a moment. “The glass is gonna break,” he says, “Sooner or later…Nothing lasts too long anymore.”

Gareth then turns to the group… he seems a little nostalgic, whimsical, talking mainly to Bob. Gareth says that he and the others in his group “marked” their way there so they could find their way back, after… Gareth shakes his head at this. “So stupid, right…I mean, back to what?”

Gareth moves closer to where Bob sits, crouches down beside him.  “It wasn’t just a trap, it was going to be a choice, ‘ You join us, or feed us.’

join us or feed us

Gareth continues on this, saying that, in the wild, if a bear is starving, they will eat their cubs…if the bear starves, the cub will die anyway, but if the bear lives, they can always have another cub.  Gareth looks away for a moment, then down towards the ground, purses his lips.  “That was part of the pitch,” he admits.

Gareth continues, saying that Greg and Mike came “this close” to catching the “grey-haired queen bitch” who killed his mother, Mary. (That’s New Carol, to you, Gareth, you peevish little people-eating bitch, and btw, Mary deserved it.)

Gareth continues, conspiratorially, “She drove away with the archerGreg saw them pull away.” Gareth looks off into the distance, muses, “I can’t wait to try her.” He then goes on to tell Bob that he likes (eating) women better, and that his brother, Alex (whom Gareth adds, is “also, currently dead, because of Rick”) had a theory that women tasted better because they have an extra layer of fat, for childbearing.

Pretending to ignore Bob’s pained look, Gareth continues that even the skinny women have that extra layer…like that pretty one…what was her name? Sasha?

bob looks at gareth

Gareth goes on to tell Bob that “pretty people taste better.”

(Hearing all this, I must say that it must have majorly sucked living at Terminus. Aside from all the horrible shit that any Terminan Citizen had to do to keep a roof over their heads and food in their bellies, it seems that all the people who lived there were total social misfits.  If any of the Creepy Comrades had any redeeming qualities at one point in their former lives, the brutality of the Terminal Code, “join us or feed us,” would have obliterated any last vestiges of humanity, or any capacity to feel love, joy, hope, compassion…take those things away from a person, and what do you have left?

Even Shitty Martin called his fellow Terminans, “assholes that I survive with.” There they sit, chewing and chewing and chewing meat from Bob’s leg, staring off into their own twisted thoughts, not talking.  What is there to talk about, aside from making evil, shitty jokes speculating, or remarking, on how someone tastes? I call gross, and lame, and totally unsexy. They probably had the worst parties, ever.)

Anyway, it seems that the only thrill to be had for Gareth at this point is to be cruel, and he works that angle for all its worth.  He pauses, letting the dig about Sasha marinate for a moment, tearing a piece of meat with his teeth, and thoughtfully chewing for a moment, before informing Bob that he, Gareth, and his people are “going to get all of them,” but for now, Bob will do them just fine.

As Gareth continues to give himself and his people props for the “good job” they did on Bob’s leg, Bob starts to make sounds like he is sobbing, Gareth, testy at being interrupted, rebukes Bob for this outburst, telling Bob that he was being a human being, talking to Bob, and that Bob should get some “perspective”, being that he is “above ground” and in a better place than “them” (a.k.a. the walkers pawing at the window).

Bob is not sobbing…he is laughing, laughing more and more, causing the Terminans to rise up from their seats and move in.  Seems like they have seen this before, a victim becoming unravelled, and unpredictable  One guy says, “He’s lost it,” while the woman comrade snidely remarks that he “lasted longer” than she thought he would.  Bob continues to laugh, calling them “idiots”

...then Bob shows Gareth and the others the walker bite on his shoulder.

…then Bob shows Gareth and the others the walker bite on his shoulder. “I”ve been bitten, you stupid pricks…I’m tainted meat!

On Talking Dead, Andrew J. West, who plays Gareth, wondered about what the ramifications of the Terminans eating Bob’s infected flesh would really be, as everyone is already infected. “Can you get more infected?” he wondered.

Who knows, but  it is pretty damn satisfying to see the Hungry, Hungry Hipsters jump up at this, dropping their meat in alarm and revulsion. Terminal Bitch starts pulling the chewed up bits of meat, still in her mouth, off her tongue, while Terminal Albert starts hurling.

You tell ’em, Nelson…

As the Creepy Comrades start freaking the fuck out and playing the blame game with each other (“We may as well be eating one of them!” “Why didn’t you check him?” “What’s gonna happen…are we going to turn?” “No, we cooked him!”), Bob cackles and taunts the Tainted Scenesters with the cry, “tainted meat!” until Gareth kicks him unconscious.

I must give mad props to the forward-thinkers who sleuthed the possibility of Bob being bitten, mirroring the comic series story line of Dale getting bitten, going off away from the group to die, and getting captured by The Hunters (the comic series version of the Terminans), and eventually taunting them as they feast on his infected flesh.

Once I read the online speculation, after Episode 2, “Strangers,” aired, I watched the episode again, but did not come away with any conclusive evidence that Bob had been bitten, save his drunken crying jag, slumped against a tree, before being clocked, and dropped, by a Terminal Hood (probably Shitty Martin, who was wearing a black hoodie like the perp’s). I thought Bob maybe just had been through a lot, and had had too much to drink, and just needed to take a moment and let it all out.

Now we know, and wow.  Bob, I’m so sorry man, but even though you were taken down by Halloween Store Skeleton Walker (who only got you because it had the elements of surprise, and murky water, on its side), and then captured, hacked into, and eaten, while being mocked, by Gareth and the Terminans,  (who had the elements of surprise, and dark night, going on their side) you definitely got the Last Laugh on those cannibal a-holes.

Poor Sahsa, meanwhile, is out looking for Bob, whisper-calling for him, armed with rifle and night scope.  She looks so worried, stops and takes a couple of deep, cleansing breaths, before turning and spying the mark on the tree, the one we saw when Bob was taken…

.sasha looks for bob sasha sees the mark

Upon hearing a noise, Sasha whirls and aims, sees a white figure disappear quickly into the woods through the night scope...

Upon hearing a noise, Sasha whirls and aims, sees a white figure disappear quickly into the woods through the night scope…

...and then, she sees...

…and then, she sees…

...Night Scope Walker! Agh!

…Night Scope Walker! Agh!

Sasha smashes Night Scope Walker’s undead brains into the ground, then must shoot another walker who is coming for her, before Tyrese clamps his hand over her mouth from behind, just for a second, before releasing her. telling her, “It’s me.” Rick is there as well, shining a flashlight into the woods as Sasha tells them that someone was just there, watching them.

“Someone was watching us!” Terminan, or Morgan?

Sasha wants to go in the woods after them, as Bob is missing, but Tyrese holds her back, saying that if they try to go in those woods, now, someone isn’t coming back. As he scans the woods, Rick adds that Bob isn’t the only one missing…Daryl and Carol are missing as well.

Inside the candlelit church, Maggie is sitting in one of the pews, regarding a stack of hymnals doubtfully before moving them aside. Carl sits forward, thinking in the flickering darkness, before the creak of the door alerts them, and Rick, Tyrese, and Sasha come in.  Sasha walks up the aisle, toward the front altar, where Gabriel stands. She faces him, as Rick and Tyrese flank her from behind.

“Stop,” Sasha orders Gabriel, who pauses, surprised and fearful at the menace in Sasha’s stance, and voice. Sasha continues, somewhere between a whisper and a growl, “What are you doing? What…are…you doing? This is all connected…you show up, someone is watching us, and now, three of us are gone!”

Gabriel looks around fearfully, protests that he doesn’t know what Sasha is talking about, that he has nothing to do with any of this. Sasha has no time, or patience, to play around, and she unsheaths her machete, advancing on Gabriel, demanding, “Where are our people? Where are our people??!” Gabriel is majorly freaked, but insists that he has nothing to do with all this.

Rick steps forward for the Tag-Team Interrogation, looking majorly Sexy Detective as he peppers Gabriel with questions. Why did he bring them there? Is he working with someone?  When Gabriel insists that he’s alone, he’s always been alone, Rick brings up the woman walker at the food bank….“What did you do to her, Gabriel? ‘You will burn?’ Why will you burn, Gabriel? What did you do?” 

In classic interrogation room-style, Rick grabs Gabriel’s shirt and shoves him up against the altar, before releasing the shaken priest abruptly.

Gabriel breaks,

Gabriel breaks, “I locked the doors…at night. I always locked the doors at night…I always locked the doors…at night.”

Gabriel tells them that after the turn, after Atlanta was bombed, terrified parishioners, and their families, came to the church for refuge…but. they came, in the early hours of the morning, and instead of opening the doors to let them in, Gabriel stayed where he was, keeping the doors locked…and the parishioners outside.  As the people cried out to him, the noise attracted walkers, who attacked the vulnerable parishioners. Locked inside the church, Gabriel heard the agonizing screams and cries as men, women, and children got torn apart. He heard the dying people to beg him for mercy, then curse him, and damn him to Hell.

Rick and the gang listen in silent horror to Gabriel's confession..

Rick and the gang listen in silent horror to Gabriel’s confession. “It was my choice (to keep the doors locked).”

Gabriel sinks down, in misery and self-condemnation...

Gabriel sinks down, in misery and self-condemnation, sobbing…”The Lord says you’re here to finally punish me.  I’m danned…I was damned before…I always locked he doors...I always locked the doors.”

Mad props to Seth Gilliam (from The Wire), who plays Father Gabriel, for an amazing performance, all around, but especially for this heartbreaking, harrowing scene…when a tortured man of the cloth confesses how he abandoned his people, in a moment of weakness and cowardice, when they needed him most…when their very lives depended on him doing right by them, opening the doors of the church, and letting them take refuge within the safety of its walls.

A noise outside…Glenn sees someone outside, lying in the grass…the gang runs outside, and finds…

Bob!

Bob!

Sasha, crying, gets Tara to help her carry Bob inside, while the others rekill the walkers that are approaching.  Rick hears a gunshot, which misses Rick, dropping the walker next to him instead. Rick fires back in the direction it came, from the woods, while ordering everyone inside. As he follows suit, we see the Terminans have marked the outside of the church…

“A” for train car A, the holding car for Rick and the gang…some mind-messing mental warfare going on here, Terminal Style.

At this point in the watching, my WD buddy turned to me and said, “This is the scariest story line, ever.”  We agreed, too, that so far, in many ways, Season 5 is the best WD season yet.

Kudos to Dad, NewDad, Crazy Uncle Greg, and the entire WD cast and crew, for bringing the thrills, chills, and blood spills like none other, yet again.

Back in the church, Bob has come to, and is sharing the details of his harrowing ordeal at the hands of the Terminans…he was in the graveyard, and somebody knocked him out…he woke up at some place that looked like a school.  Bob tells the gang, “It was that guy, Gareth,” and we see a shot of Rick, and we know what he’s thinking…

bob tells sad tale

i knew we should have killed gareth

“I knew we should have stayed and killed them!”

Bob continues, saying that it was Gareth, “and five other ones…they were eating my leg, right in front of me, like it was nothin’…all proud, like they had it all figured out.” (Ugh, it is so awful, sounds so awful, to say it…poor Bob, and the poor gang, poor Sasha, who must listen to this awful tale, and process that this happened to one of their own, just in the past hours, when all seemed so right, everyone all together again, feeling hopeful for the first time in a long while. And, now this…O how I hate thee, Terminal Buzzkills!)

Rick asks Bob gently, softly, if they had Daryl and Carol.  Bob thinks a moment, says that Gareth said they drove off.  The gang exchanges quick looks, like, what? Then, they turn their attention back to Bob.  He seems like he’s in real pain, and Sasha asks if they have anything for him. Rosita does, but Bob stops her, to Sasha’s confusion…and Bob knows that now is the time he must tell her.

:(

😦

Bob pulls his shirt away, showing Sasha, and the gang, the walker bite on his shoulder.

Bob pulls his shirt away, showing Sasha, and the gang, the walker bite on his shoulder. He looks at Sasha, tells her, “It happened at the food bank.”

Poor Sasha!

Poor Sasha! She does manage a brave smile for Bob, after a long moment of shock…

Once again, nobody does tragic hot like Rick...

Once again, nobody does tragic hot like Rick…

...as the gang must face losing another beloved member...

…as the gang must face losing another beloved member…

...of their chosen family.

…of their chosen family.

Gabriel steos up and thoughtfully offers the sofa in his office...

Gabriel steps up and thoughtfully offers the sofa in his office…

...and Sasha recognizes, and thanks him for, the kind and compassionate offer.

…and Sasha recognizes, and thanks him, for the kind and compassionate offer.

As Tyrese carries Bob to the office, Rick asks Gabriel if he know where the school is, the one Bob was talking about.  After some hesitation, and prodding from Rick, Gabriel says that there is an elementary school close by, about a 10-minute walk through the woods.  You can see the wheels in Rick’s head turning.

Baby Judith starts to cry, and Carl takes her to the back.  Rick asks Maggie if Bob has the fever…Maggie says he’s just warm.  Glenn adds that Jim lasted two days before they left him.  Our gang is doing what they do, putting all the information out there, so they can make a decision about how to proceed, armed with all the facts and factors.

Abraham steps forward on this moment with a “reality check”…it’s time to pack up and leave for D.C., now, as there is a clear threat to Eugene, and they must “extract his ass” from said threat immediately, before things “get any uglier.” Rick replies that Daryl and Carol aren’t back yet, and they aren’t going anywhere until they return.

Abraham replies that he respects that, then tries a “so, if you aren’t coming with us, guess this is goodbye,” and turns with Rosita to leave, when Rick ups the ante on the “Just who is top dog around here anyway?” question, asking Abraham’s retreating back, “You going (to D.C.) on foot?” meaning, of course, “Hope you don’t think you’re taking that bus you found in the back, because that bus belongs to RICK GRIMES & CO., bitch.”

Oh, yes he did!  (And I like it.)

This clear challenge stops Abraham, and Rosita, mid-stride. Abraham turns, reminds Rick that they fixed that damn bus themselves, while Rick strides forward, saying, “There are a lot more of us,”  to which Abraham replies, “You wanna keep it that way? You should come!”  

Rick reminds Abraham that “Carol saved your life, we saved your life,” and Abraham yells, “And I’m trying to save yours!”  Rick and Abraham go back and forth, Rick saying they aren’t leaving without their people, and their people will be right back. Abraham yells, “To what? Picked over bones?”

Rick and Abraham begin to shove one another as their exchange escalates, until Glenn steps between them, yelling at them to, “Stop right now!”  Glenn asks Abraham to stay one more day, and Tara throws in another offer…if Abraham and Co. will stay and help, one more day, she will go with them to D.C,, no matter what. Abraham throws in that he wants Glenn and Maggie as well, to which Rick In Charge says, No way.

Abraham turns to leave, ordering Eugene to come along, like a dad…when Eugene refuses at first, “I don’t want to,” like a teenager, Abraham grinds out, “NOW.”

“Ok,” Eugene says softly, getting up and walking towards the door, without looking at anybody. (Holy dysfunctional relationship, Batman!)

As Abraham turns to leave with Eugene and Rosita, Rick says, again, “You’re not taking the bus.” Abraham turns halfway to Rick, says, “Stop me.” After a long moment, Rick begins to stride towards Abraham, who hands his gun to Rosita, preparing to exchange blows.  But Glenn once again gets between them, telling Abraham that if he stays, and helps them, then he and Maggie will go with them to D.C.

At this, Rick says, again, “No,” and Glenn turns to him, reminds Rick that, “It’s not your call.”  After that, Rick says nothing, and Glenn repeats the offer to Abraham, who gives Glenn half the next day. “Come high noon, we’re taillights,” says Abraham. “I’m not waiting for the other damn shoe to drop.” Maggie agrees, so Abraham agrees. He will give them 12 hours.

Meanwhile, in Gabriel’s office, Sasha is wiping Bob’s forehead down with a cool, wet cloth, while Bob is trying to revive their former game of Pros and Cons, Good and Bad. He tells Sasha the one good thing about getting kicked in the face was that it made him forget the pain in his leg.

“We’re not playing that game any more,” replies Sasha, wringing out the cloth and wiping Bob’s forehead. Bob smiles, replies that he thought at least she would try to humor him a little bit…but Sasha doesn’t. She can’t. She asks Bob why he didn’t tell her, when it happened, that he had gotten bit.

Bob tells her he knew once he told her, it would be “all about the end…and I really liked the middle.”  This, of course, makes Sasha turn away, and blink back her tears. She then lay her head gently on Bob’s shoulder.

So sweet and sad.

So sweet, and sad.

Meanwhile, Rick and the gang are talking strategy…Rick and Glenn agree that Gareth and the Terms aren’t going to expect them to attack first, that they won’t think that Rick Grimes and the Train Car Superstars will be thinking straight.

Rosita pipes up, “Are we?” and at Rick’s look, she says, simply, that it’s a pretty risky plan.  Nobody says anything.  Rick turns to Tyrese, asks him if he’s up for this, but before Tyrese (who is sitting, looking down at the floor, and not looking like he’s up for much of anything) can answer, Sasha comes into the room, tells the gang that she’s in. She wants to go.

#SashaWantsToKickSomeTerminalAss

#SashaWantsToKickSomeTerminalAss

Tyrese tells Sasha that she should stay back, stay with Bob. Sasha tells him no, she’s going. Tyrese follows her into the office.

sasha tyrese bob

Tyrese tells Sasha that she should make the most of her time with Bob, that he never got to say goodbye to Karen. Sasha reminds Tyrese of the anger he felt, his desire to avenge Karen's death.

Tyrese tells Sasha that she should make the most of her time with Bob, that he never got to say goodbye to Karen. Sasha reminds Tyrese of the anger he felt, his desire to avenge Karen’s death.

When Tyrese tries to counsel forgiveness, and letting go, Sasha whirls on her brother.

When Tyrese tries to counsel forgiveness, and letting go, Sasha whirls on her brother. “You want me to forgive them? What the hell is wrong with you?”

Sasha continues, “You think we have a choice?” to which Tyrese replies, “Not all of us, just you.” Tyrese continues by saying that the only thing Bob will want to see, when he wakes up, is Sasha’s face.  In response, Sasha stands up, unsheaths her knife, and hands it to Tyrese.

Sasha holds out the knife to Tyrese.

Sasha holds out the knife to Tyrese.

She says, Take it.

She says, Take it…

...and if Bob stops breathing, you take this knife and put it in his temple...that's what Bob would want.

…and if Bob stops breathing, you take this knife and put it in his temple…that’s what Bob would want.

Next, we see a shot of Rick and the Stealth Squad, leaving the church at night, Gabriel peers out after them a moment, before closing and locking the door.

rick and the gang leave the church

Rick, Michonne, Sasha, Glenn, Abraham and Maggie file out of the church….

Then, one of the coolest things I've seen on televsion...a full minute-long shot of the church sign, nothing else happening, real time. Watch, wait...watch, wait...suspense builds...it's like we are there, and the viewer wonders for a moment if the screen froze, but no...wait, watch...and we see...

Then, one of the coolest things I’ve ever seen on televsion…a full minute-long shot of the church sign, nothing else happening, real time. Watch, wait…watch, wait…suspense builds…it’s like we are there, and the viewer wonders for a moment if the screen froze, but no…wait, watch…and then, finally, we see, coming out of the bushes, once all is clear…

Terminans!

Terminans!

As they approach the church, Gareth silently hand-signals his group, and Shitty Martin steps forward, and easily jacks the lock of the church’s front door (if only he had been there, before becoming a Terminan, to let all those poor families into the church, on that early morning, so long ago!). 

One by one, the Terminans file into the church.

Carl, hearing the breach of the door, lifts his gun and holds it steady towards the door.

carl raises gun in gabriels office

Gabriel clutches his rosary and prays.

Gabriel clutches his rosary and prays.

The following scene was so damn scary to watch, my WD buddy and I were guzzling champagne, hard.  We finished the good bottle and moved on to the cheap one. Thank God for orange juice, makes it so you can’t tell the difference…until the next morning, that is…

Gareth, emerging from the darkness, announces, “Well, I guess you know we’re here…

“…and we know you’re here.” 

Gareth continues, as he and his fellow Terms step silently forward through the church, closer and closer to Gabriel’s office, where our gang is hiding.  Gareth informs them that they are armed, so there’s no point in hiding…when this fails to bring them forward, Gareth continues, saying, “We’ve been watching you.” He says that he knows who is there…there’s Bob, unless they went ahead and put him out of his misery, already…then, there’s Eugene, and Rosita, and “Martin’s good friend, Tyrese”…

tyrese eugene rosita bob

Gareth continues naming: “Carl, Judith.”  Gareth  then tells them that he knows Rick and the others left, with a lot of their guns…

As he talks, Gareth motions his people, all armed, forward, until they are at the two office doors.  A Terminal Goon tries the door of Gabriel’s office, finds it locked. Carl and Rosita hold their guns steady towards the door.

Gareth informs them that he knows they are behind one of those two doors, and that they have enough fire power to blast both doors down. “I don’t imagine that’s what you want,” he says.

One of the things I find so scary about Gareth is that he can sound so reasonable, calm. I could imagine how people would have thought he was a man that could be reasoned, or bargained with, but Gareth’s calm belies a ruthlessness, and probably comes from a deep lack of giving a shit about anything other than his personal agenda. Gareth can sound super calm, and reasonable...while he’s sawing off your leg, or roasting it over the fire, and eating it, right in front of you.

Still no response, so Gareth tries a new ploy, appealing to Father Gabriel, telling

Still no response, so Gareth tries a new ploy, appealing to Father Gabriel, telling “the priest” that if he lets them in, he can take the baby and walk out the door, and leave unharmed.  Yeah, right.

At Judith’s cry, Gareth turns from the door he was in front of, the wrong door, and heads towards the other door, the right door, saying, “I don’t know, maybe we’ll keep the kid…I’m starting to like this girl.” Bastard!

Gareth gives them one more chance to come out…Shitty Martin turns to him, asks, “Are we done?” Gareth instructs them to aim for the door hinges, and just as they are about to do so, a silencer sounds two quiet shots, dropping two Terminal Goons, their blood splattering the church walls.

We hear a soft voice growl out from the back pews, “Put your guns on the floor.” And even though we can’t see him, yet, we know he’s looking hot, and sounding like the most badass cowboy this side of Clint EastwoodRick In Charge! Yes! He’s back to save the day…or, rather, the night.

Gareth starts talking fast, some shrill shit directed at Rick, pointing his left index and middle fingers like a gun at the office door, and we hear the silencer go off again. Gareth drops forward, and when he comes back up to standing, we see that Rick has shot the two fingers clean off at the mid knuckle.

gareth gets shot

Yes! Take that, Gareth!

Oh, Gareth. meet Rick In Charge...p.s. he's a sharpshooter.

Oh, Gareth, meet Rick In Charge…p.s. he’s a sharpshooter.

 Cue Nelson…

As Gareth tries not to cry, curled up on the floor, we see, emerging from the darkness…

Rick .In. Charge.

Rick. In. Charge.

Rick orders them to put their guns down…two goons do, but Shitty Martin does not. Still knifed over in pain on the floor, Gareth tells Martin to do as he says, that there’s no choice any more.  Shitty Martin disagrees.

“Oh, yeah there is.” It seems that this is Martin’s Last Stand.

Abraham would beg to differ, moving up from the side aisle, assault rifle aimed at Shitty Martin.  “You wanna bet?”  Martin puts his gun down, gets on his knees.

Gareth, meanwhile, is trying to compose himself, despite the searing pain he is in. #karma

Managing to straighten up enough to look Rick in the face, Gareth asks, lightly, “Guess there’s no point in begging, right?”

Rick In Charge is not amused, says one word.

Rick In Charge is not amused, says one word. “No.”

Gareth asks Rick why they didn’t kill them right away, before, and Rick replies, “We didn’t want to waste the bullets.”

Ah, remember the good old days of shot count, Gareth?

Gareth is not very good at being on the other side of all this, and besides, his hand really hurts.  He tries at first to appeal to Rick’s sympathies, telling him that they used to help people, at Sanctuary, before they were taken advantage of, and brutalized. When this fails, Gareth tries the ol’, “I can tell you’ve been out there, but you don’t know what it’s like to be hungry!”

Rick In Charge just cocks his head at this, observing Gareth like a bird of prey would regard a future morsel, not saying anything.  Gareth then tries to bargain with Rick, saying that he, Rick, can just “let them go” and their paths would never cross again.

Rick cocks his head to the other side, points out that Gareth would cross paths with someone else…right?  And they would do this (i.e., capturing and eating a person) to anyone, right? Rick is quoting Gareth’s jibes to Bob back to him now.

“Besides,” Rick tells Gareth, “I made you a promise, before…”

Oh, Gareth, meet Rick Smash!  P.S. He's got anger issues.

Gareth, meet Rick Smash!p.s. he’s got anger issues.

I love the look on the Snide Terminal Bitch's face, like, oooh, don't hurt me!

I love the look on the Snide Terminal Bitch’s face, like, oooh, don’t hurt me!

Abraham goes to town on his Term.

Abraham goes to town on his Term.

Sasha takes care of Shitty Martin.

Sasha takes care of Shitty Martin.

Tyrese, Glenn, Tara, and Maggie watch the brutal massacre in horror.

Tyrese, Glenn, Tara, and Maggie watch the brutal massacre in horror.

And then, this happens…

Aww, yeah, girl, you know what that means...

Aww, yeah, girl, you know what that means…

Katana time again! Yes!

Katana-time again! Yes!

After the carnage, a dazed Rick says, simply, “It could have been us.” As he and the other heavies file out of the room, a shaken Gabriel enters, says, in disbelief, looking at his now bloodstained church, “This is the Lord’s house.”  “No,” says Maggie, looking majorly creeped out by it all, “This is just four walls and a roof.”

In the next scene, the gang is all around Bob’s bed, and one by one, they are saying their goodbyes.  Maggie gives Bob the sweetest smile, tells him that he will “always be with us.”  She turns, and she, Glenn, Abraham and Rosita, then the others file out.

Bob calls out to Rick, who is holding Judith, and Sasha leaves them to have a moment. Bob thanks Rick for taking him in, and helping him believe, and know, that there are good people left in the world.

Bob tells Rick he's not backing off his earlier stance...don't lose too much of what you really are, and don't stop believing that things will be good again, one day.

Bob tells Rick he’s not backing off his earlier stance…don’t lose too much of what you really are, and don’t stop believing that things will be good again, one day. “Nightmares end…they don’t have to end who you are.” Bob looks at Baby Judith, says, “Look at her, and tell me the world isn’t gonna change.”

Sasha sits by Bob’s side, later, watches him wake up.  “You were out,” she says, as he smiles.  “Why are you smiling?” she asks him.  “I think I was having a dream, and in it, you were smiling at me,” murmurs Bob.  This brings a smile to Sasha’s face, and that smile brings Bob joy. “There it is,” he murmurs happily.

sasha smiles for bob

Sasha asks Bob, “So what is it, what is the good that comes from this bad?” Bob doesn’t answer, and his face goes quiet, peaceful.  He is gone.  Sasha sobs, tries to compose herself. She knows what she must do, and she pulls out her knife…but she can’t bring herself.

Tyrese comes in the room, takes the knife from Sasha.

Tyrese comes in the room, takes the knife from Sasha. “Give it here,” he says, and lets her leave before he slips the knife in Bob’s temple, rekilling him.

The next day. Sasha is finishing up the wooden cross marking Bob’s grave, and the gang is saying their goodbyes to Glenn and Maggie, and Abraham and Co. Abraham hands Rick a map, telling Rick that he and his gang know the route Abraham and Co. are taking to D.C,, and if for some reason they veer off the charted course, they know the destination.  Abraham tells them that Eugene will fix things, and when he does, they should be there, too.

It is majorly surreal to see Glenn and Maggie looking out from the bus, with Tara, Rosita, Eugene, and Abraham.

Glenn and Maggie leaving...it just doesn't feel right!

Glenn and Maggie leaving…it just doesn’t feel right!

Rick sees the sweet note from Abraham on the map.

Rick sees the sweet note from Abraham on the map, later.

Later that night, Michonne sits on the front steps of the church, looking at the katana she holds once again.  Father Gabriel comes out and sits beside her.  He can’t sleep, keeps hearing the cries in his head from the night before…and from before.  Michonne tells him that won’t stop…but, eventually, it won’t happen all the time.

A noise from the bushes startles them.  Gabriel makes his way back inside while Michonne goes out to investigate…and finds, emerging from the bushes…

Daryl!

Daryl!

Michonne smiles, then frowns, asks, “Where’s Carol?” Without answering, Daryl turns back to the darkened bushes, tells someone, hidden, “You can come out.”

What??

Two things, before I sign off.  First, I would like to say that in my frenzy to get my post written last week, I forgot to award a Deadie, so this week, we are going Double Deadie…I hearby award these two Deadies to (drumroll please), Lawrence Gilliard, Jr. (and his character, Bob Stookey, who turned out to be a great guy, and family) and to Andrew J. West (and his character, Gareth). While Gareth wasn’t a great guy, he was a great villain, and I feel like this young, talented actor is going to be wowing us again and again in the future. Cheers, Bob and Gareth, and farewell.

Second, I am honored to have readers all over the world, as we are part of the worldwide community of Walking Dead Obsessed.  Since we have this wonderful network, I wanted to post this picture, and this information, about William Tyrell, a beautiful 3-year-old boy who has been missing for more than a month now.  He was last seen playing in his grandmother’s yard.  If anyone has any information about William, or his whereabouts, please contact the number provided.  Please, let’s try to help bring this baby back home safe.

come home william tyrell

Good night, gang, and until next week.  Enjoy the playlist.

Playlist:

Franz Ferdinand, “Take Me Out” (Because I really do think Gareth wanted Rick to take him out, there, at the end..)

alt-J, “Every Other Freckle” (For Sasha and Bob, who never got to party naked together…they would have had fun if they had)

Sneaker Pimps, “6 Underground” (Six Terminans, 6 Underground…you do the math.)

Phantogram, “Nightlife” (RIP Bob Stookey

The Walking Dead, Season 5, Episode 2, “Strangers”

Prologue

It wasn’t until late Monday morning, the morning after the initial airing of  The Walking Dead’s Season 5, Episode 2, “Strangers,” that I realized how hard I was avoiding sitting down to write my post on the episode.  

I tried, I really did.  But every time I went to sit down, focus, and write, I just couldn’t do it. It was like my mind, my body, my spirit were all saying, “Nah….nope.”

So, I did other stuff, productive things. I took my dog on a super long walk.. then, I puttered around outside in my yard, watering my garden, trimming back overgrowth, making a new batch of bio-safe plant spray (2 1/2 tablespoons vegetable oil, 2 1/2 tablespoons mild dishwashing liquid, 1 gallon water…put in spray bottle, and spray on plants, especially on underside of leaves, avoiding spraying in sun or in temperatures 90 degrees or above…spray every 5-7 days…controls aphids, lacebugs, mealy bugs, scale, spider mites, whitefly)  

All good stuff, I know.  Very productive. As I sprayed away the aphids, I kept telling myself, “After I vanquish these aphids, it will be time to sit, focus, and get some key writing done before going to work.” But every time I tried to sit, to write, it was the same thing…I tried, but I still wasn’t really feeling it. “Nope…not ready. Not yet.”

Now, this is all very irregular for me.  While this blog is an act of love, written in the stolen moments between being a busy working grown-up/wife/mom of two, I do hold myself to a rather stringent writing schedule, working long hours into the night, writing, watching, rewatching, picture-taking, picture-loading, reading, rereading, rewriting, until my face feels like it’s about to fall off, and my brain feels like it’s bleeding out my mucous membranes.

When I finally get to click on that magic word, “Publish,” well, that moment is a triumph for me, every time, and I know more than ever now what it takes to get there…so when i have the time, like on Monday mornings, I try to make the most of it.

“Come on,” I told myself. “You can do this.

And I tried. I really did. When all else fails, I go to music. The music always gets me going. So, I put on the playlist I compiled for “Strangers” (which is super epic, if I do say so myself) and had a one-woman dance party in the living room.  But, this time, music did not lead to writing. It just led to more dance party.

Can’t force it,”  I told myself.  So, I did other things. I posted a couple of pics on my Facebook page, tweeted a picture montage of Mary and the Karma Walkers (which I’m sure my four Twitter followers really enjoyed) and checked, and rechecked, all my social media. Then, instead of sitting in front of the laptop and getting to work, I went full-on hooky, curled up in my favorite outdoor easy chair with another cup of coffee, and watched the birds outside while soaking in some morning sunshine and good outdoor vibes. .

Sounds lovely, I know. It was. But somewhere inside, amdist all the loveliness, I was asking myself, “What the hell am I doing?”  I knew what I was doing.  I was procrastinating with life-affirming, self-soothing rituals because I was feeling pretty sick deep inside my gut about the end of “Strangers,” and what is happening to Bob at the hands of Gareth and the Terminans.  

The ending shot of “Strangers” was, to me, the point where the fans of The Walking Dead  television series officially cross the threshold into the “Dark Room” that Andrew Lincoln was talking about, in interviews, when he spoke about where the Season 5 story line would lead us.

I get it. I really do. I know that Kirkman, Gimple & Nicotero, Inc. have been going pretty easy on us Prime-Time Pollyannas thus far.

The Comic Series Set, who are like the elder siblings of us television-series-only crybabies, are probably saying at this point, “Man, Dad (aka Kirkman), NewDad (aka Gimple),and Crazy Uncle Greg (aka Nicotero, of course) never cut us the slack they cut you guys…you guys have had it so easy!

Kirkman’s message is clear:  Time’s up, people. It’s time to sac up, or pack up.

Remember The Law of Kirkman:

The Law of Kirkman states:  Kirkman will do as Kirkman wants, and Kirkman and Co. can, and will, play with our emotions. 

(For more on the Law of Kirkman, Daryl Partners/Daryl Plans, and other coping mechanisms, refer to my Season 4 mid-season prepost, “What Happens ‘After?’“)

Dad, NewDad, and Crazy Uncle Greg have been candy-assing us for long enough. They.Are.Done.With.That.  Now is the time for tough love, and the time for tough love is now.

Dad, New Dad, and Crazy Uncle Greg are proceeding to Go Comic Series on our asses (and p.s., they’re going to get jiggy with it).

They have been gleefully waiting for this moment.

<Mentally insert, here, image of Kirkman, Gimple, and Nicotero, laughing maniacally in peals of evil laughter>

The end of “Strangers” was a rough one for me, people.  I cannot lie.  And I’ve been a real dick to Bob in the past.  I feel sad, deflated…guilty. I know it’s not real, but as I’ve said before, I still obsess. I’m having some Post-Dick Guilt Syndrome (PDGS).

Bob Stookey. Sigh. ❤  Bob was being so sweet, and so hopeful.  Bob was letting himself believe, and Bob was falling in love with Sasha.  And Sasha was falling in love back. Bob is actually a really good boyfriend.  He listens, he communicates, he’s affectionate. I was rooting for Bob.

I am a big sap, I know.  I told you all this,right from the first, in my “Introduction” post. I have an overactive imagination, and I can’t always shake the things this show puts up on the crazy table.  I have been feeling some big-time Bob Melancholia. I did do my best to make it up to Bob by compiling an epic playlist in his honor.

But, while the music came, the words still didn’t.

I just…couldn’t.  In the words of Shitty Martin, “I don’t want to do this today.” 

So, I did other things, those good, soul-nourishing things, and then, I went to work. And when I got home from work, I didn’t settle in to write, like I usually do on the Monday nights after the episode, until the wee hours…until I collapse in bed for a few meager hours of sleep before the alarm goes off, and I have to be a mom and make it all happen, all over again… and so on, and so on, until I hit, “Publish.”

On this Monday night, instead, I settled in under the covers with my little dog, and we snuggled and shared night snacks and watched Divergent, and I took comfort in the warmth of the covers, and my little dog, and the uplifting tale of two hot young divergents finding love and kicking ass in a dystopian, post-apocalyptic world. And the next day, after work, after homework, after bedtime, I was finally ready to write.

And so I settled in.

And so, it begins.

_________________________________________________________________

“Strangers” 

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

(Note: I have been experiencing technical difficulties, and must kick this post old-school, rewatching “Strangers” on the TV and taking pics of the TV screen with my phone…is anyone else out there experiencing difficulty watching this week’s episode of WD on the AMC website? It won’t let me sign in to watch the full episode…just when I learned how to do the “snipping tool” screen shot, too…damn fickle technology!

I will, however, embrace the lesson…sometimes you gotta go back to the very beginning, where it all started.)

In the opening shot of “Strangers,” we see the plume of smoke from the fires of Terminus burning.  The plume is grey now, not black, signaling the fire’s ending stage. The smoke plume is some ways away, so .the gang seems to have covered some ground at this point, putting some miles between themselves and Terminus.IMG_8388

Nest, we see a shot of Rick’s head, coming up over the hill…his stride, his whole aura is focused, purposeful…totally hot.

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The gang takes a much-needed rest break in a quiet glenn in the woods. We see Carl, in his father’s sheriff’s hat, bleeding wound on his cheek, quietly and happily feeding his baby sister, Judith, her bottle.

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Judith’s bottle is almost drained dry, leaving my WD buddy and I to wonder how much formula for Judith is left on them, at this point.  They are probably rationing her as much as they are able, but my WD buddy and I are moms…we know how much growing babies need to eat, and drink.  We are worried for that baby, on many, many levels.

It has probably been a while since any of them have eaten anything of substance.

On last week’s Talking Dead, Scott M. Gimple said while Gareth and the Terminans did size up certain people who would potentially be viewed as Terminal Assets, and while Maggie, Glenn, Abraham and Co. would have definitely been seen as having Terminal Potential, they didn’t get a chance to enjoy any Terminal Barbeque, as Abraham felt the need to mention the mission to D.C. pretty soon into the introductions, back at “Public Face,” prompting Gareth to give the nod, and the look, sending our gang to Train Car “A” at gunpoint, only after relinquishing their choice items to the outstretched hands of the Hungry Terminans.   No barbeque for you!

Meanwhile, back at the glenn, Glenn is busying himself around the area, bending down to pick up something on the ground beside Maggie, without really looking at her…she puts her hand on his shoulder, and as he looks up at her, she smiles at him, says softly, “Hey…not so fast.”

They kiss briefly, and Maggie pulls Glenn in for a brief, sweet hug, smiling at Tara over Glenn’s shoulder in a silent, “Thank You” to Tara for having her man’s back, and for helping bring him back to her safely.

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Tara is looking like she is dealing with some PDGS herself.

Tara is looking like she has been dealing with some PDGS herself.

As she turns away from the happy couple, Tara sees Rick.

Tara and Rick face each other warily, cautiously for a moment.  Rick speaks first, is direct, “You didn’t want to be there (as a part of the Gov’s Army 2.0)….that’s why I tried to talk to you.”  Tara says nothing.

Rick nods over towards Glenn, continues, “Glenn told me you saved his life.”

Tara laughs a little, nods back. “He saved mine.” Rick gives her a sweet smile, says, “Well, that’s how it works with us…right?” He puts the question back to her. Tara gives the sweetest look (she’s so pretty). like she can’t believe he’s being so cool, and says, with a little, shy smile, agrees, “Right.”

The moment shifts, and they step back, slightly awkward again with each other. Tara extends her fist, with a small, “Hey…” Rick looks down at her fist, hesitates, just a moment, before smiling and extending his fist out for the bump.

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Rick Grimes isn't one to leave a sister hanging.

Rick Grimes isn’t one to leave a sister hanging.

After pounding it out, Rick gently advises Tara to go get something to eat, they’ll start back at sunup. Seems like they are staying put for the night.

In the next shot, we see Rick’s head coming up over the hillside, then the rest of the crew.  Maggie looking weary, pale, sweaty…it must be so hard, being on the run, being on guard always, barely any food or sleep or rest…grueling, no time to recover from the last terrible thing that happened…and it’s just one long string of terrible things, all the time now. Our gang is having a hard time getting a break.

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In the next scene, we see Carol and Tyrese, crouched down, side by side, collecting water from a stream in plastic bottles. They look awkward, neither of them really talking, or looking at each other, but then Tyrese sneaks a look over, tells Carol that he “talked to Rick” and let Rick know that he, Tyrese, knows what Carol did at the prison, that Daryl and Maggie accept it, too.

At Carol’s silence, Tyrese adds, “You wouldn’t be here if they didn’t,” which I guess was meant to be reassuring to Carol, but doesn’t quite come across as the warmest “welcome back into the fold” speech ever.  Carol says nothing. Tyrese continues, offers to “talk to the others, make sure they accept it too.”

“They don’t have to,” Carol points out, quickly.  Tyrese looks over at Carol, quietly disagrees, “No, they do.”  He looks back down at the flowing water. “They just do.”

After a moment, Tyrese looks up, out at the water. “We don’t need to tell them about the girls…I don’t want to.”  Carol looks over at Tyrese, asks, “Why?”

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Tyrese stares down at the water. “I just need to forget it,” he says.

The montage shifts back to the gang, walking in loose formation, looking like the badasses they are.

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Bob and Sasha walk together, and we see Sasha talking, her hands gesturing, while Bob listens attentively, like a good boyfriend. (wave of sadness, sip of Stella) 😦

Up a ways, the group comes upon Hey, Where’s the Party At? Walker:

Hey, Where's The Party At?

I love Hey, Where’s the Party At? Walkershe seems like she can throw down with the best of them.

With a little smile, Michonne tells the gang, no worries, I got this...and with a little smile on her face, she  takes out some pent up anger on the walker...you wanna party?  Let's party!

Michonne tells the gang, no worries, I got this...and with a little smile on her face, she takes out some pent up anger on the walker. You wanna party? Let’s party!

I am coveting Michonne's boots so hard right now.

I am coveting Michonne’s boots so hard.

As Abraham and Rosita stop a moment to admire Michonne's handiwork, Abraham murmurs,

As Abraham and Rosita stop a moment to admire Michonne’s handiwork, Abraham murmurs, “Right there is why we’re waiting for our moment.” Rosita looks a moment, agrees, “Fair enough.

Later, at night, by the small campfire, Rick approaches Carol. “I owe you everything,” he begins. Carol shakes her head, slightly, demurs,  “You owe Tyresehe was at the prison.”  Rick nods, asks Carol if she went back there.

Carol doesn’t answer in words, but her manner seems like she did maybe try to go back to the prison, and saw what had happened to it.  She reaches into her bag and pulls out the watch that Rick had given to Sam, back in Season 4’s “Indifference.”  Rick looks at the watch, then back at Carol. She tells him she found the watch in one of “their storerooms,” back at Terminus.

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I actually shot up out of a sound sleep the other night, realizing, “It was the watch Rick gave Sam that Carol grabbed at Terminus, not the Ed watch!”

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“I saw them kill him…that kid,” Rick says, looking down at the watch…then, he reaches in and pulls out the watch face that Carol had given Rick to replace the watch that he had given to Sam that day. Rick offers the watch back to Carol, who shakes her head no. 

New Carol say, No way. Later for that shit.

Rick leans in closer to Carol.  “I still don’t know about what you did,” he says. “But, I know you knew some things that I didn’t.”  Rick looks away, pained. “I sent you away…to this. Carol interjects, “You said I could survive…you were right.”

Rick looks at her, then away again, I sent you away to this,” he repeats, “and now, we’re joining you.” Rick looks up at Carol, asks humbly, gallantly, “Will you have us?”

This humility, and gallantry, sent shock waves of Pure Rick Hotness through my WD buddy and me as we watched this scene.

“Will you have us?”

“True blue,” my WD buddy pronounced Rick Grimes, as we clinked glasses together in a toast.  I was in complete agreement.  The man just keeps getting finer and finer, people. Tender, and manly, lethal when he needs to be, kind, beautiful.

Rick Grimes is just killing me right now, he really is.

Carol, who isn’t one to leave a brother hanging, smiles a little and nods.  Rick bows his head slightly, once more, in silent thanks, before walking away.

Later…

Speaking of awkward silences...

Speaking of awkward silences…

...and beautiful, tenderhearted men...

…and beautiful, tenderhearted men…

Carol refuses to look Daryl, tells him,

Carol refuses to look Daryl at first, tells him, “I don’t want to talk about it.  I can’t.  I just want to forget it.”

Daryl does not reply. Carol turns to look at him. Daryl looks back at Carol a moment, says, simply, “All right.”  Carol looks away.  Daryl looks down, lost in his thoughts. He looks sad.

A lot has changed from the days before, at the prison...

A lot has changed from the days before, at the prison…

Suddenly, a noise from the woods diverts Daryl's attention...he's so on it, super hot

Suddenly, a noise from the woods diverts Daryl’s attention…he’s so on it, super hot.

Daryl silently springs up to standing, motions Carol back as he goes forward to investigate...

Daryl silently springs up to standing, motions Carol back as he goes forward to investigate…

As Daryl listens, the woods settle down to silence once more.

As Daryl listens, the woods settle down to silence once more. “It’s nothing,” says Daryl, but he and Carol stay still and quiet, waiting listening, a moment more…

...as we see a dark figure creep away into the darkness, from where they had been crouched, hidden, watching Daryl and Carol.

…as we see a dark figure creep away into the darkness, from where they had been crouched, hidden, watching Daryl and Carol, listening. Waiting…

The next day, the group is traversing the woods…they hear a noise, raise their guns, but it’s just Daryl, back from hunting. with a haul of squirrels. Daryl  raises his arms in mock seriousness, says, “I surrender.”  Soooo cute.

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Rick and Daryl stealth forward from the group, gliding through the woods, keeping eyes and ears open.  It seems that Daryl was not just hunting; he was tracking, to see if he could find traces of someone else in those woods.

“No tracks, nothin’,” Daryl says.  “So whatever you heard last night…?” asks Rick. Daryl tells Rick it wasn’t so much what he heard…it’s what he felt. Like someone was watching them.

Daryl, being a hunter himself, is attuned to the rhythms of the wild, and to his gut sense, his intuition. It’s so hot, one of the many reasons we love Daryl Dixon so.

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Abraham jibes Rick with some cop/coffee humor, then slips it in there about how they’re going to keep an eye out, at the next road, for a working vehicle that can take them North.

“Good?” Abraham asks Rick, of this plan. It seems he’s feeling Rick out, seeing if Rick and the gang are in on The Mission to D.C., but Rick simply says, “Good,” like, yeah, whatever you gotta do, man. Rick hasn’t committed himself, or his people, to Team Eugene yet.

Meanwhile, Bob and Sasha are playing an adorable game of Pros and Cons of Walker Apocalypse, Bob, of course, cheerfully providing the pros, while Sasha lists the many cons:

Sasha: Wet socks.

Bob: Cold feet.

Sasha: Mosquito bites.

Bob: Itching reminds you you’re alive!

Sasha: Danger around every corner…

Bob: Never a dull moment.

Sasha: The sun beating down on you!

Bob: C’mon…a glorious tan!

This tickles Sasha’s funny bone, and she licks the corner of her mouth, through her teeth, in mirth.  And joy.  And new love.

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Sasha: No privacy.

Bob: A captive audience. (With this, Bob leans in and steals a kiss, as Sasha laughs and beams back up at him.)  

Ouch, knife in my heart! 😦

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(It’s only 11:34 am, but I have opened a Stella, and I’ll tell you why.  Number one, the kids are at Mema’s for the night, and I don’t have to work. I do however, need to finish this post, so I can go see my beautiful hubby play some music tonight, and party by the lake, by the fire, with amazing friends, and be an adult for a night.

Number two, I need to raise this Stella to Bob… because I am having a major wave of PDGS right now, yes, but also because I am rewatching this, and I am seeing Bob be this great guy who can make a woman laugh, and be the kind of new boyfriend to keep a woman laughing, far into the night, giggling and cuddling and tussling until she’s like, “C’mon, we have to go to sleep…I have to get up for work in two hours!” And when she does get to work, late, she hasn’t had any sleep, but she does have a big smile on her face, and a spring in her step, much to the wonder and amusement of her co-workers.

To Bob Stookey, ladies and gentlemen. Raise ’em if you got ’em.)

To Bob!  Cheers! 

Surely, it’s 5 o’clock somewhere…

Suddenly, a cry for help in the forest…

Carl urges, “C’mon, Dad…come on!” for Rick and the others to go see, and help whomever is in trouble. Rick hesitates, looks at the others, then they rush to investigate, and find the Eat the Priest Walkers, who have found a tasty snack on a rock, Father Gabriel.

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Eat the Priest! Eat the Priest!

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The gang comes to save another day, and mess up some walkers.

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I like seeing Michonne employ other weaponry and walker-killing techniques, but I do miss the katana…

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New Carol, ever handy with the knife…

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Rager Walker comes ambling around the rock...

Rager Walker comes ambling around the rock…

..looking for his girlfriend, Hey, Where's the Party? Walker...seems like they got split up at the last rager in the woods, a night or two back...

..looking for his girlfriend, Hey, Where’s the Party At? Walker...seems like they got split up at the last rager in the woods, a night or two back.

Naw, haven't seen her, man.  Sorry.

Naw, haven’t seen her, man. Sorry.

Once the Eat the Priest Walkers are taken care of, the gang turns to Father Gabriel, who turns out to be a crier…and a puker. (As I too am a crier, and a puker, I do not hold this against Gabriel.)  When Rick asks Gabriel if he’s ok, Father Gabriel lifts a finger, like, a moment, please…and then unleashes his lunch onto the ground, as the group watches in a comic mixture of sympathy, disgust, and impatience.

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Hurl!  Ughhh...man.

<Hurl!> Ughhhman.

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Rosita’s like, Gross…

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When Gabriel finishes hurling, he apologizes, wiping his mouth, before standing back up, thanking the group for saving him, and introducing himself, “I’m Gabriel.

Without introducing himself, Rick asks Gabriel if he has any weapons on him.

Gabriel raises his arms, and his eyebrows, looking around at the group, laughing in disbelief.  “Do I look like I would have any weapons?”

Abraham replies, “We don’t give two short and curlies what it looks like!”  Ha!

Father Gabriel then proclaims: “I have no weapons of any kind.  The Word of God is the only protection I need.”

To this, Daryl replies, “Sure didn’t look like it.”

Gabriel laughs, replies, “I called for help. Help came.

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Michonne, and the rest of the gang, are all like...say what?

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Is this guy for real?

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Rick In Charge thinks it’s all bullshit.

Father Gabriel’s stocks plummet even lower with the gang when he asks them if they have any food, as whatever he had in his stomach before just hit the ground…

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Daryl, sporting a black eye, just looks at Gabriel, like, dude…really?

Carl does the Christian thing to do, steps forward and offers Gabriel some pecans, while the others stare on in disbelief at this guy.

Carl does the Christian thing, stepping forward and offering Gabriel some pecans, while the others stare on in disbelief at this guy.

Gabriel then sees Baby Judith, being held by Tyrese, and smiles, comments what a beautiful child she is… At this, the gang instinctively draws in closer towards Judith, eyeing Gabriel menacingly…

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Carl’s like, “Oh, shit, no he didn’t...” The look on Maggie’s face is pretty awesome.

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Papi Grimes ain’t playing around with this shit any more.

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Rick gets Lieutenant Deputy on Gabriel and gives him the pat down (lucky, Gabriel!), asking Gabriel the first of the three questions, “How many walkers have you killed?” Astoundingly, Gabriel replies that he has not killed any.

Gabriel asks them if they have a camp, to which Rick quickly answers, “No,” then asks Gabriel if he does.  Gabriel replies that he has a church.  Rick then asks Gabriel the second question, “How many people have you killed?”  Again, astoundingly, Gabriel turns, surprised, to Rick, answers, “None.”

In a brilliant twist to the usual questions, without missing a beat, Rick asks the third question, “Why?”  At this, Gabriel draws up a little taller, although real fear is in his face as he regards Rick, and the group, who are all vibing him, hard.  

“Because the Lord abhors violence,” Gabriel declares sanctimoniously.

Rick crouches slightly in front of Gabriel, angling himself so he peers up into Gabriel’s eyes, as he whisper-hisses, to Gabriel, “What have you done?”  It’s amazing to me, watching it, that this way of getting down, crouching lower, to peer up into a person’s eyes while interrogating them is actually way more menacing-looking than trying to bow up, be taller.

Gabriel’s eyes are huge as he looks back at Rick.  “We’ve all done something, continues Rick.  Gabriel’s eyes dart from member to member of the group, as he replies that he is a sinner, who sins every day, and then confesses those sins up to “God…not strangers.”

Michonne pipes in, “You said you got a church?”

As Gabriel leads the gang through the woods, towards his church, Rick asks him if he had been watching them, before.  Gabriel replies that no, until today, he hadn’t made it very far beyond the safety of the church’s walls.  He muses aloud that nowadays, people are just as dangerous as the walkers…Daryl replies that people are worse.

As the gang walks, and wonders, about all this, Gabriel starts getting weird, says, suddenly, “Or, maybe I’m lying, maybe I’m lying about everything, and there’s no church ahead at all…maybe I’m leading you into a trap so I can steal all your squirrels…”

Why Father Gabriel would try a creepy unfunny joke like that on a hot, edgy, weapons-toting gang like our gang, I don't know...

Why Father Gabriel would try a creepy unfunny joke like that on a hot, edgy, weapons-toting gang like our gang, I don’t know…

...but our gang is not amused.  As Rick menaces up to a shaken Gabriel, Gabriel quickly adds that he has been told before that his sense of humor left much to be desired...

…but our gang is not amused. As Rick menaces up to a shaken Gabriel, Gabriel quickly adds that he has been told before by a friend that his sense of humor left much to be desired…

Daryl agrees...

Daryl chimes in, agrees…

“They’re right…it does.” Ha!

Gabriel's church, which was built on from scratch on the WD set

Gabriel’s church, which was built on the WD set.

As they approach the front door, Rick holds out his hand for the keys.  “We want to hang onto our squirrels, he tells Gabriel, sarcastically.  The gang enters the church and clears it, room by room.

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Carol finds Gabriel's office, with a journal book containing handwritten scripture...THOU SHALT NOT KILL.

Carol finds Gabriel’s office, with a journal book containing handwritten scripture. THOU SHALT NOT KILL.

At the front altar, Rick finds many opened cans of food, which backs up Gabriel's story or not leaving the church and being well-stocked from a recent canned food drive, before the turn.

At the front altar, Rick finds many opened cans of food, which backs up Gabriel’s story or not leaving the church and being well-stocked from a recent canned food drive, before the turn.

In another room, Glenn finds a framed embroidered quote...

In another room, Glenn finds a framed embroidered quote…

...and children's drawings of the burning bush...

…and children’s drawings of the burning bush…

...And baby Moses in the wooden cradle, hidden in the water among the reeds.

…And baby Moses in the wooden cradle, hidden in the water among the reeds.

When they come back out, Gabriel attempts a mild joke again, saying that he had been alone, not leaving the church, for months, so if they had found anyone inside, well, he would have been surprised.

Now, my question right now is this: It seems like at this point, Gabriel could really be telling the truth, but if so, where are the other parishioners?  If an apocalyptic event did take place, wouldn’t a close-knit community church be a logical place for people to go, especially if they had lost family members, had to flee their homes…wouldn’t they have come to the church, to unite with others and take shelter there?  And if so, where are they now?  Why is Gabriel all alone in that church?

Abraham reports that there is a short bus behind the church that he could get running in a day or two. Rick says nothing, smooths his hand on Baby Judith’s head.

Abraham continues, “Looks like we’ve found ourselves some transport.”   Rick says nothing. Abraham continues, “You understand what’s at stake here, right?”

“Yes, I do, “ Rick replies.  Michonne cuts in, “Now that we can take a breath…” Abraham points out that every time they try to stop and take a breath, shit inevitably goes down.

Michonne counters that they need supplies, and rest, and to figure out their next move.  Rick agrees, “Food, water, ammunition.”

And, one by one, the gang agrees before filing into the church… Glenn tells Abraham that they’re doing what Rick does, that their group is not splitting up again.  Tara stops, tells Abraham, “What he says,” before following Glenn into the church.

Sasha nudges Bob, who tells Abraham that they do want to roll with him, but, “What she (Tara) says,” before heading into the church as well, leaving Abraham and Rosita standing outside.

Inside the church, Rick asks Gabriel how he survived this long.  Gabriel explains that the church had just completed their annual canned food drive, and had not yet delivered the canned goods to the food bank.

Then, everything fell apart.  Gabriel subsisted on the canned foods for a long time, but the food supply eventually ran out.  He ventured out more, scavenging and cleaning out all the places nearby…all except one.  Rick asks why, and Gabriel says it’s overrun, with twelve or more walkers, by his estimation.

Rick says they can handle twelve walkers, and Sasha volunteers herself and Bob for the run, saying that Tyrese could stay back and help watch over Judith.

I love how Sasha is being so sensitive to her brother’s needs, and Tyrese smiles at this, says that he can watch the baby any time, and if she needs anything, ever, he is there for her. He really has grown to love little Judith.

Rick thanks Tyrese for this, stepping forward and quietly adding that he too is grateful to Tyrese for “everything else.” True blue, just like my WD buddy said.

Especially when Rick turns to Gabriel, tells him, “You’re coming with us.” As Gabriel protests (“You saw me out there…I’m no good around those things.”), Rick repeats, “You’re coming with us.”

Before they leave on the run, Rick crouches beside Carl, who is sitting in one of the church pews, and tells Carl that he doesn’t trust this guy. Carl immediately asks why. Rick asks Carl why he, Carl, trusts Gabriel.

Carl replies, Everyone can’t be bad.”

Rick nods, pauses a moment, then tells Carl, “Well, I don’t trust this guy…that’s why I’m bringing him with me.  But he can have friends, so that’s why I need you to stay alert, and help Tyrese protect Judith.”

Carl nods at this.

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Rick shifts, continues, “Now, I need you to hear what I’m about to say. You are not safe, no matter how many people are around, no matter how clear the area looks, no matter what anyone says…You are not safe.  It only takes one second, and it’s over.  Never let your guard down.” Rick asks Carl to promise he will do this, and Carl promises he will.

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As Rick goes to leave, Carl calls to his dad.  Carl says he knows Rick is right, and they they are both strong, they all are, but…they are strong enough that they can still help people. and they can handle themselves if things go wrong. Carl tells his father, “We’re strong enough that we don’t have to be afraid, and we don’t have to hide.”

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Once again, Rick is looking like the hottest single dad ever, taking in his son’s words, and his wisdom.  Rick nods, then tells Carl, “Well, he’s hiding something,” meaning, of course, Gabriel.  (And we know it too, but what? Whatever it is, it’s sure to be creepy as all get-go.)

As Rick, Gabriel, Bob, Sasha, and Michonne make their way to the food bank, Bob is telling Rick that D.C., and Eugene curing this epidemic, is going to happen, and when it does, one does not want to let too much of who they were, before the turn, go in the quest for survival.

When the cure happens, Bob says, you don’t want to be in a place where you can’t come back from it. Don’t let go of too much of who you really are.

“You’ll see,” Bob tells Rick. “You’ll be back in the real world.”  Rick counters, “This is the real world.”

“No,” Bob replies, “This is a nightmare, and nightmares end.”  Bob laughs at his own optimism.  “Maybe this is just one of those parts of not letting go.”

Meanwhile, Daryl and Carol are walking down another road, carrying plastic gallon bottles of water.  “I get it, you don’t want to talk about it,” Daryl says, with a small smile on his face.  He turns to look at Carol. “You ok?” he asks. Carol gives him a small smile.

“Gotta be,” she answers.

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Daryl says that they need to start over, all of them, with each other. He looks at Carol. “You saved us, all by yourself.” Carol replies that they got lucky.

“We all should be dead,” she announces, dryly. They see a car, go to check it. It doesn’t start, and Carol goes around, pops the trunk, There seems to be some sort of generator, or back-up battery, or charger.

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As she does this, Daryl steps up, holding his water bottles, and leans in, telling her, “We’re not dead.  We can start over. Whatever happened back there, happened. We’ll start over.” He looks so open, sweet as he says this, and Carol seems disarmed by Daryl as well.

(At this point, I would have pretty much thrown myself into Daryl Dixon’s arms, sending the water bottles flying, sobbing, “It was so hard…hold me!”)

Carol says, simply, “I want to.”  Daryl is giving her such a soulful look, so open and sweet, says, “You can.”

Carol  looks away, faltering, then gets back to business. She presses the red button on the generator, and the dials spring up, presumably charging the car’s battery. Carol then says that they should leave the car as backup in case things go south at the church.

Daryl starts to ask if she wants him to carry one of her water bottles, but in gesturing towards her, drops one of his own gallons.  Carol smiles at him, as Daryl sheepishly rubs his eye, bends forward and picks up the bottle he has dropped.

Smiling still, Carol says, dryly, “No,” before they continue on.  Pretty adorable.

Meanwhile, in front of the gun store, Tara mentions that maybe these days, a gun store probably doesn’t have anything left on the shelves, and Maggie agrees that it doesn’t exactly look good.  They hear a crash from inside, and instinctively raise their guns. Glenn emerges from the store, a little spooked. At first he tries to say there was a walker in the store, but has to fess up that he merely tripped over a stack of boxes, and a mop.

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Tara and Maggie share a laugh, and Glenn deposits three silencers in Tara’s hand. They are shocked that he actually found anything, and Glenn replies, walking away, that,Rule number one in scavenging...there’s nothing left in this world that isn’t hidden.” These words seem to hit home with Tara, and she looks down, troubled.

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Meanwhile, Rick and the gang, led by Father Gabriel, have arrived at the food bank. Rick leads the group in, gun raised, and hears sloshing noises, and the telltale hiss and slaver of walkers.  He approaches a hole in the center of the floor, wrinkling his nose at the smell,  looks down, and sees grey, goopy walkers sloshing through chest-deep water in the cellar.

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Bob and Sasha approach, Bob attempting to cover his nose with the crook of his arm, remarking, “If a sewer could puke, this is what it would smell like.”  Michonne looks up and sees the holes in the ceiling, remarks that the water’s been coming in here for a while, and it’s “slimed this place up good.”  Yuck.

Sasha has the idea of using the shelves to block the walkers, because of course, where the fetid waters, and walkers, are, so is the food, sitting in sealed cans and jars on the shelves in the cellar.

Rick agrees that Sasha’s idea is the way. They must go down, and as they prepare to do so, Rick turns back to Gabriel, reminds him that “you’re coming with us.” Gabriel’s look says it all, but wisely, he doesn’t complain.

Once down in Hell’s Slimy Basement, the gang starts moving the shelving together, creating a barricade against the walkers, who reach and paw at them. There are many large cans of food on the shelves, so it is definitely worth it to be down there, but oh, god. So gross.

Great kill scenes, with grey goosh shooting out of the walker’s heads when Rick and the others stab them with their machetes, knives, through the shelving.

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Gabriel then sees, through the shelving, a once familiar face: Friends With Benefits Walker, who was once a cute church lady in cat-eye glasses, is sliming her way towards him, hissing and snarling.

Gabriel panics, splashing and slipping in his haste to get away, pulling the rotten wooden staircase into the water as he tries to scramble up the steps…in a last resort, Gabriel reaches back and drapes his arms out on a horizontal wooden beam behind him, looking like Christ on the cross.

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Miss me, sugar?

Miss me, sugar?

Awww...come on, don't be that way!

Awww…come on, don’t be that way!

Gabriel definitely has a flair for some dramatic posturing.

Gabriel definitely has a flair for some dramatic posturing.

Gimme a kiss. lover.

Gimme a kiss, lover.

Rick of course must go save Gabriel’s sniveling ass, and the others are forced to push the shelving barricade in front of them down, submerging the walkers, some dead now, some not, while Rick makes his way towards Gabriel and his full-on wack attack.

As the others grapple with the other water-walkers, Rick reaches Gabriel’s FWB Walker, grabs her by the back of her head, and smashes her goopy head into the wall, where it explodes apart in a sickening display.

Bob makes his way to a floating box of canned goods, smiling, until Halloween Store Skeleton Walker grabs him from under the water, pulling Bob under.  Sasha screams for Bob, lunging towards where he went under, and suddenly, Bob and the Halloween Store Skeleton Walker surge back up, the HSSW snapping its teeth at Bob.  Sasha ends up bashing its head in with the corner of a plastic container, before checking on Bob, who is shaken, but tells Sasha he’s ok.

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The scene between Bob and the Halloween Store Skeleton Walker wasn't really doing it for me...it kind of just looked like Lawrence Gilliard, Jr., who plays Bob, was just pretending to wrestle a...well, a Halloween store skeleton.

The scene between Bob and the Halloween Store Skeleton Walker wasn’t really doing it for me…it kind of just looked like Lawrence Gilliard, Jr., who plays Bob, was just pretending to wrestle  a Halloween store skeleton.

Sasha checks Bob over, as he tells her he's ok.

Sasha checks Bob over, as he tells her he’s ok. “I’m fine, now.”

As the gang wheels their haul of plastic container boxes of canned food on dollies back to the church, Gabriel apologizes to Rick for panicking back at the food bank. Rick looks at Gabriel, asks him if that woman walker back there was someone he knew before. Gabriel says nothing, and Rick narrows his eyes, says, “Yeah, I get it. You only tell your sins to God,” and walks away, leaving Gabriel speechless.

Later, Rick asks Michonne if she misses her sword. She replies that it wasn’t really hers to begin with. Rick asks her how she got so good with it, and she tells him that for a long time, it was just her, and them, and that’s all there was.  Michonne says that she isn’t sure what that time was, but it sure wasn’t living…not like now, she adds, smiling…chest-deep in slime, all for a haul of canned peas and carrots…now that’s living.

Rick laughs, a real laugh, at this, and I thought to myself, “Are they flirting?” I would really love that!

Carl has something to show his father, upon their return.  On the outside of the church, there are punctures, scratches in the wood and paint, as of someone was trying to pry their way in with a knife.

Did Gabriel lock himself in the church, closing its doors to the parishioners outside, refusing them refuge inside?

Did Gabriel lock himself in the church, closing its doors to the parishioners outside, refusing them refuge inside?

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Carl has something else to show Rick.”It doesn’t mean Gabriel is a bad guy, but it means something,” Carl says, as they take in the message carved into the side of the church: “You’ll burn for this.”

That night, our gang is enjoying a rare feast, complete with wine, and laughter.  Abraham has chosen this moment to bring home The Epic Speech: 

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“I’d like to propose a toast…I look around this room, and I see survivors.  Each and every single one of you has earned that title.” He raises his glass, “To the survivors!”

Glasses raise, voices call, “To the survivors!”

Abraham wipes his mouth, continues by asking, “Is that all you want to be? Wake up in the morning, fight the undead pricks, forage for food, go to sleep with two eyes open, rinse and repeat…cuz you can do that…you got the strength, you got the skill…the thing is, for you people, what you can do, is just surrender…for, when we get Eugene to Washington, he will make the dead die, and the living will have this world again, and that is not a bad takeaway for a little road trip.”

Carol, as Abraham says all this, is looking at the door.  Abraham asks Eugene what’s in D.C., and Eugene said it real fast, so I didn’t really get it, but the words “pandemic” and “infrastructure” came through.  Abraham translates for the group…walls, and protection, and however long it takes Eugene to flip the switch on this walker pandemic, the gang will be safe there, safer than they’ve been out here.

Abraham drives it home. “Come with us…save the world for that little one,” and all eyes, of course, go to Baby Judith, who is getting sleepy in her father’s arms.

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Baby Judith sits up and makes a sweet noise that sounds like, “Yeah!” and her father laughs, says, If she’s in, I’m in…We’re in!” 

Cheers and smiles follow this sweet pronouncement.  Bob’s eyes are soft as he looks at Sasha, with wine, and emotion, and love.  Sasha tells him that her brother isn’t going to be the only one who gets to hold that baby, Before she gets up, Bob pulls her back down, for “one more.”

They kiss (probably for the last time), and look at one another for a long moment, before Sasha goes to scoop up Judith and Bob shuffles off through the church, lost in his thoughts.

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Meanwhile, Tara has come over to sit beside Maggie.  Looking into Maggie’s face, Tara comes clean about being with the Governor’s army. She tells a shocked Maggie that she didn’t know who the Governor really was, or what he could do, and she certainly didn’t know Maggie and the rest of the group at the prison.

Tara tells Maggie she didn’t want it the be “hidden” any more, that she was with the Governor’s army, back at the prison.

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Being the angel goddess that she is, Maggie hugs Tara, tells her that “you’re with us now.”

Rick approaches Gabriel, who sits alone in a pew.  He thanks Gabriel for the hospitality, lightly remarks that he’s surprised that Gabriel didn’t drink all the communion wine, being holed up in the church, alone.  Gabriel replies that there is nobody around, any more, to take communion.  “The wine is just wine, until it’s blessed,” says Gabriel, before taking a big swig of it, straight from the bottle.

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Rick watches this, says softly, “You’re hiding something, and it’s pretty obvious it’s something you can’t hide from….that’s your business.  But these people, these people are my family, and if what you’re hiding hurts them in any way, I’ll kill you.”

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Meanwhile, Carol has found her way back to the car they had found earlier. It sounds like she has gotten it started, when a lone night walker lurches towards her. She steps forward and rekills the walker easily, then whirls at another noise.  It’s Daryl, looking majorly fine as he emerges from the darkness. He asks Carol what she’s doing, and Carol shakes her head, answers that she doesn’t know.

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Follow that car!

Suddenly, the screech of tires…Follow that car!

Suddenly, the roar of another car startles them, and they duck behind the Carol car to hide. Daryl stands when he recognizes…the black car, with the white cross painted on the rear window. Daryl runs to the Carol car, smashes out the real taillights.  “What are you doing?” cries Carol.  Daryl tells her “that’s the car, they got Beth! Come on!” And Daryl and Carol speed off after the dark funeral car, to get Beth. (Was not expecting that one! Could get interesting…)

Meanwhile, Bob is buzzed, outside, looking in the windows of the church, at his friends inside, happy, smiling. Then, he shuffles to a tree, leans heavily against it, and breaks down in tears.  And of course, behind him, comes the hunter, who bashes Bob’s head from behind, dropping him.

There was some speculation that Bob had actually gotten bitten in the Hellish Basement of Grey Goo Walkers by Halloween Store Skeleton Walker, but I do not think that is the case.  I think Bob was just buzzed, and feeling emotional, and thought he had a moment to indulge himself in a little drunken crying jag.  But, Bob thought wrong. So wrong.

I have a terrible habit, sometimes, of fussing at my kids when they come to me after getting hurt.  I clean their wound, kiss their boo-boo, but sometimes I get so freaked out when they get hurt that I kind of yell at them, like, “Sweetie, I’m so sorry that happened, but why were you running in the car port with the dog? She can trip you, and you can get hurt if you fall on the concrete! I’m so sorry sweetie, so sorry you got hurt…but you know you shouldn’t run on the carport!” 

I know, terrible, and even more terrible is that you now have to indulge me a moment while I act out this terrible parenting on Bob right now, because I am so freaked out that he is getting hurt: “Bob, you know that while you like to catch a good wine buzz, alcohol is not exactly your friend…you tend to get in trouble when you get a buzz on, you know that!  And if you needed to take a leak, fine, but then you go back inside, not stay outside, weaving and lurching and getting all weepy on a tree…nothing good can come from that, Bob! And now, they got you, and I’m so sorry that happened to you, but what were you thinking?

I am a terrible person, I know..truly a flawed human being.  I hate myself.

But what I hate, even more, is this:

Blurred, dazed, Bob’s perspective as he begins to blink awake…we see some dude, poking at the fire, and we see Shitty Martin, who Tyrese apparently did not kill, and then we see, and hear, Gareth.

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“Waking up…ahh, you’re back with us.  Good news is, you’re not dead yet. That’s a relief, right? Try not to read too much into the word ‘yet’ there, It’ll just drive you crazy, Bob.”

Bob looks around, the fear and  horror of what is happening sinking in as he looks, realizes, takes it in.  Gareth, meanwhile, crouches down beside Bob, tells Bob that he wants to “explain himself.”

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“We didn’t want to hurt you…before. We didn’t want to pull you away from your group, or scare you…these aren’t things that we want to do.  They’re things we gotta do. You and your people took away our home.  That’s fair play…now we’re out here like everybody else, trying to survive. And to do that, we have to hunt.”

Shots of the group, inside, talking, laughing, relaxing. Shot of Gabriel, looking down at a picture of himself and his special lady friend, before she became Friends With Benefits Walker.

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Gareth continues, “It didn’t start out that way…eating people. It evolved into that…we evolved. We had to.  And now, we’ve devolved into hunters. I told you, I said it, ‘You can’t go back, Bob.'” Gareth wags his finger at Bob, then smirks at him. “I just hope you understand, that nothing happening to you now is personal.. Yeah, you put us in a situation, and it’s kind of a cosmic justice for it to be you…but, we would have done this to anybody. We will.”

Gareth looks off for a moment, saying this, “At the end of the day, as much as we hate all this ugly business, a man’s gotta eat.” And the camera pans back, and Bob looks down at where his left leg used to be, and is now only a bloody, bandanged stump. Bob starts to hyperventilate, as Gareth holds up a finger, and after taking a bite of meat, says,

“If it makes you feel any better, you taste a lot better than we thought you would.”

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And we, and Bob see, the group around the fire, quietly eating meat that has come from Bob’s leg, which is shown burning on the grate over the fire.

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Dude, even the Gov’s like…

They eat people? Man, that's fucked up.

They’re eating his leg?? Man…that’s fucked up.

Due to technical and emotional setbacks, and due to the fact that there was a lot of life happening in between the bouts of writing this post, this post is super late, for which I apologize. The playlist, as I said, is pretty great, as some of my faves are in it for sure, and even though Gareth is the damn Cutter, I will not let him be a song ruiner for what may be my favorite Echo and the Bunnymen song.

You may have gotten Bob’s leg, Gareth, but you don’t get the song!

 Playlist:

The Temper Trap, “Sweet Dispostition” (for Bob and Sasha <3)

Radiohead, “Optimistic” (and for our sweet gang..)

Mastodon, “Aqua Dementis” (for all the fugly water walkers…poor Sweet Walker Pete’s prolly not looking too good these days, either)

Lykke Li , “Possibility” (Bob, I am so sorry, man. 😦 )

Echo and the Bunnymen, “The Cutter”  (Ok,..dammit, Gareth, I probably am going to think of you now every time I hear this song….but I’m still gonna love it.  Maybe even more so…damn you.)

A Flock of Seagulls, “Space Age Love Song,”  (for Sasha and Bob) 

Re-Entry: Countdown to The Walking Dead’s Season 5

“Re-Entry”

re-en-try:  noun

1. the action or process of re-entering something

2. (law)  the action of retaking or repossession.

3. (atmospheric)  the movement of an object into and through the gases of a planet’s atmosphere from outer space, which exposes the object to the opposing and potentially combustible forces of gravity, atmospheric drag, and aerodynamic heating.  These forces can cause objects with lower compressive strength to explode…

_____________________________________________________________________

Well gang, it was quite the epic summer, full of beach trips, little league games, summer camp, and many lazy, blissful hours spent floating in the pool, beverage in hand, getting hosed down by trigger-happy kids and their super soakers.  Ahhh, memories.

But now, Labor Day weekend has come and gone, the kiddies are back in school, and it’s time for me to get back to work. The Walking Dead’s Season 5 is coming, people, less than a month away, and if the recent interviews with Andrew Lincoln, Robert Kirkman, Scott M. Gimple, and the rest of The Walking Dead cast and crew are any indication, Season 5 is going to be balls-to-the-wall, more gory, brutal, and savage than any season thus far.

When we last left Rick and the gang, in The Walking Dead’s Season 4 finale episode, “A,”  many had found their way to Terminus, only to be stripped of their weapons, riot gear, and choice items of clothing and accessories, forced at gunpoint into a train car (where they reunited with some old, and new, friends), and were left to marinate in their own sweat, blood, and tears before, ostensibly, being harvested into Sunday barbecue by Gareth, Mary, and their creepy comrades at the Sanctuary Cannibal Co-op.  

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Um, Rick-In-Charge don’t think so, Terminans.  Neither does Rick Smash!

After dropping the Season 4  finale bomb on us,  Kirkman, Gimple, and the WD cast and crew took a well-deserved break, bid us farewell for the summer, and left us WD fans to catch our collective breaths, scratch our heads, look at each other, and ask, online and in the IRL, “What the hell just happened? Were those Sanctuary people…cannibals?”

In various interviews throughout the summer, Scott M. Gimple deftly evaded the cannibalism question whenever asked…which was often. On The Talking Dead summer preview special (which aired after the July 4th “Dead, White, and Blue” Walking Dead marathon on AMC),Chris Hardwick finally turned to Gimple and asked, in mock exasperation, “So, Scott M. Gimple, what is the deal with Terminus? Are they cannibals, or what?”

In response, Gimple smiled his enigmatic, Mona Lisa smile and make some clever, diverting comment, but he wasn’t giving anything away. It was clear that Gimple was holding onto that juicy tidbit tighter than a virginal coed putting her boyfriend through the paces of the “10 Date Rule.”

In response to Gimple’s non-response, Chris Hardwick and Aisha Tyler gleefully got their young and irreverent revenge on Scott M. Gimple by pouncing over to him and pawing playfully at him, petting and rubbing his head, as if trying to absorb the secrets locked inside by osmosis, goading, “C’mon, tell us! Tell us!”

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Gimple’s initial horror as he realizes what is about to happen….the fear is real.

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“Tell us!  Tell us!” (Gimple’s silent prayer, “This is not happening, this is not happening…”)

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As the cute young people playfully paw at him and rub his head, Gimple tries one last vain attempt at escape…curling up into a human ball and imploding unto himself like a collapsing star.

Three weeks after the hilarious TD Gimple Incident, the WD cast and crew held court at the 2014 San Diego Comic Con like the rock stars they are, and unveiled the official trailer for The Walking Dead, Season 5.

Check it out…you have probably watched it already, of course, any number of times by now, scanning it again and again for any new clues about the season to come, as I have, and will again.

http://www.youtube.com/watch?v=j4GAs9TJVjM

Now, before we deconstruct The Walking Dead’s Season 5 trailer, I would like to take a moment wish a very Happy Birthday to our main man, Andrew Lincoln, who turns 41 today, September 14, 2014.  Much love, much love, Andrew Lincoln!

May I speak for all of us on Team Rick when I say: Thank you, Andrew Lincoln, for being born, and for bringing us Rick Grimes, Rick-In-Charge, and Rick Smash!  And thank you for bringing us that cute guy in Love, Actually, who told the Keira Knightley character he loved her with the series of cue cards, out in the cold…that guy was totes adorbs.

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In honor of Andrew Lincoln’s/Rick Grimes’ birthday, I am bringing you a little Metallica-dance-party blog-break…so, get on up and shake one out for our man, Andrew Lincoln, to Metallica’s Seek and Destroy:

(And, just because Andrew Lincoln’s birthday is the gift that keeps on giving, we at barnfullawalkers bring you this tasty treat…Entertainment Weekly’s spread, “27 Times Andrew Lincoln Looked Hot During the Zombie Apocalypse”):

http://www.etonline.com/tv/151108_27_times_andrew_lincoln_looked_hot_during_the_zombie_apocalypse/index.html

Well, that was fun!  Now, where were we? Ah, yes, the Season 5 trailer.

First off, watching the trailer, I would say that the cannibalism theory is all but confirmed at this point. The Season 5 trailer opens with the now-iconic shot of Rick, as he turns from peering out the train car door he has cracked open, letting the light from the outside world pour into the darkened train car, and onto his people, and utters the famous “made for primetime TV line” from The Walking Dead comic series: “They’re gonna realize they’re (fucking) screwing with the wrong people.”

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If Rick-In-Charge says it is so…then it is so.

But, Daryl doesn’t look so sure…

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Especially when Abraham yells, “Move!” and someone tosses in a canister of…tear gas? sleepy gas?  into the train car.  Enter…the Dicks With Gas Masks, come to gather up the human harvest…

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As the trailer continues, we hear Gareth’s voice in a soft, whispery voice-over, “I just hope you understand…we didn’t want to hurt you…nothing was personal.”

Oh, I’m sure it never is, Gareth…nothing personal, we don’t want to hurt you, we just want to eat you.

What an a-hole. Trying to sound all reasonable and shit. Gareth looks like a vegan emo-punk scenester, but is probably the king of the cannibals.  That guy can eat a bag of dicks…wait…he probably already has!

Ewwwwww!

During Gareth’s creepy voice over, we see scenes of Rick and the gang trying their desperate escape out of Terminus, their paths getting blocked again and again by snipers’ bullets as they are corralled, trapped.  We see a (scary) shot of Rick’s head, slamming into the concrete, then he looks up, dazed, to see the back of a man, who seems to be sawing apart a human body, laid out lifeless on a chopping block table.

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Blurry, dazed shot before Rick blacks out of what looks like a man, clad in butchering apron, goggles, and chainsaw, going to town on some poor doomed somebody, as the piercing shriek of the chainsaw escalates into a deafening cacophony.

Next shot is of Glenn, Daryl, Rick, and Bob on their knees, hands tied behind their backs.  It seems they have been forced to kneel in front of what looks like perhaps a combination of chopping blocks/sinks, or collecting tubs, presumably to catch the blood that will spill when the goons behind them beat their heads in with bats, and slaughter them. They are all gagged, except Bob.

Gareth is standing  before them, on the other side of the blocks/tubs, with a pen and a journal-looking notebook…collecting memorable last words, perhaps, for the Sanctuary Cannibal Co-op creepy comrades to read aloud and laugh at while stuffing their faces with peeps burgers, later, at dinner?

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I call them the “Creepy Comrades,” while Chris Hardwick and Aisha Tyler call them the “Terminans.” Andrew Lincoln, and many of the cast and crew at WD refer to the Sanctuary citizens as the “Termites.” Whatever you call them, it is clear that these Sanctuarians have a lot of explaining to do.

Bob seems to have the wits and resourcefulness to use his last words to throw a quick, desperate Hail Mary pass out there, telling Gareth, You don’t have to do this…we can turn the world back to how it was!”  Bob’s eyes are huge, and earnest, as he explains to Gareth that they have a man in their group that holds the cure to the zombie outbreak. “We just have to get him to Washington…you just have to take that chance!”

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I have grown to love Bob Stookey, despite having a major “stranger danger!” initial vibe about him. Big ups to our man, Bob, as he uses his quick wits to adapt to the situation at hand, saving the day, once again…or at least buying the gang some extra time, and us WD fans a couple more seasons of our fave show. Thanks, man!  (Sorry I was such a B before.)

The next shot shows Gareth, who has bent down to be face to face with Rick Grimes. Gareth has a sick little smile on his face as he stares into Rick’s eyes, challenging him…it feels to me that he is really getting off on having a true adversary, one who equals (surpasses) him in intellect, cunning, and leadership mojo: Rick Grimes.

Rick, whose mouth is not gagged, returns Gareth’s stare in a silent look of unbridled hatred and defiance.

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It’s a powerful moment, the silent standoff between Gareth, and Rick, who is so freaking hot in his defiance.

In the next series of scenes, we hear Gareth’s voice, again, telling what I assume is the group, “You don’t have a choice…none of you…You join us, and (we?) go to Washington and cure this thing.”

I put the word “we” with a question mark, because while I played the trailer over and over again, I couldn’t be sure if Gareth said we go to Washington” or you go to Washington.”  Too many years of going to out to hear live music, and blasting tunes directly into my ear canal via ear buds, has probably ruined my hearing by this point.

It really sounded like “we,” and that makes me wonder if Gareth is as sick of Sanctuary as we all are by now, and if he’d rather take a chance outside the safety of its walls and go on a suicide mission to D.C. just to get the hell out of there…especially if Mary is his mom.

In the following group of scenes, we see a shot of Rick holding…Baby Judith!  It appears that Carol, Tyrese and Judith found their way into the Sanctuary Cannibal Co-op by this point….wonder how that first scene between Rick, Carol, and Tyrese is going to play out…

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Baby Judith is surely going to be held behind at Sanctuary as a hostage while our gang goes to Washington.

In another scene, we see a shot of the gang, reunited, in the woods, Glenn’s voice saying, “We get to start over…all of us.  We’re not splitting up again.”

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We hear Sasha’s (?) voice:  “We don’t know what’s coming next.”  Then, a shot of Abraham, glass in hand, as if giving a toast, or a sermon, or a Braveheart-style rallying speech.. He seems to be addressing our gang, who are seated in what looks like a chapel area, in pews.  The room is lit with the kind of tall vigil candles we saw in the rooms at the Sanctuary when the gang was trying to escape, the rooms with slogans like, “We first, Always” scrawled on the walls.

Abraham’s voice resonates with the feeling, the conviction, and the fervor of one who truly believes what he is preaching, even if it’s just in the moment, while the others in the group sit silently, listening to his words.

“When we get to Washington, we will make the dead die, and the living will have this world again.”

It seems they have wine in Terminus, which is a good thing...you would need a whole bunch of wine to wash down the taste, and the bad karma, of eating human flesh!

It seems they have wine in Terminus, which is a good thing…the Terminans would need a whole bunch of wine to wash down the taste, and the bad karma, of eating human flesh, if they are indeed cannibals…and I am 99.9% sure that they are.

So, by this point in the trailer, it seems reasonable to surmise that our gang narrowly escapes becoming another Sanctuary Cannibal Co-op human harvest by cutting a deal with Gareth and the Terminans…it seems our gang must “join” the ranks of the Creepy Comrades and head north to Washington D.C., to deliver Eugene to our nation’s capitol, and try to get a cure going for this walker epidemic thing that’s been happening all over the world for the last year and a half.

Watching the trailer, it looks like it was a super-close call for our gang, as we see one shot of a Terminal Thug wielding what is either a bat or sword, winding back, getting ready to bash or slice into Glenn’s head/neck.  Glenn, who is kneeling, and gagged, squeezes his eyes shut and clenches his gag with his teeth, anticipating the blow:

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This image sent rumors flying around social media that Glenn was going to die in the Season 5 premiere, but I am happy to say that it appears that Glenn will be with us, and Maggie, for a while longer…yay!

So, it seems that Mr. Grimes (and the gang) is going to Washington. It is 638.1 miles from Atlanta to Washington D.C.  If our gang were to follow along the highways (which seems a logical and fairly direct choice) they would need to go through, or near,  some major cities and populated areas, including the cities of Atlanta, Greensboro, and Richmond, before getting to Washington D.C.  

In Entertainment Weekly’s recent feature on The Walking Dead’s upcoming Season 5, WD executive producer Gale Ann Hurd confirms that our gang is embarking on an extremely dangerous journey, “You’re never going to find the cure to the zombie apocalypse in the sticks. Now they have to re-enter The City of the Dead (a.k.a. Atlanta), and there are many cities of the dead that they’ll have to encounter to complete their mission.”

It is a tall order, even for our beloved gang of seasoned warriors.  The next scenes in the trailer show many flashes and moments of walker hordes, walker kills, and explosions, both ballistic and emotional. In one scene, Rick is talking to Carl, telling him, “I don’t trust this guy…no matter what anyone says, no matter what you think, you are not safe.

In another voice over, we hear Gareth’s voice, saying, “You don’t trust us any more.” and then Rick’s soft threat, as he grinds out, “These people are my family, and if you hurt them in any way, I will kill you.”

There are also many suggestions that certain members of the group may come into some danger, most probably from Gareth and the Terminans…one scene shows Sasha yelling, at someone, “Where are our people?”  

There is a chance, however, that the danger to our people could come from a new character coming, Father Gabriel, who is a character taken from the comic series. I am not familiar with the Father Gabriel character of the comic series, as I did not read that far into it.

I also have avoided researching Father Gabriel, as I want the television storyline surrounding him to be unspoiled, but Father Gabriel seems like he’s done some things, things that are probably pretty bad.  Anyone alive still at this point in the walker apocalypse has had to see, and do, some horrific things to survive this long.

Apparently, this shot of Father Gabriel's church is taken directly from the comic.

Apparently, Father Gabriel’s church, pictured here, was created exactly from the church in the comic series..

It looks like Father Gabriel has def seen, and done, some dark things to survive.

It looks like Father Gabriel has def seen, and done, some dark things to survive. ..the dude looks pretty tortured.

Both Robert Kirkman and Scott M. Gimple have confirmed that the WD story lines for Season 5 will be following the comic series more closely, and we can expect to see more iconic characters from the comic series to come.

There is also potential, it seems, for discord and division within the core group of Rick and the gang. What is the dynamic going to be between Rick and Carol,  at last reunited after Rick singlehandedly banished Carol from the prison community back in Season 4?

How is Maggie going to react if/when she finds out that Tara was part of the Gov’s Makeshift Army 2.0 and was playing for the bad-guy team when the Gov beheaded Hershel?  And how are Rick and Abraham, who are both used to being in the leadership role and calling the shots, going to be able to get along and find a way to work together in this epic and perilous journey to Washington D.C.?

And, a couple of core questions burning a hole in my heart: Does Eugene’s mulletted head truly possess the cure for the walker epidemic?  Is this guy for real, or is he faking?

What do you think?

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What is going on under that epic mullet of yours, Eugene?

Another burning question in my heart:  Are we going to get to see some of our favorite characters get busy in Season 5, or what?

Robert Kirkman confirmed to Entertainment Weekly that, “There are certainly more couples.” While we know the obvious pairings of Glenn and Maggie, Bob and Sasha, Abraham and Rosita, we fans are wondering if our favorite hot dudes, Daryl Dixon and Rick Grimes, are going to get another chance at love in the zombie apocalypse…

Rick…he’s a tough one.  Still wearing his wedding ring, super focused on keeping his people safe and getting the job done…doesn’t leave much room for romance.  But he’s so freaking hot, and it’s been, like, forever since our man’s gotten some.  I have always wondered if maybe something was in the works with Rick and Michonne…that would be…so hot.

And now, to Bachelor Number TwoDaryl Dixon.

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Daryl and Carol 2.0?  While I love the thought of Carol getting a second chance with Daryl, can things really go back to the way they were? Carol’s kill-happy shenanigans at the prison, and Daryl’s brief foray into young love with Beth, may put the Daryl/Carol pairing into the “let’s just be friends” file. But we shall see, won’t we?

And speaking of Beth

I thought it was quite the masterful presentation for the Season 5 trailer to seemingly end, and go to black screen, after a particularly gripping (and hot) scene showing Rick singlehandedly mowing down about five living, enemy dudes armed with assault rifles, then turning to face…someone, or something, with a grim, unremorseful, totally smoking hot look before lowering his gun…

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I texted my WD buddy, while watching the trailer in the writing process: Rick just singlehandedly mowed down like 5 live, weapons-baring  enemy peeps on a bridge.

 <3

(Sigh…)

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My WD buddy texted back: Such a man, that one.

…then, the screen goes black, the Bear McCreary music hums darkly, and then, we see…

Beth's new digs...what is this place?  Prison? Mental ward?

Beth’s new digs…what is this place? Prison? Mental ward? Looks shitty…

...especially when we see some sadisic-looking lady cop telling Beth that her personal needs are not jiving with this institution's mission, to serve the

…especially when we see some sadisic-looking lady cop telling Beth that her personal needs are not jiving with this institution’s mission, to serve the “greater good.” Uh, oh, that’s never good news.

We see poor Beth, dressed in prison-looking scrubs, peering down a steep elevator shaft, looking for a way out of what looks like Hell.

We see poor Beth, dressed in prison-looking fatigues, peering down a steep elevator shaft, looking for a way out of what looks like Hell.

Beth freaked, trying to offer some comfort to a poor woman who looks like her bitten arm is about to be amputated with cape wire...

Beth freaked, trying to offer some comfort to a poor woman who looks like her bitten arm is about to be amputated with cape wire…

Beth seems to be connecting with her own inner warrior in this hellhole...

Beth seems to be connecting with her own inner warrior in this hellhole…

Damn...

Damn…another walker prison riot?

Whatever Beth is doing to survive in this hellish place, it seems that she has earned the unlucky top slot on the  sadistic lady cop's  hat list, earning poor Beth a savage blow upside the head with the lady guard's baton...

Whatever Beth is doing to survive in this hellish place, it seems that she has earned the unlucky top slot on the sadistic lady cop’s hate list, earning poor Beth a savage blow upside the head with the lady guard’s baton…

Run, Beth, run!

Run, Beth, run!

Kirkman adds to the Beth Mystery, telling Entertainment Weekly that while the Beth storyline may take some time to unfold, “It’s going to have some far-reaching ramifications for all the characters.”

Yikes!

While the answers to all these questions will surely unfold with the debut, and progression, of The Walking Dead’s Season 5, I think I can safely say that Season 5 is going to reward us WD fans with lots of hot flexing, epic berzerker-style zombie-killing mayhem, unparalleled effects and super-gruesome walker characters, like this guy:

Ummm, Nicotero? You've got some explaining to do, buddy.

Ummm, Nicotero? You’ve got some explaining to do here, buddy.

Scott M. Gimple says this of the Season 5 premiere:

“(The premiere) is epic, intimate, emotional, insane, bloody, and, hopefully, surprising.”

October 12th, people…it’s just around the corner.  I advise that you stock up on your choice beverages, and get yourself some Bach’s Rescue Remedy and a Daryl Partner, if you don’t already have one. (See my Season 4 mid-season prepost, “What Happens After?” for more on Daryl Partners and other WD coping mechanisms.)

Note: (All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

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On a final note, I do need to apologize for not keeping my promise to post over the summer about The Walking Dead webisodes.  I love the webisodes and look forward one day to writing about them, as well as past seasons of The Walking Dead television series.  Those of you who read my blog know that my writing style seems to involve deconstructing scenes, dialogue, etc, ad nauseum, imbedding lots of DIY-style photographs, captions, music into each post.

The result is some serious word-count, tweaker-style recap madness…and if you are still reading after all this, then I guess you like it, and that’s good, because that’s just how I do, people.  It takes me an average of 8 hours to complete a post, with the watching, rewatching, picture-taking, writing, rewriting…and I’m ok with that.  Just know that the post on that Sunday’s episode may not be up until Tuesday/Wednesday night…or maybe even not til Friday.

And know that when the post does come, it will be another act of love, filled with juicy bits, for our favorite show…and once it’s up, it’s on the internet forever and ever!

So, this summer, I did choose to set the blog aside and  to savor the sweetness of being in the real world, sharing adventures and fun times with family and friends.  My kids are at such fun ages, and they are growing up so fast, that I wanted to fully immerse myself in the good times while they were happening.  The result was one of the best summers of my life.  I have no regrets.

I am happy to say that my readership has grown over the summer, with barnfullawalkers getting views from all over the world.  I seem to be developing an awesome Brazilian fan base, which makes me super happy, as I love all people, and things, Brazilian.

I asked my Brazilian friend if she could teach me how to say hello, and welcome, to my new Brazilian friends, and she taught me this phrase:

 “ALO ALO para todos os Brasileiros!!”  

(Which means, I think, “Hello to all Brazilians!”)

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My final gift to you, dear readers, before we part ways, for now…epic covers from EW’s amazing WD feature.  And because those haters in Hollywood snubbed The Walking Dead television series for the 2014 Emmy Awards, and because at barnfullawalkers we do not let such insults go unchallenged, we will award a “Deadie” at the end of each Season 5 post, for some outstanding acting feat, walker-kill, special effects, or just epic awesomeness.

Until October 12th, my WD darlings…enjoy the playlist.

Playlist:

Gang Starr, “Mass Appeal” (Dedicated to the pop culture phenom that is WD)

Fidlar, “Blackout Stout” (For the poor peeps who came expecting a true Sanctuary, and instead woke up in a dark, locked train car…)

Phantogram, “Blackout Days” (…and for the poor peeps that met their final end on Mary’s grill)

The Lions Rampant, “Shot Gun Shells” (Rick Grimes don’t beg, Gareth!)

Ramones, “Blitzkrieg Bop” (For Rick Grimes and the Train Car Superstars and the other prison peeps…may the powers of Dee Dee, Johnny, Joey, and Tommy be with you all)

Beastie Boys, “Rhymin & Stealin” (Dedicated to MCA, who would have turned 50 over this past summer…B Boys forever!  And, p.s., I too am most ill when I’m rhymin’ & stealin’. <3)

Radkey, “Start Freaking Out” (Season 5’s coming, people…start freaking out!)

The Walking Dead, Season 4, Episode 16, Finale, “A”

“A”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

I would like to jump right in with a quote from Andrew Lincoln on last night’s Talking Dead’s Season 4 finale episode, regarding the evolution of Rick Grimes:

“I don’t think he (Rick) regrets (anything he has had to do, to survive)…The final scene, in the train car, you meet a Rick who is more powerful… more together, and more lethal than he’s ever been…”

And to that I give a big, “Hollah!”

Rick-In-Charge, people, ready to bring it like it’s never been brought before in Season 5…and with tonight’s episode, The Walking Dead’s Season 4 finale, “A,” we got a sneak preview of some of the badass brutality our favorite deputy can dish out…and, by golly, I like it!

Episode 16 opens with a flashback sequence from the early days of the prison, as Carl and another young man pull open the gates to let a car come through, then close them quickly to block the walkers outside the fence.  Rick, Maggie, and Glenn emerge from the car, back from a run. Maggie is still wearing her riot gear, while Glenn carries his.

Hershel is there to greet them. “You’re a sight for sore eyes,” he tells Maggie, cupping her cheek, as she smiles gorgeously back at him. Then, Hershel turns to Glenn, puts his hand warmly on Glenn’s shoulder, and holds it there.  Glenn smiles shyly, reveling in this fatherly show of love.

It was so good to see, and feel, Hershel again, and it was sad to watch this scene, too. I was pretty much chugging Stella, and blinking back tears, while watching it.

The flashback scene ends with Rick passing Carol and Tyrese, as they come in from their “culling walkers at the fence” shift. Rick takes a modified cane, with a sharpened point, from Carol as he passes her, and goes to help other prison residents cull the remaining walkers at the prison fence.

Hershel looks on as Rick goes from one grim duty to another, and he sees Carl watching all this, taking cues from his father. It seems like Hershel’s thinking about all this…how it is, and how it could be…how it should be.

Hershel! So good to see you again!  Scott M. Gimple said this scene was shot after the mid-season finale...Andrew Lincoln said it was emotional to have Scott Wilson back, and be back, at the prison set to film these scenes.

Hershel!  Scott M. Gimple said this scene was shot after the mid-season finale, and he was relieved that Scott Wilson didn’t cut his hair or shave his beard after filming the mid-season finale, as per their request, as they knew then they would be filming this flashback scene later in Season 4. Andrew Lincoln said it was emotional to have Scott Wilson back, and be back at the prison set, to film these scenes.

The scene shifts abruptly to present day, with Rick, dazed, staring ahead…he is covered in blood, sitting against a car.  We see a close-up of his hands, which are bloodied, shaking, and still bearing his wedding ring.  Then, the shot pans out to Rick’s bloodied face, as he stares ahead…he looks in slightly in shock, but calm, processing.

One look at Rick's face, here, and we know some shit went down...

One look at Rick’s face, and we know some serious shit went down here.

Time shifts back, slightly…it’s earlier that day…Rick, Michonne and Carl are sitting around a tiny fire, in their makeshift camp in the woods. This camp is like others we have seen, with a tiny fire, cans strung around the camp’s perimeter to signal walkers coming.  Rick asks Carl and Michonne how hungry they are, on a scale from 1-10…Carl replies with a “15,” while Michonne answers with a “28.”

Rick suggests they go see if they caught anything in the snare trap he set…when Carl asks if he can come, Rick replies, “How else are you going to learn?”  He turns to Michonne, bids her to come as well.

Rick is pleased to see that they caught a young rabbit, which he removes from the snare and tucks into his bag.  While he resets the snare, Rick explains the workings of it to Carl and Michonne (while looking majorly fine in the process).

The lesson is interrupted by the terrified screams of a man in trouble, crying out for help. Carl runs towards the man’s cries as Rick vainly tries to call him back. Rick and Michonne run after Carl, Michonne unsheathing her katana.

Carl has reached a clearing in the forest, where a lone man is trying to fend off a large group of walkers who have surrounded him…they are closing in.  Carl raises his handgun to shoot, but Rick pulls him back, telling Carl, “We can’t help him.”

Carl, Rick, and Michonne watch, horrified, as the poor man, overrun, screaming, gets torn apart by the biting walkers:

Nicotero and the effects/makeup crew outdid themselves with this episode, this scene especially (which serves as gruesome inspiration for Rick in a desperate situation soon to come...epic gore and new-classic WD moments abound in this episode!)

Nicotero and the effects/makeup crew outdid themselves with this scene (which serves as gruesome inspiration for Rick in a desperate situation soon to come…epic gore and new-classic WD moments abound in this episode!)

Carl is transfixed by the horrible scene before him, until Michonne finally gets his attention, tells them they need to go…but the three have already attracted the attention of a couple of the walkers, who turn away from the carnage and begin to follow them.

Pursued by the Tear It Up Walkers, Rick, Carl and Michonne come upon  another group of female walkers, eating some poor somebody on the train tracks (Talking Dead called them Ladies Who Lunch Walkersha!).  With walkers behind them, and more walkers in front of them, Rick rushes forward to attack the lesser threat, the Ladies Who Lunch Walkers, who are fewer in number, and who are blocking the trio’s escape out of there.

Once again, we see how vulnerable any living survivors are, out in the open. Shit can go south in an instant, and one must always be ready. Without a real shelter, a real sanctuary, nobody can really rest, live, or thrive. They can only survive, and for how long?

Back in time, to another prison flashback moment…Hershel draws a curtain back at Rick’s cell, letting in the morning light. Rick blinks awake, asks immediately if everything is ok. Hershel tells Rick he’s fine, he just needs his help with something. Rick sits up, asks what time it is…Hershel doesn’t know, tells Rick that ever since he gave Glenn his watch, it’s always “right now” to him.

“It’s early,” Hershel tells him.

At this point in the episode, two key items have been presented to us…Hershel’s pocket watch, which has been given to Glenn, and the riot gear outfits that were found and used by Rick and Co.  since the first days at the prison. As we know, these items become highly significant as the Episode 16 progresses to its climactic end. Once again, the masters of WD show us how the story really is in the details.

As Rick gets up from his cot and gets ready to join Hershel, Beth comes into Rick’s cell and takes Judith. Rick automatically begins to buckle on his gun belt. Hershel tells him he won’t need that, that the gun belt will just get in the way. Rick shoots Hershel an, “Old man, you be trippin’ if you think I’m going anywhere without my gun” look as he walks past him, and out of the cell…it’s the same look Carl has shot Rick many times before, and since.

The scene shifts abruptly back to the present, with Rick and Michonne cutting their way through The Ladies Who Lunch Walkers…the group of Tear It Up Walkers are growing in number and gaining on them quickly.  Once Rick, Michonne and Carl get an opening, they make a run for it…later, down the road, they walk quickly, but seem winded, and weary, and hungry…they spot an old car, and make camp there for the night.

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By the car, Michonne finds, and rekills, Goblin Walker, who has pretty much been ground into the ground…

Later, while Carl sleeps in the car, Rick and Michonne huddle in the darkness over another small fire.  Rick laments that the rabbit they had was small, while Michonne remarks that at least it was something.

Rick muses aloud that that’s all they ever talk about anymore, how hungry they are…in the days of the prison, he had forgotten what hunger like that felt like.  Michonne agrees, adding that she hopes they will get another chance to forget what hunger feels like, soon…

This, of course, leads them into the subject of Sanctuary.  Rick takes the positive approach, saying if they are taking people in, they have to be strong, have a system in place.  Michonne wonders aloud if the whole thing is legit.

I’ve said this before, people…a savvy sister isn’t going to be taken in by some white man’s slogan.  Woodbury didn’t fool Michonne, and something doesn’t quite sit right with her about Sanctuary, either. It seems to be the whole, “Come One, Come All!”  aspect about it…why open yourself up like that, instead of conserving resources and protecting what’s valuable inside an established community?  Seems weird…what does Sanctuary gain by openly advertising like they do, drawing whomever, from wherever, to them?

My first hit: they’re cannibals.  My astute work colleague agrees: “Food and fertilizer!”  And weapons!  What a concept…advertise that you have a sanctuary with radio broadcasts, banners, and signs, being centrally located where all the railway lines converge, Terminus Station.  After luring the unsuspecting people in, strip them at gunpoint of any prized clothing or possessions, take their weapons, and store them in train cars until it’s butchering time…then, strip them of their tasty flesh!

(And, if the flesh isn’t so tasty, I’m sure ol’ Mary at the grill has a spice rub, and a special sauce, for that!)

The Cannibalism Theory seems to be a prevailing theory among WD fans regarding Sanctuary.  The Daily Beast ran an interview with Scott M. Gimple regarding the cannibal theory, and what else may be in store for fans in Season 5.

Check it out:

http://www.thedailybeast.com/articles/2014/04/01/what-s-next-for-walking-dead-showrunner-scott-gimple-on-season-5-and-what-mary-s-grill-really-means.html

Meanwhile, back at the tiny car camp, as Michonne and Rick speculate about Sanctuary, they are startled by a noise from the nearby woods…they whirl around, wait, no other noise, so they begin talking again, only to be interrupted by a gun to Rick’s temple:

Dirty Joe and his band of Downstairs Thug Boys, come to get their revenge...

It’s Dirty Joe and his band of Downstairs Thug Boys, come to get their revenge…“Oh, deary me,” mocks Joe. “You screwed up, asshole…you hear me? You screwed up!”  I do need to give mad props to Jeff Kober, who plays Joe, for a great performance, all around…especially for his evil laughter in this scene…somebody give that man a Deadie!

See that look, Joe?  That's the look of a man who is about to go off...

See that look, Joe? That’s the look of a man who is about to go off…

As Joe blathers on about how it's a day of

As Joe blathers on about how it’s a day of “reckoning,” Rick is thinking, planning, waiting for opportunity…

Meanwhile, at the car, a nightmare comes a knockin' for poor Carl...

Meanwhile, at the car, a nightmare comes knocking on the window for poor Carl

As Joe counts down (how did he know it was New Year's eve?), Daryl is horrified to see his friends being held by Joe and the DTB's...

As Joe counts down ( and how did he know it was New Year’s Eve?), Daryl is horrified to see his friends being held by Joe and the DTB’s…

Being the beautiful human being that he is, Daryl lays down his weapon and offers his life for Rick's, Carl's and Michonne's.

Being the beautiful human being that he is, Daryl lays down his weapon and offers his life for Rick’s, Carl’s and Michonne’s.  We love you, Daryl Dixon!

As Joe realizes where his man-crush Daryl's loyalities lie, he gets pissed, calls Daryl a liar....

As Joe realizes where his man-crush, Daryl’s, loyalties lie, he gets pissed, calls Daryl a liar….

...so Joe sets the DTB's on Daryl,

…so Joe sets the DTB’s on Daryl:  “Teach him, boys, teach him all the way!”

Joe tells Rick,

Aaagh! Poor Carl!  Joe tells Rick, “First we’re going to beat Daryl to death, then we’ll have the girl…then, the boy…then we’ll shoot you, and we’ll be squared up (for Lou’s death)…”

Rick, Smash! don't think so, Joe...

Rick In Charge don’t think so, Joe…

As he watches what is about to happen to his son, his friends...

As he watches what is about to happen to his son, his friends…

Rick goes primal, busts Joe's nose with the back of his head...then goes slo-mo...he's hulking out...Rick, Smash!

Rick goes primal, busting Joe’s nose with the back of his head and discharging Joe’s firearm…then Rick goes all dazed and slo-mo...he’s hulking out…Rick Smash!

At Joe's taunt,

At Joe’s taunt, “What the hell you gonna do now, sport?” Rick takes a page from the Walker Handbook and Bites The Crap Outta Joe’s Neck…

And spits it out!  Holy fuck!

…and spits it out! Holy fuck!

Looking like a crazy killer clown, Rick Grimes turns to his son's would-be rapist, growls,

Looking like a crazy killer clown, Rick Grimes turns to his son’s would-be rapist, grinds out, “He’s mine!” through clenched teeth while striding towards Deserves It Dan (TD’s name for the doomed pedophile) with Joe’s knife…

Later for you, pedophile.

Later for you, Deserves It Dan.

Rick, Smash! slices and dices the bad man in a primal fury...

Rick Smash! slices and dices the bad man in a primal fury…

As Daryl, Michonne and Carl watch in shock and horror...

As Daryl, Michonne and Carl watch in shock, horror…and recognition of what must be done to survive.

As Michonne hugs Carl close, and he watches his dad exact vengeance on the DTB's, I typed into my laptop,

As Michonne hugs Carl close, and he watches his dad exact vengeance on doomed Deserves It Dan, I typed into my laptop, “Why am I so turned on right now?”   Am I sick that I think it’s hot that Rick goes so dark?  Because I do, people…I really do.

After this harrowing scene, and a much-needed commercial/bathroom/ beverage re-up break, we are taken back in time once again.  Hershel and Rick stand in the prison yard, and Hershel outlines his vision for settling in, making the prison a lasting home. There are feral pigs, horses in the forest that can be captured and domesticated; they have seeds and space for planting.  It is time to prepare and plant, says Hershel, and he wants Rick to be the one to help him do it.

Rick reminds Hershel that he needs to be “out there,” going on runs, manning the fences. Hershel lays it on the line…he wants to teach Rick how to farm, to plant roots, cultivate a lasting, peaceful life at the prison, so Rick can teach Carl, and in doing so, heal both their wounded spirits.

“He (Carl) shot that boy,” Hershel reminds Rick.  “He needs his father to show him the way…what way are you going to show him?  He can shoot, we know that…What’s his life going to be? What’s yours?”

Rick looks down, taking Hershel’s words, and the lesson, in. Hershel looks around the prison yard, sees the potential for things to be better now.

Rick replies that making things better inside the prison fences doesn’t change what is happening outside them.

Hershel knows this, but he tells Rick, “This is a good place to start.”  I love Hershel’s faith and his vision, that their positive intentions and actions to build a lasting community can influence the world beyond the prison fences in a positive way. His influence and teachings resonate throughout this episode, as Rick must bid farewell to the peaceful life they worked so hard to create at the prison, and embrace the new order, the savagery that he must wield in order to survive and protect his son and his people.

The scene shifts back to Rick, bloody, sitting against the car. Michonne and Carl are inside the car, shirts covering the windows. Carl is sleeping a troubled sleep, his head on Michonne’s lap.  She gently smooths his hair back, looks down at him protectively. Such a horrible world for a young child to be in, and while Carl has had his annoying tween-tool moments, he is still just a kid…and this past day has been shitty, and tomorrow isn’t going to get much better, unfortunately.

Daryl walks up to Rick, wets a cloth and hands it out to Rick, for him to wipe his face with…I guess that’s how the scene was supposed to go, but on Talking Dead later, Andrew Lincoln said that Norman Reedus really didn’t pour very much water on the cloth, and so trying to wipe the dried fake blood that was caked in his beard felt like getting “a Brazilian.” As soon as he said “Brazilian,” the audience laughed, and Andrew Lincoln got really cute and embarrassed.

Anyway, Daryl tells Rick that he didn’t know what they were, Joe and the DTB gang. Rick asks him how Daryl got up with the DTB’s.  Daryl tells Rick how he and Beth made it out of the prison together.

“I was with her for a while,” Daryl begins.  Poor Daryl looks like he is about to cry as he says this, looks down.

Rick looks at him, asks him hoarsely if Beth is dead.  Daryl looks at Rick, says she’s just…gone.

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Daryl tells Rick that he didn’t know what the DTB’s were capable of, that they had a simple code that seemed to kind of make sense on the most basic level. Rick understands, reminds Daryl that he was alone.  “It’s not on you, Daryl,”  Rick tells him.

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What makes Rick so hot is that he can be so dark, but so tender, loving, and wise…he loves his people and will do anything to protect them, stand up for what’s right.

When Daryl looks down, not convinced, Rick says, “Hey…”  Daryl looks up, and Rick is looking into his eyes.  “It’s not on you,” Rick says, again. “You, being here, with us, now, it’s everything.” Daryl takes this in, and then Rick drives it home by telling Daryl, “You’re my brother.”

(Dude, I married the love of my life and brought two beautiful children into the world, but I will tell you, that moment when Rick tells Daryl that he’s his brother is, hands down, one of the best moments of my life.  For real.)

Daryl tries to return the favor by telling Rick that what he did last night, anybody would have done that.  “No, not that,” Rick disagrees…he reminds Daryl of what he, Rick, did to Tyrese…it’s not all he is, but it’s there, and it’s why he is still here, and why Carl is still here.  He will do whatever it takes to keep Carl safe…that’s all that matters. The scene ends with a shot of Michonne, and Carl, his head on her lap, listening to this conversation from inside the car.

Later, as they walk along the rails, Rick turns to Michonne, asks her if she’s ok…she tells him she is…he turns to her, tells her he’s ok.  “I know,” Michonne replies. As they near Terminus, and Sanctuary, Rick suggests they take the woods for the remainder of the journey, as they don’t know who these people are, yet.

As they approach the fence and look down upon Terminus, Rick advises they spread out and watch for a while, see what they see. Rick turns to Carl and asks him if he wants to stick together. “Sorry,” Carl says, walking away from his father.

Michonne notices this, asks Carl why he doesn’t go with his dad. Carl doesn’t answer, and after a moment, Michonne begins to tell him about how Andre died. She, Andre, Mike (Andre’s dad), and their friend Terry had gone to a refugee camp after the turn. The camp got worse and worse, people leaving, people giving up…but Michonne did not give up. One day, she returned from a run to find the camp’s fences down, heard the moans…Michonne’s voice breaks as she tells Carl, “It was over.”

Michonne goes on to tell Carl how Mike and Terry were “high” when it happened, thus unable to protect little Andre.  Michonne, in her grief and fury, did not rekill Mike and Terry, although they were bitten.  She let them die, and turn, and then she cut their arms and bottom jaws away, so they couldn’t bite or scratch, put chains around them, and kept them with her as a reminder.

With tears running down her face, Michonne tells Carl that while she discovered that having them around her “hid” her from other walkers’ detection, what she did was “sick” and that she lost herself, for a long time, until Andrea brought her back…along with Rick, and especially, now, Carl.

Michonne tells Carl that she sees how he’s been looking at his dad. “You don’t have to be afraid of me, or him,” she tells Carl.

Carl breaks down, tells Michonne that the other day, Rick told him that he was proud of him, that he, Carl, was a “good man,” but Carl has “all these thoughts.” He looks at Michonne, “I’m not what he thinks I am. I’m just another monster, too.” Michonne shakes her head with a little smile, gathers Carl up in a hug.

Meanwhile, Rick is going through the weapon bag, then buries it, stashing it.  He looks at Daryl, who is watching him. “Just in case,” Rick says simply. They then jump the fence into Terminus, weapons out, and make their way into a large warehouse-looking room with a woman on a microphone reading the radio broadcast for Sanctuary, “All who arrive, survive.”

Rick greets her and the others in the room, startling them.  One tall, peevish-looking young man, Gareth, steps forward, asks, “Are you here to rob us?”  “No,” Rick replies, “We just wanted to see you before you saw us.”  Gareth looks around at his comrades, who seem to have been hand-painting some Sanctuary banners and other propaganda, and with a shrug and a tight smile, says, “Makes sense.”

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Dude, these guys look like DIY emo-types who work at the organic vegan co-op…

IMG_5070

…and the fact that they’re probably cannibals makes it all so much creepier…the Sanctuary Cannibal Co-op can go suck it.

Gareth tries to mask his annoyance and alarm at getting caught so unawares by adopting a false-seeming concern (“Looks like you’ve been on the road for a good bit,” which is pretty much verbatim what Mary said to Glenn, Maggie, and the crew upon their arrival…very suspicious!), to a false cheeriness as he invites them to come up to the front of the house, where the “welcome wagon” area is…so much more inviting, but first, “we need to see everyone’s weapons…if you could just lay them down in front of you.”

Rick exchanges looks with Michonne, Daryl, but does what Gareth asks.  As Alex, the squirrely sidekick dude, pats them down, he keeps making stupid jokes, comments (“Hate to see what the other guy looks like,” as he pats Daryl down, taking in Daryl’s beaten up face, to which Rick replies, “You would.”).

After the pat-down, Gareth says, “We’re not those kind of people, but we aren’t stupid, either…and you shouldn’t be stupid enough to try anything stupid…just as long as we’re clear on that, we shouldn’t have any problems…just solutions.”  Rick regards him with the look of a man who just got a clear “tell” on someone who is not being 100% truthful about what is really going on here.

And what is the deal with all these slogans?  Seems like people who are sincere and truthful shouldn’t have pat slogans to rely on to explain what they are all about…I am not talking about helpful, healing slogans like ones used in 12-step recovery programs…I am talking about pat, pre-packaged slogans being used in lieu of sincere, honest expression.

Rick ain't buying it...and Michonne, Daryl aren't looking too convinced either.

Rick ain’t buying it…and Michonne, Daryl aren’t looking too convinced either.

When they are ushered up to the welcome wagon area, Mary is once again cooking meat at the grill. Her manner is more cautious, guarded than she was with Glenn, Maggie, and the gang.  “Heard you came in the back way, smart,” she says to Rick and the others. “You’ll fit right in here.”  Michonne asks Alex why they take people in the way they do, and Alex answers with another slogan, “The more people we take in, the stronger we become…” Blah, blah, blah.

As Alex blathers on, Rick spies items he recognizes…he sees a large leather backpack (Bob’s?) on one person, and he sees another young man suited up in riot gear that looks exactly like the riot gear suits they had at the prison.  On another woman, he sees Daryl’s poncho, the one Maggie was wearing in the last episode, when she and the crew walked up to Sanctuary…and last, Rick sees the chain of Hershel’s pocket watch, the one that Hershel had given Glenn, coming out of Alex’s pocket.

In a pimp deputy maneuver, Rick slaps the plate of food from Alex’s hand, grabs the pocket watch from Alex’s pocket, demanding, “Where the hell did you get this watch?” Rick holds his gun to Alex’s head, while Daryl, Michonne, and Carl have their weapons drawn in a terse standoff at the Sanctuary welcome wagon greeting area:

Once again, Rick In Charge  doing what needs to be done, and looking fine doing it!

Once again, Rick In Charge doing what needs to be done, and looking fine doing it!

A brief flashback to the prison…Rick sees Beth, holding Judith, and Patrick, who is quietly playing with toys that were grabbed on a run…he is embarrassed to be playing with a Lego set that is meant for ages 4-12…Rick tells him to not be, then he sees Carl, who is looking at a diagram, trying to figure out how to put his gun back together…Rick has made his mind up, tells his son he needs his help with something.  When Carl goes to bring his gun, Rick tells him to leave it…at Carl’s questioning look, Rick tells him, “It will just get in the way,” echoing Hershel’s words to him earlier on, and taking his own gun belt off as well.

The scene shifts back to Sanctuary, to Carl with his gun drawn, the others with their weapons out.  Alex is freaking out, and Rick tells him to call off the sniper on the roof, who has Rick in his sights.  Rick asks again where Alex got the watch, and Alex lies, tells him he got it “off a dead one…didn’t think he’d be needing it again.”

When Rick asks where they got the riot gear, a voice answers from behind him.  He whirls around, still holding Alex at gunpoint, to see Gareth standing there, his hands held out in a gesture of peace, reasonableness.  Gareth has an answer for everything…they got the riot gear off a dead cop, they got the poncho off a clothesline…Alex tries to tell Gareth they can “wait,” to which Gareth answers, “Shut up, Alex, and every time Alex tries to talk, Gareth tells him to “shut up.”  Wow…kind of a weird way to talk to a comrade who is being held at gunpoint.

Gareth asks Rick what he wants. Rick, holding the gun to Alex’s head, asks, “Where are our people?” Gareth replies that Rick didn’t answer the question, and then. a gun fires from behind Rick, as some Sanctuary dude tries a cheap shot while Gareth distracts Rick.  Rick whirls, blasting Alex with a bullet in the head, dropping him.

Mayhem ensues, with Rick, Michonne, Carl, and Daryl making a run for it, through the Terminus station, while snipers shoot bullets at their feet, more like trying to corral the group into going a certain way rather than trying to kill them.

As one path out, then another, gets blocked, they run to a warehouse building marked, “A”, and as they run through, they hear voices calling to them for help, with rapping and pounding noises coming from the inside of the large metal train cars and storage boxes there…we see a shot of what looks like many skulls, spines, and ribs lying on the ground, as if human bodies were stripped of all the flesh on them,  and the bones left in a pile on a large tarp.

IMG_5076

Gimple can act as coy as he wants to…this whole mess screams “Cannibals!” to me…

IMG_5077

More slogans…these people are THE WORST.

Outside, Rick and them find themselves surrounded by Sanctuary Cannibal Co-op soldiers, all pointing guns at them. Gareth orders Rick, “the ringleader,” into the train car, then “the archer,” then, the “samurai.”  If they do not comply, Gareth tells Rick they will kill his son.

IMG_5079

Once inside the train car, Rick, Daryl, Michonne and Carl find they are not alone…emerging from the darkness, is Glenn, and Maggie, Sasha, Bob, Abraham, Rosita, Tara, and Eugene. “You’re here,” says Rick, who seems to take this as a divine sign…it really kind of is, isn’t it?  I mean, what are the odds? As always, Rick In Charge is thinking, always thinking of the next plan.

Maggie gestures to the others in their group, Abraham, Tara, Rosita, Eugene, telling Rick and them that they are their “friends” who helped them survive.  Daryl responds, “Then they are our friends, too.”  I love this feeling of bonding, of a superhero team forming…it’s Rick Grimes and The Train Car Superstars.

IMG_5091 IMG_5096

Abraham says, dryly, “For however long that’ll be…” “No,” says Rick In Charge…he has a different take on things.

Rick In Charge cracks the door of the train car, peers outside, then turns to the gang...

Rick In Charge cracks the door of the train car, peers outside, then turns to the gang…“They’ll feel pretty stupid when they find out… they’re screwing with the wrong people!”

In the final flashback scene, Rick, Carl, Hershel, Beth, and Judith are outside on the prison grounds…as Rick shows Carl how to spear the shovel into the ground, at an angle, and they all laugh and joke easily, Hershel tells Rick that it can be like this all the time…Rick smiles, replies that it’s like this now, and that’s all that matters.

Well, there we have it, people.  While Scott M. Gimple acknowledged that Rick really doesn’t have any reason to feel confident, as they are being held prisoner in a train car, without weapons, and surrounded by what appears to be brainwashed, flesh-eating LIVING people who are armed to the teeth,  it all does feel so right, somehow…

Rick believes, so I believe, and I will tell you that there is not a group of people I believe can get the hell out of The Sanctuary Cannibal Co-op more than I believe in Rick Grimes and The Train Car Superstars!

On a final note: Talking Dead, being a live show, always has some epic weirdo moment, and the finale episode was no exception…because Andrew Lincoln and Scott M. Gimple were the guests, they had some fans Skype in questions for the two…and up on the screen comes Emily the Bird Girl:

I was so surprised to see this that I didn't get the best pictures, but chose this one because I felt it captured best the whole look she was going for.    I was inspired to write a haiku for her:   Bird girl, Emily Why? I ask of your Skype-style, cockatiel question.

I was so surprised to see this that I didn’t get the best pictures, but chose this one because I felt it really captured the whole look she was going for.
I was inspired to write a haiku for her:
Bird girl, Emily,
Why? I ask of your Skype-style
cockatiel question.

Emily’s question was directed to Andrew Lincoln, but he had no idea what she asked because he couldn’t stop looking at the bird…Scott M. Gimple and Chris Hardwick were in the same boat, as was everyone…what the hell did she ask?  We were all too obsessed with Emily’s cockatiel to pay attention to her question.

Emily, if you are out there and reading this, drop me a line, or put a “Like” on my barnfullawalkers Facebook page…I am obsessed with you and your bird!

https://www.facebook.com/barnfullawalkers

Cheers to Season 4, and to honor Rick Grimes and The Train Car Superstars, I am going to go Double Pantera in the Season 4 finale playlist…never been done before…an epic moment in http://www.barnfullawalkers.com history!

Take that, creepy cannibal co-op!

As the Talking Dead put it: Hey Terminus, guess what, you’re screwed!

Playlist:

Little People, “Start Shootin'”

Pantera, “Walk” (for Rick In Charge…and Rick Smash! <3)

Zero 7, “Spinning”

Handsome Boy Modeling School, “The Truth”

DJ Shadow, “Midnight In A Perfect World”

Pantera, “A New Level” (for Rick Grimes and The Train Car Superstars)

The Walking Dead, Season 4, Episode 15, “Us”

“Us”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

The Walking Dead’s Season 4, Episode 15, “Us,” begins in a fairly straightforward manner…no music, no montage…just the drone of Eugene, walking along the tracks beside Tara, completely geeking her out while trying to impress her with his scientific acumen, epic mullet, and general philosophy about…everything.

“I’m well aware it sounds bananas…but lookin’ at the fossil record, knowing what I know about this infection, you cannot say for certain it isn’t what killed off the dinosaurs.  Do I believe that’s what happened?  No…but it’s enjoyable as hell to think about an undead ankylosaur goin’ after a diplodocus!”

Wow, sweet opener, Eugene…if you’re trying to impress a 10-year-old kid who’s obsessed with dinosaurs and who happens to be navigating a a zombie apocalypse. You can practically hear Tara’s eyes rolling back into her head.

Eugene is oblivious to this, chuckling to himself at the thought of undead dinosaurs battling it out. “That there’s a video game worthy of a preorder.”  (Actually, he is right about that one). Eugene looks on as Tara stoops to pick up a flattened coin on the rails. “Aw, hell yeah, score…a few more of those, a little aluminum foil and some bleach, you got yourself some volts, sister.”

At Tara’s questioning look, Eugene explains, “Homemade battery.”

As it seems to mean so much to him, Tara holds out the coin, offering it to Eugene. “Here.” “For real?” he asks.  “For reals,” Tara answers dryly.  “Much obliged,” says Eugene, as they continue down the tracks.

Emboldened by the coin exchange, Eugene tries again to impress Tara…”Speaking of video games, what kind of gamer were you? RPG, smut, sim racing?”  It is clear by this point that Eugene did not have a single iota of lady-game in the world before, and he is striking out big-time in this world, as well…it also doesn’t help that he’s trying to hit on a lesbian.

Eugene, Eugene, Eugene…while I remain unconvinced that he has any real insights on what actually caused the zombie apocalypse, I do hope he can find a way to work that angle to get some play in the new world order…he definitely has some good taste in women, Tara and the lovely Rosita!

And, he has “The Eugene,” a mullet so epic, there should be a sculpture made of it for future PZA (post zombie-apocalypse) generations to visit and make offerings to (especially, I suppose, if Eugene actually does possess the key to a walker cure as well).

That night, Tara is sitting against a tree, staring out into the darkness with a haunted look. Abraham comes to sit beside her, his assault rifle across his lap, stifles a yawn. Tara tells him to go to sleep, she’s got this…he tells her no offense, but he’s not leaving Eugene’s life in her hands.

It is clear that Abraham is 100% on Team Eugene, and he also makes it clear that Team Eugene is in with Glenn and Tara only until they find a working vehicle, then they continue on their mission to get to Washington.

Tara lowers her head into her crossed arms, and Abraham urges her to get some sleep, telling her he hasn’t seen her sleep yet.  As Tara does not reply to this, Abraham continues, “I thought it was because you were in love with him (Glenn).” Abraham chuckles to himself, muses aloud, “Girl in love with the guy she’s trying to help get to his girl…if that were the case, closing your eyes would be just too damn tragic.”

“If that were the case,” replies Tara.

Abraham knows that’s not what’s going on here.  He looks at Tara.  “I saw the way you were looking down Rosita’s shirt when she was serving you dinner…hell, the things are damn near hypnotic.” (And may I give a “Hollah!” to that?)  Abraham chuckles, continues, “Look, Eugene spends half the day staring at her ass…I’m not mad, it just means my theory’s shot.”

“I’m awfully sorry about that,” replies Tara.  Sarcasm seems to be her go-to mechanism these days.

Abraham, however, is not attached…to his initial theory, anyway. “Well, I’m right and I’m wrong…” Abraham  is, however, still trying to get Tara to talk about what is obviously weighing on her. “It’s something you did, or something you didn’t do,” he says, looking away into the darkness.  He is giving her time, and space, to talk to him.

Tara closes her eyes for a brief moment, says softly, “Something I did.” Abraham looks at her, waits.  Tara looks back to him. “You were in the army,” she says, with a raise of her eyebrows, a little smile, and a nod. Then she looks away. “I get the whole gung-ho, mission is your life bullshit.”

Abraham says, “Yeah? You do…”  “Yeah,” Tara whispers. She turns to face him. Her game face is back on. “So we both got our reasons…we both got our missions.”

Abraham nods, says nothing.

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Tara turns again to Abraham, asks, “What do you do when the mission’s over?” Abraham looks into the night, and nods in silent understanding.

The next morning, Eugene once again walks beside Tara, working out the logistics for them to share the battery her found coin will become, one day, if they collect all the materials needed. Eugene seems to know that the weak charge that homemade battery would generate would be the closest thing to any spark between them, and he’s working that angle for all it’s worth.

While trying to ignore Eugene, Tara looks ahead and spies something down the tracks…and there it is, scrawled in walker’s blood, Maggie’s sexy blood note to Glenn:

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As soon as he sees the sign, Glenn starts hauling ass down the tracks…

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Maggie!

Maggie!

Meanwhile, in a makeshift camp in the woods, the Downstairs Thug Boys are catching their last moments of a joyless sleep on the cold forest ground as a lone walker approaches.  The walker catches the barbed wire barricade in the face, sending the cans strung along it rattling, jolting the DTB’s awake.

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Mornin’!

One DTB says, “I got it” and dispatches the walker bayonet-upside-the-chin style:

Mornin', motherfucker.

Mornin’, motherfucker. After he rekills Mornin’ Walker, the DTB thrusts his bayonet into the ground, unzips, and unleashes his morning piss onto the dead walker.

Tony (the Hispanic dude who saw Rick under the bed just before losing consciousness in a chokehold) looks around, says it looks like that “Robin Hood cat” skipped out and went off on his own. Tony adds that he didn’t think Robin Hood had the “sac” to go off on his own like that.

Len, (who may have done the choking), seems like a pretty pent up dude.  He’s got some issues.  But, he does have the observation skills to notice that Robin Hood’s stuff is still there, probably just stepped out to “drop a morning deuce.” Joe, the leader, is looking pretty relieved at this.  It’s been pretty clear to me so far that he is way-gay for Daryl…welcome to the club, dude.

Somewhere where the morning shines a little brighter, Rick (yay! we have missed you, Deputy Grimes!) trudges along the rails talking, it seems, to himself…“We have about a day’s worth of water left… luckily it’s cooled off some, but…”  He looks back to see Carl and Michonne way behind him, each walking slowly, balancing on a rail, trying not to fall over.

“What are you doing?” he mock chides, to which Carl answers, “Winning a bet,” to which Michonne replies, “In your dreams!”  Rick has no choice but to laugh, and it did my heart good to see it…sigh…Rick is pleasedall is right in the world again.  Thank you, Rick. Just…thank you.  For. Everything.

What are those two up to now?

What are those two up to now?

Try to look stern...

Try to look stern…

...nah, can't do it!

…nah, can’t do it!

You crazy kids! :)

You crazy kids! 🙂

Michonne lets Carl win. #bettermotherthanlori

Michonne lets Carl win.
#bettermotherthanlori  (awww….just kidding…kind of)

Carl shares the prize, the last stale-ass Big Kat bar...sweet boy loves him some Michonne

Carl shares the prize, the last stale-ass Big Cat bar…“C’mon, we always share…” Michonne smiles, says, “Fork it over..”  So sweet!

Meanwhile, back in the dark douchebag forest, poor Daryl is not faring as well.  He needs some time and space to think, and a stealthy early-morning hunt will maybe help to clear his mind.

He has got to be freaking out inside about poor Beth, abducted in a creepy black funeral car, injured, alone…but, he must bide his time, and it is safer in numbers, right now, and nobody wants to piss Joe off…that guy seems a little fixated on poor Daryl.

Joe, and the rest of the Downstairs Thug Boys, are gonna be a little hard to shake. Daryl has a lot to figure out, and not a lot of time to do it.  He spots a rabbit and aims his crossbow:

um. yes.

um. yes…yes, indeed

Daryl fires, just as another, bigger arrow shoots from behind him, just grazing the hair at his temple and spearing through the rabbit, along with Daryl’s arrow.  (Daryl’s Arrow…great name for a band…someone should snatch it up…I do not play a musical instrument but love coming up with band names, so, welcome to it, and enjoy, and I’ll keep throwing them out there as I think of them.)

Daryl whirls around, and there is Len, lurking behind, poaching Daryl’s rabbit, and basically just there to harsh Daryl’s morning mellow.

“What the hell you doin?” demands Daryl, as he goes forward to the rabbit.  Len shrugs, “Just catchin’ me some breakfast.”  Len, who clearly is not gifted in the personality, nor the charisma, department, goes on to inform Daryl that his arrow went through before Daryl’s did, and that  “Cottontail belongs to me.”

Crouching down to pull the arrows out of the rabbit, Daryl tells Len that he’s been out there since before the sun came up. This is all he says, Daryl being a man of few words, and incredible hotness. Daryl clearly had first sights on the rabbit, and it clearly belongs to him.

Len, however, counters that the “rules of the hunt don’t mean jack” in this day and age, and that-there rabbit is “claimed,” so Daryl better fork it over.

Now, it is also clear that Len is picking a fight with Daryl, probably for things that went way far back in Len’s life and that Daryl has had nothing to do with, before now…but now Len is on Daryl’s ever-growing list of problems, and probably, at this point, near the top of Daryl’s ever-growing shitlist.  As Len drones on about the law of “claimed,” Daryl stands back up, looks Len in the eye, and tosses Len’s shitty arrow to the side.

Len’s gaze follows the arrow, his neck jutting forward, his feet planted, trying to intimidate Daryl by insisting that he hand the rabbit over now, or else… Daryl strides towards him as Len tries to hold his ground, unsuccessfully.. Daryl’s voice is soft, and sexy, and growly, as he stands before Len, looks him straight in the face, says, “Ain’t yours.”

Len, clearly challenged, goes for the sucker-punch, suggesting that it’s “some bitch” that has Daryl all messed up…and was it one of the “littl’uns? Cuz they don’t last too long out here…”

Daryl reaches for the knife in his belt:

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But just before Daryl can do us all a favor and end Len, Joe comes rushing up and breaks up the fight…he is so gay for Daryl, I mean, really…the dude can’t hide it, not even a little.

“Easy, fellas, easy…let’s put down our weapons and see if we can’t figure out what’s really the problem here…” Joe is of course eye-fucking Daryl the whole time he says this, and Len laughs from behind Joe in a thin, shitty way. Daryl’s eyes burn past Joe, into Len’s shitty face, looking majorly fine as he vibes Len hard. Joe finally tears his gaze from Daryl, turns to Len, asks him if he “claimed” the rabbit.

“Hell, yeah!” says Len.  “Well, there you go,” says Joe, turning back to Daryl. “That critter belongs to Len.”  Len juts his chin forward even more, demands, “So let’s have it!”  Yes, children, Len sucks.

Joe’s voice is pacifying as he turns to Daryl, “Looks like you’ll be wanting an explanation.” He steps towards Daryl, who leans back slightly and steps back away from Joe. Joe, who pretends not to notice this clear, universal signal of distaste, continues his explanation in placating, almost pleading, tones:

“See, goin’ it alone, that’s not an option nowadays. Still, it is survival of the fittest…that’s a paradox right there.” Joe leans in towards Daryl to make his point, which Daryl suffers…he already slipped with the step-back, before. Joe explains that he laid out some “rules of the road before things get too Darwin every couple of hours, to keep our merry band together and things stress-free.”

Joe is pretty much pitching this like it’s the best idea anybody ever had. While Daryl knows better, he also knows better than to show it..he’s turned away, looking down, trying not to be a dick about it, but kind of repulsed past the point of being able to hide it.  (Me too, Daryl, me too!)

“All you gotta do is “claim,” Joe continues, bringing it home. “That’s how you mark your territory, your prey, your bed at night…that one word, “claimed.” Daryl shifts back, growls softly, “I ain’t claimin’ nothin’.”  Len steps forward, reminds Joe that the rule is to teach Daryl if he doesn’t obey.

Joe, however, cannot bring himself to punish Daryl, and lays it on thick about how “it wouldn’t be fair to punish someone for a rule they never knew existed.” This flagrant display of favor towards Daryl causes Len to turn away and laugh bitterly while shaking his head, raking his hand through his hair, and pacing around with the unfairness of it all.

Len, dude, give it up.  Maybe you were Joe’s favorite at one time, but you are totally out of your league with this one. It’s Daryl Dixon, for fuck’s sake. Later for you, Len.

Daryl, deliciously defiant, dismisses all this, growling “There ain’t no rules no more.” (He’s so soft and growly this episode…really sexy.)  Joe would beg to differ, about there being no rules, that is…Joe would probably beg Daryl for a lot of things, truth be told, but he is trying to make a specific point…there are still rules, and Daryl knows it, and that’s why Joe didn’t kill Daryl for the crossbow.

Then, Joe grabs the tail end of Daryl’s rabbit, which Daryl still holds.  Daryl protests, and Joe cautions him, “Easy, there, partner.” His eyes on Daryl, Joe holds the rabbit carcass up to the tree and slices it in half with one stroke of his machete.

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Joe tosses the front half to Len, who glares at Daryl…Len is seething lime-green jelly at all the blantant favoritism that is being shown to Daryl, who clearly has the mojo and magnetism that Len has been lacking his whole life.  Len stalks off, and Joe looks at Daryl. “Claimed, it’s all you gotta say,” he says, with a shrug of his fingers.  Joe looks down at Daryl’s rabbit half.  “Ass end is still an end,” Joe says, and walks off.

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Daryl’s thinking, These guys are dicks!

Back at the rails, Glenn is hauling ass to Maggie…he’s charging ahead of the group and not looking back.  They have reached some sort of observation or loading tower, and Abraham calls for a rest, saying they are tired, and “tired is slow, and slow is dead.”

Glenn protests that it’s barely noon, to which Abraham replies, “I don’t give a monkey’s left nut!” (Ha! It’s pretty much guaranteed that any episode Abraham is in is going to bring us WD fans some pretty memorable lines to quote.)

Abraham continues, saying that nobody has slept more than a couple of hours, and while he gets it, “You have to find her,” he and Rosita have a mission too, and that’s to get Eugene to Washington, “and save the whole damn world!”  He says it looks safe here, that they are going up in the tower for a rest stop.

Just then, Tower Walker makes its presence known:

As Tower Walker steps in for his cameo, we get a rear view of

As Tower Walker steps in for his cameo, we get a rear view of “The Eugene” and how the back drape of it flows down in greasy, brown mulltastic waves…it’s truly a mullet of epic proportions!

In its undead zeal to chomp the living, the Tower Walker pitches right over the railing, becoming Look Out, Below! Walker...and hits the dirt in a gorish heap of rot and bone.

In its undead zeal to chomp the living, the Tower Walker pitches right over the railing, becoming Look Out, Below! Walker…and hits the dirt in a gorish heap of rot and bone.

Unfortunately, Tara’s knee gets hurt in the mayhem of the walker’s fall (ahem, Abraham shoving her aside, and to the ground, rudely, in his quest to protect Eugene from all the forces that want to kill his white, pasty ass). Limping gamely on her injured knee, Tara insists to Glenn that she can still walk.

Glenn is being super self-obsessed right now, and tries to bid farewell to Abraham and Co., ready to continue on, whatever it takes…”You don’t need us and we don’t need you,” says Glenn before he turns away, ready to move on.

Rosita calls him out, “Wow, you’re an ass….She (and she points to Tara) will do whatever you say because she thinks she owes you…man up! Stay for a few hours!”

Besides looking totally hot calling Glenn out, may I just give Rosita mad props on accessorizing in the zombie apocalypse…girlfriend’s got on gold hoops, cute military-style hat, leather fingerless gloves, and a cute-ass Michael Jackson-style military jacket, with long sweater sleeves over the hands, complete with DIY thumbhole cut out…Rosita is officially my girl-crush and my new fashion icon.

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Glenn proposes that if they continue on, and go until sundown, then he will give Eugene his riot gear, “right here, right now.” Abraham accepts, despite Rosita’s protests that Tara is in no shape to move on…”You’re not her mama,” replies Abraham, cutting his eyes to Glenn, then Tara.  “If she says she can walk, she can walk.” Abraham turns to Glenn and tells him he’s got himself a deal.

Back aways at Douchebag Junction, Joe is really pressing Daryl for some kind of commitment:  “So what’s the plan, Daryl?” They are walking down the railway line, Joe’s smoking a cigarette. He seems pretty tense, putting it all out there.

Daryl plays dumb, “How so?” Joe’s been around the block a few times, and he’s played this game before. He spreads his cigarette hand out in a wide arc of impatience, asks, “Well, you with us now, but you ain’t soon?”  He’s bordering on strident. Desperation, Joe…so not sexy.

Daryl knows how to play it.  He tosses his hair, acts coy, buys time.  I admire his technique. Well played, well timed, keeps Joe, and Joe’s Daryl-boner, guessing.

“So, what’s the plan?” Joe presses, trying for casual but so not fooling anybody. Daryl hedges, not about to give anything up to this man or his band of degenerates. “Just uh, lookin’ for the right place, is all,” he offers. It’s so cute to me that Daryl’s good at holding his cards close to his chest, but he is not good at lying.

“Aw, we ain’t good enough for ya, huh?” Joe presses.  Dude, so gay for Daryl.  “Some of you ain’t exactly friendly,” replies Daryl, being the master of understatement that he is.

Joe takes a drag from his cigarette, “You ain’t so friendly, yourself.”  He continues, “You know you need a group out here…”

“Maybe I don’t,” counters Daryl. Man, he’s so hot when he plays hard ball! Joe notices this too, of course, replies, “Naw, you do, you should be with us!”  Joe’s laying it all on the line, not knowing how badly that this scratch-and-dent sausage party of a group is no comparison to the fine, soulful group Daryl was with before… and Daryl likes girls, dammit, and is in love with Beth...and where the fuck is she?

Look, Joe, your motley crew is rebound, at best...Daryl's in another league, dude...sorry!

Look, Joe, your motley crew is rebound, at best…Daryl’s in another league, dude…sorry!

Joe lays out the basic rules for the band of DTB’s…you just gotta follow the rules: you claim, when you steal, you keel, and you don’t lie, because that is a slippery slope.

While that all sounds good on paper, the chemistry is so not there, but what can poor Daryl do, but go with things, as they are, for now…Daryl asks what happens if the rules get broken, and Joe answers that the offender gets “a beatin’, the severity of which depends on the offense and the general attitude of the day.” It’s a brutal code, not on any level of the caliber of community and humanity that Daryl lived with at the prison.

Joe spots a warehouse, whistles through his fingers, signalling the night’s abode.  Daryl turns to Joe, tells him he “Ain’t no us.” Joe asks him, point blank, “You leaving now?” Daryl answers by not answering…um, no, it’s about to get dark and shit, just sayin’.

“Then it sure seems like there’s an us!” Joe then proceeds to get the last line on Daryl, asks him if he likes cats.  Joe, it turns out, loves cats, has since he was three years old. He tells Daryl that there “ain’t nothing sadder than an outside cat who thinks it’s an inside cat,” before turning and heading into the warehouse.  

Aw, snap, Daryl Dixon, you have just been served The Last Word.

Meanwhile, Glenn, who has divested himself of riot gear and given it to Eugene, is once again steadily charging ahead of the group on the rails.  They have reached the entrance of a dark tunnel that the railway runs through.  At the entrance is scrawled another blood note from Maggie, Sasha, and Bob. It is still wet. “We’re gaining on them,” announces Glenn.  Abraham answers that they sure as Shanghola can’t go over the tunnel.

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Abraham says, “Hear that? That sounds like a long dark tunnel full of reanimated corpses.” Glenn says, “If Maggie went through, I’m going through.”

Abraham says, with some regret, that this is where they part ways. He tells Glenn, “You’re on your own.” Tara steps up, with a limp, says, “No, you’re not.” Glenn looks at her like it’s the first time he’s really seen her, nods to her.

Abraham kneels down, takes a couple of cans of food out and offers it up to Glenn, who declines at first, saying that they will need them…”So will you, ” replies Abraham, and it is Tara who has the good sense to step forward, with pain, and take the offering from Abraham. Abraham then offers up a gun or flare of some kind, which is majorly cool of him…Glenn, truly humbled at this point, takes the offering with silent gratitude.

“Sorry I hit you in the face,” apologizes Glenn.  Abraham answers, “I’m not…I like to fight!”  Rosita comes up to Glenn with a hug and some well-wishes (“Good luck, try not to be an ass.”) and hugs Tara.  Eugene, standing awkwardly in his riot gear, pronounces them as “good people…Tara, you are seriously hot,” causing Glenn to look down, smiling, and Tara to reply that she likes girls, to which Eugene says, “I’m well aware of that!”

Yeah, right, Eugene, like how Pee-Wee Herman “meant to do that!” when he ate it on his bike in Pee Wee’s Big Adventure.

I must say that I am loving Abraham and Co., especially as Abraham offers a Plan B scenario: if Glenn and Tara get into trouble, come back, and Abraham and Co. will double-back to the first road they cross, to meet  up if needed. Yes, thank you, love the plan, Abraham.  Majorly cool of you, know now how you bagged a girlfriend like Rosita.

As they enter the blackness of the tunnel, with only the light of Glenn’s flashlight to guide them, Glenn tries to tell Tara that he knows what she is going through, dealing with the loss of loved ones, the shock…he kind of falters, being a guy and all, but is really trying…I am glad he is being cool, not so selfish.

As they continue on in the blackness, Tara tells Glenn that when “Brian” told them he wanted to take over the prison, she knew it was bad.  When she found her girlfriend, she was dead, her niece, dead, then Tara watched her sister, Lilly, become surrounded by walkers, pounced on…she saw it happen.  Ugh, awful…just maybe a week ago, Tara and her family were alive and in relative safety in their little apartment…and now, they are gone, the collateral damage to a needless massacre, and she is…here, in a dark-ass tunnelfullawalkers. (Drink one if you got one! Am drinking coffee right now, but kind of wishing it were a mimosa.)

Tara recounts the horror of all this, but says that it wasn’t as bad as seeing what “Brian” did to Maggie’s father. Glenn is silent, and somber, as she unburdens herself to him, to the background hiss and slaver of the Tunnel Walkers, further down the line, in the darkness.

Meanwhile, in another dark hole, the DTB’s have cleared the warehouse garage. The cars have been drained of any gas, but Joe asserts that they are getting “closer,” he can feel it.

Then, the DTB’s start “claiming” all the cars around as their own. Each time Daryl approaches a car, some douchebag DTB is there, looking at Daryl and calling, “claimed.” They are all majorly stunted, and Daryl gives up, setting his pack, and himself, on the concrete floor in the center of the garage. Dicks!

Meanwhile, back at the tunnelfullawalkers, Tara and Glenn have come upon a wall of rubble which has come down onto a group of RubbleWalkers, who paw and gape (and drool slime…gruesomely awesome, Nicotero!) helplessly at Glenn and Tara, pinned and stuck in the rubble.

Amazing slime drool moment...love it, love it!

Amazing slime drool moment…love it, love it!

As Glenn shines the flashlight to the ceiling, seeing the spot that caved in from above, Tara feels the blood is still wet…”this must have just happened today.”

Glenn clears a path up the rock wall by spearing walkers through the heads as he climbs up…if not rekilled, how long would a walker last, stuck in the rubble, unable to feed or free itself?

(For all these burning questions, consult Walking Dead Wiki:

http://walkingdead.wikia.com/wiki/The_Walking_Dead_Wiki

Usually, I would look this up for all of us, but a combination of the kids’ spring break, plus computer-crashing difficulties, has put me way behind deadline, so I will forge ahead…we will def discuss that topic, walker lifespan, etc., another time!)

From the top of the rubble heap, Glenn shines the flashlight, sees with relief none of the Tunnel Walkers is Maggie…despite being outnumbered, and out of ammo, Glenn wants to push through…

Tara's like,

Tara’s like, “Boy be crazy loco in love…but am I crazy enough to go along with this?”

Meanwhile, Abraham and Co. are checking abandoned cars on the road, seeing if any are driveable.  Abraham spies a promising minivan, only to discover it is currently occupied…by Soccer Mom Walker:

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Soccer Mom Walker on Board!

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Me so hungry!

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One minute I’m driving my son to soccer practice, then, chomp, I’m a freakin walker…

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Abraham does her a solid rekill…

Abraham gets in the minivan, and it starts.  While Rosita and Eugene bicker over the map, and the rights to shotgun/navigator, Abraham sees a sad note written with a finger onto the dusty windshield:

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“Let Momma Be”

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Abraham puts the wipers on that one…

It’s a super comedic moment as Eugene  pleads his case for navigator, despite having messed the job up again and again in the past…

After a humble “Please?” doesn’t do it, Eugene tells Rosita that he cannot abide the thought of a world where she would be chosen as navigator over “a son of the south, who has sucessfully negotiated the travails and vagaries of journeys both real and virtual.” 

Ha! Even Rosita can’t keep a straight face, or refuse, that one.

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“Ok,” Rosita relents, slapping Eugene’s chest up with the map. “We’re going north, got it?”

It’s a good thing that Eugene seems to have his own ideas about where they are headed, because back at the dread tunnelfullawalkers, Glenn and Tara are getting in deep shit.  As the tunnel walkers begin to figure out how to get over the rubble wall to chomp that fresh meat they saw on top, Glenn and Tara try creeping around the occupied horde…until Tara stumbles and gets her foot caught in the rocks.

Luckily, Eugene has done the calculations, and lands the minivan right at the other end of the tunnel, just as Glenn and Tara would be coming out.  Rosita calls Eugene a liar, but Eugene refutes this, saying he never said he was taking them north.

“After I save the world,” pronounces Eugene, “I still need to live with myself..I’m not leaving them behind.”

As he steps out to go rescue Glenn and Tara, Eugene sends the seat back into a sleeping Abraham, who jolts awake with some choice expletives.  When he sees what’s happening, he turns to Rosita, and they go back and forth in a couple’s spat, until Eugene tells them, um, guys…look!

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Meanwhile, at the Douchebag Garage Hotel

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Daryl’s thinking…and Len’s making a big show of looking for his rabbit half…

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…so he accuses our man, Daryl Dixon, of taking it.

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Daryl sez no way, you’re the only one who still cares about that shit…

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Len sez empty your bag, and tries to grab it from Daryl…bad move, Len…remember I said “Later for you, Len?”  Well, it’s later…

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…because Joe, ever guided by his ever-present Daryl-boner, steps in, and although he finds the rabbit half in Daryl’s bag, he doesn’t quite believe that Len’s “cowardly cop” ways didn’t creep in and plant the rabbit in Daryl’s bag…

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Daryl looking hot, taking it all in…good thing his experience with hanging around douchebags is keeping him on his toes…

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Joe: Did you plant the rabbit?  Len: No…

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Joe starts the beat down, urges the “gents” to finish the job…seems he saw Len plant the rabbit, let Len dig his own grave…

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“He lied…you told the truth. You know the rules…he didn’t.”

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As the “gents” kick Len to death, Joe tosses Daryl the other rabbit half…“Hey, seems like you got the front end after all!”

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Daryl knows he’s gotta get the fuck away from these guys…sooner than later.

Back at the tunnelfullawalkers, Glenn is trying in vain to free Tara from the rocks…the walkers are coming around the corner, see them…Tara urges Glenn to go, to leave her, but he refuses to leave her.  I love Glenn in this moment, when he yells, “No!” and makes his stand against the oncoming walkers…he shoots his last three bullets, and is ready to take them on, one by one, when a light shines in his face and a voice yells to “Get down!”

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Who is that??

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The calvary has come to save the day!

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Abraham and Co. has some new members…

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Take that, Tunnel Walkers!

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Could it be…?

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Emerging from the light, in all her magnificence…

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Maggie!

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YES!

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Glenn and Maggie! So awesome!

Later, Glenn is staring at Maggie, unbelieving…“You’re so beautiful,” he says. Ummm, yeah!  The introductions are made, Glenn telling Maggie he met Tara on the road, and she helped him, that he couldn’t have done it without her.  Maggie smiles gorgeously at Tara and hugs her, surprising and disarming Tara.  Of course, Glenn can’t get all into it now, about Tara and her true story, but I am left wondering if he will ever tell the full truth to Maggie…I guess we’ll see, won’t we?

Meanwhile, Sasha and Bob are tripping on the Eugene Saving the World story…Abraham is pitching the idea that the eight of them all join forces to get Eugene to Washington.  Tara tells them she’s in, that she is going to go help Abraham and Co., but Eugene overrides this, telling them that he feels they should continue to Terminus and see what supplies they have, and continue on their mission from there.

Rosita agrees, adding that they may be able to recruit others for the mission.  Sasha offers to come help Team Eugene get to Washington, but only after she checks in and sees Terminus. She must see if Tyrese is there.  Bob chimes in, says he is in on both counts, as well…he and Sasha look at each other.

Later, Maggie finds the polaroid that Glenn took of her sleeping and goes to burn it, telling Glenn that he’ll never have just a picture of her to look at, again:

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So dark and sexy these days, Maggie!

The next morning, the DTB’s are filing out of the Douchebag Garage Hotel.  Daryl is horrified to see Len’s body, dead and bloodied, with one of Len’s long shitty arrows sticking out of his head:

Later, Len.

Later, Len.

Daryl tries to salvage a sheet to cover the body with, but it is so bloody and full of holes, he just throws it to the ground and continues walking.  Beth would want to cover it, but who can blame poor Daryl for not having the energy to bother, right now. Some time down the line, he takes a sip from Joe’s flask, remarking how he hadn’t gotten lit at dawn since before everything fell apart…

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Joe’s response to this is that he feels everything has fallen together, as this kind of world supports the code that a group of men like them live by...survival.

The men stop at a Sanctuary sign, and Daryl is surprised, having seen this for the first time.  You can see the wheels in his head turning.  He asks Joe about it, Joe replying that Sanctuary is a lie, that there is no sanctuary for all…even if there was, it’s not a place that would embrace the likes of them with open arms.

Joe tells Daryl that he and the DTB tribe have been tracking whomever was hiding in the house they found, strangled their buddy, Lou, and left him to turn and attack them. Daryl asks if anyone saw this person, and Joe tells him that only Tony saw him. They are following this person to Sanctuary and will get their revenge, which, judging from the way they punished Len, would be brutal and savage, indeed.

I don’t know if, in this next scene, if Daryl calls “claimed” suddenly to divert the DTBs’ attention, but he does, as he scoops up a radish growing by the rails and puts the radish in his bag. As the men walk off, we see the Big Cat wrapper that Carl left on the tracks a day earlier…gulp!

The ending scene shows Glenn and the crew approaching the gates to…

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Terminus!

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Cautiously, they open the chained, but not locked, gates and enter… walk past garden boxes with vegetables, sunflowers growing…

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They see a woman, cooking…she turns, smiles, introduces herself as Mary…bids them come in, they will get them some food...”Welcome to Terminus!”

All I can say, people, is the only thing I know for sure…shit’s gonna go down in the finale…staying strong, keeping needed coping mechanisms on hand…until then, be happy, be well, send love to our WD peeps, and enjoy the playlist!

Playlist:

Unnatural Helpers, “Shakes”

Fleet Foxes, “Mykonos”

Samiam, “El Dorado”

The Walking Dead, Season 4, Episode 14, “The Grove”

“The Grove”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

Well, people, we have much to discuss, don’t we, with The Walking Dead’s Season 4, Episode 14, “The Grove.”  For those WD fans who have been touched with a bit of the ennui regarding the last couple of weeks’ storylines. we got a bracing slap-up with this latest installment, written by Scott M. Gimple and artfully directed by Michael Satrazemis.

The opening scene of “The Grove” is a spare, haunting one.  It opens with a close shot of a copper tea kettle on the stove, a gas flame burning under it…at first, it made me think it was a flashback of days past, at the beginning of the turn, perhaps…

The shot pans left to the open window, where a clean white curtain dances in a gentle breeze.  We hear the sounds of girl’s laughter outside, and we see through the window’s pane what appears to be Lizzy running playfully around a tree. We lose the figure for brief moments, as she disappears behind the tree or the window frame, then reappears…and then we see, through the window, that there is another figure, but this figure does not run and dance like a young girl…this figure lurches and grabs at the young girl, who evades her easily, laughing.

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“C’mon, Griselda!” we hear Lizzy’s voice beckon, when the walker stops at one point, having lost dim sight or sound of the girl…at the sound of Lizzy’s voice, the walker woman lurches again towards her, getting closer and closer, as Lizzy laughs, dances around the walker…the tea kettle on the stove starts to whistle, piercing through the dreamy, surreal quality of the old timey song that plays somewhere in the house, and the grotesque dance that is happening outside the window, in a sunny grove surrounded by pecan trees.

Cue the Bear McCreary opening title sequence...

Cue the Bear McCreary opening title sequence…

In the next scene, it is night on the  train tracks, near an overpass. Carol sits, holding Baby Judith while Lizzy sits beside her. Mika and Tyrese are curled up on the tracks, sleeping. Carol smiles at Lizzy and tells her it’s ok, Lizzy can go sleep. Lizzy replies that if something happens, she can take Judith.  “I can help,” says Lizzy, looking straight at Carol.

Carol smiles wryly. “You really think you can help me?”

“I know I can, m’aam,” Lizzy replies.

Lizzy then tells Carol how she saved Tyrese by shooting two people, a man and a woman, who were coming for Tyrese in the final prison battle. In remembering this, Lizzy looks down, regretful, “I didn’t mean to shoot her (Alicia) in the head.”

Aside from the opening shot, this statement by Lizzy is the first suggestion in “The Grove” as to how deeply Lizzy’s sympathetic feelings for the walkers really go, as shooting Alicia in the head would prevent her from reanimating into a walker…and for Lizzy, this is a bad thing.

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By this point in the watching, it was like, seven minutes into the total episode, and I had already experienced two or three “Holy crap!” moments…is this what it feels like to be Gimple-slapped? I think so!

Lizzy asks Carol if she had a kid…Carol tells her about Sophia, how Sophia “didn’t have a mean bone in her body.”

“Is that why she isn’t here now?” asks Lizzy, astutely.  Carol regards her, nods, “Yes.” Lizzy asks Carol if she misses her daughter.  “Every day, “ Carol replies.  Lizzy asks if Carol would miss her.  “I won’t need to,” Carol answers, then tries to send Lizzy to bed again.  Lizzy is quick, however, and she sneaks in a goodnight hug before Carol can protest or raise her defenses again:

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In his sleep, on the tracks, Tyrese whimpers, in the grip of a bad dream…

The next morning, Carol is tending to Tyrese’s wound.  Lizzy has found some type of pine sap, which Carol collects with the blade of her knife and applies to Tyrese’s wound to fight infection and bring down fever.  Tyrese asks Carol how far she thinks they are from the Terminus station, the site of the supposed Sanctuary…three days out, four? Carol is not sure…Tyrese then comments on how tough Lizzy is.

“Yeah,” says Carol, “when it comes to people.” When Tyrese asks her what she means by that, Carol tells him that Lizzy is confused about the walkers, that she doesn’t see them for the threat they are…she just sees them as being different.

Tyrese looks over at Mika, who is holding Baby Judith, and asks Carol if she, Mika, is the same way. “No,” replies Carol. “She’s worse…she doesn’t have a mean bone in her body.” It is what she said about Sophia, before, and why Sophia didn’t survive.

Later, as they walk along the tracks, the girls and Carol pass the time talking about the adventures of Huck Finn and Tom Sawyer. Mika asks if the story had a happy ending. At first, Mika likens herself to Huck Finn, but Lizzy interjects that she feels Mika is more like Tom Sawyer.

“Yeah,” Mika agrees easily, “You are way more like Huck Finn...you aren’t even grossed out by dead rabbits!”  Lizzy shoots a look at Mika, makes the “zip it” sign with her mouth. Mika’s spilling Lizzy’s crazy deets, but the adults don’t notice.

A little ways down the tracks, Carol and Tyrese smell a fire, smoke…it smells like a big one.  (Could it be the house fire that Daryl and Beth set?  On Talking Dead, Chris Hardwick and the guests speculated on this possibility…I really do think the fire and smoke plume in this episode is from the cabin that Daryl and Beth torched.  It seems like the kind of detail that Kirkman, Gimple, and Co. would add to an episode already rich with layers of meaning, nuance, and surrealism.)

Back at the tracks, Carol volunteers herself and Mika to go on a water run, suggesting that Tyrese stay back with Judith and Lizzy.  Tyrese takes Carol’s advice and hangs back at the tracks, playing “I Spy” with Lizzy…there’s not much to see, besides trees and weeds, until it’s Tyrese’s turn, and he spies…a walker, some ways down the tracks, but lurching towards them.

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Tyrese hands Judith to Lizzy and grips his hammer, striding down the tracks towards the walker, ready to take care of it…the walker falls through a weak part of the track and is stuck…Tyrese approaches it, ready to finish it off, when Lizzy rushes up to him, carrying Judith, and stops him. “Sometimes we need to kill them, but not always, “ says Lizzy.  Judith begins to cry, and Tyrese looks down at the stuck walker, and relents to Lizzy’s wishes:

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Don’t kill him, Tyrese…he’s my little friend! Look how cute he is!

On the outing, Mika points out that Lizzy would be able to carry more water, and Carol admits to her that she wanted to take the opportunity to talk to Mika.  When Mika asks her why, Carol tells Mika that she’s little and she’s sweet, “And those are two things that can get you killed.”  Carol goes on to say that while Mika can’t change her small size, she can start to “toughen up” and adapt to the ways of the new world order.

Mika disagrees, saying that she doesn’t need to toughen up, that she can run, and she’s good at running.  Carol stops, grips Mika’s arm. “No,” Carol says, “My daughter ran, and it wasn’t enough…that’s why I taught the kids at the prison to do more than that.”

(Now, I knew on many levels that this was why Carol was being so weird about teaching the prison kids the art of the knife kill, back in the day, but in this episode, we WD fans got many lingering questions answered, and after the watching, I felt a lot clearer about Carol and why she was being so weird and crazy then.

And, btw, in WD time, “back in the day”, when Carol was teaching knifery to the prison kids, that was maybe only like a week ago, right?   Maybe not even a week? Ten days, tops?

Honestly, this whole crazy fourth season has taken place in about a week’s time, if I am calculating correctly, excluding the detour episode into the Gov’s story…please send me a line if I am wrong about this, but am I?

Let’s see…the explodey flu hit, then Patrick died and became Patrick Walker, led a walker riot at the prison…peeps died, peeps became infected with flu, Daryl and the crew made the Vet School Meds Run, while Rick sleuthed Carol’s double-homicide, led her away on the pretext of a goods run, and banished her from the prison with a lovely parting gift, a fully stocked car with a full tank of gas…Rick came back solo (with a lovely parting gift of his own, Carol’s watch), broke the 411 to Maggie, then Hershel, before the prison broke out into another round of walker mayhem.

Then, Rick and Carl shared a father-son walker mow-down moment while Hershel, Maggie, and the at home peeps held down the prison and goodness prevailed, for a moment, anyway…Daryl and the gang returned from their road trip, delivered the meds, and started getting them into sick peeps’ bloodstreams stat while Hershel and Michonne got themselves into an unwanted and much-hated hostage situation with the Gov.

Rick had the dreaded Daryl Conversation, and was about to have the even more dreaded Tyrese Conversation, when they were rudely interrupted by the Gov’s tank blasting a hole into the prison walls…war broke out, the prison got ruined, and everyone who didn’t get killed, scattered…now everyone’s having their own story, with most trying to get to Terminus...and this all happened in about 5 – 7 days’ time, if I am figuring correctly.

Am I right or wrong about this?  Chime in, people…inquiring minds want to know!

If I am right, that is pretty much The Shittiest Week Ever, maybe taking second place to the first week of the zombie apocalypse, where everyone’s lives they had before, and many of their loved ones, were lost forever.)

Anyway, Carol is giving Mika her life-or-death “toughen up” speech, while Mika is holding her own and making a strong case for her belief system, which is falling somewhere in the realm of pacifism and vegetarianism, which I totally respect…but do not fully practice, myself.

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Mika explains her position. “I can kill walkers…I mean, I’ve tried. I’m not like my sister…I’m not messed up.  I know what they are. But I can’t kill people…I could never do that.”  Mika goes on to tell Carol about how the bad people at the prison were right in front of her and Lizzy, and how she, Mika, held up her gun…but couldn’t pull the trigger.

“Killing people is wrong,” asserts Mika. She brings up Karen and David, how somebody killed them…and they were nice. Carol’s mouth, at this, (the first of several in-your-face, Carol, moments in this episode) sets in a tight line as she asks, “What about people who try to kill you?”

“I don’t even wish I could (kill them),” Mika replies.  Carol bends down to get on Mika’s eye level. “People came in and killed our friends,” she says to Mika, emphasizing every word, looking Mika right in the eye.

Mika’s look back is unwavering, her reply immediate, ” And I feel sorry for them.”

Carol’s brow furrows at this.  “Why?” she whispers, genuinely puzzled.

“Because they probably weren’t like that before,” replies Mika. She turns and continues down the wooded path.

As she follows Mika, Carol keeps on. “Sooner or later, you’ll have to do it…you’ll have to do it, or you’ll die….you have to change, everyone does now. Things don’t just work out.”

And at this very moment, the two turn a slight right and walk right into the opening of a stately old pecan grove, with a quiet country home nestled in the center.  It looks peaceful and immediately inviting.  “Look!” exclaims Mika.  She turns to Carol, beaming. “My mom used to say, everything turns out like it’s supposed to.”

I really love Mika in this episode...in Star Wars, she would have been a padawan, a young Jedi in Yoda's training...Lizzy, on the other hand, would have def gone to the Dark Side and been one of the Emperor's disciples

I really love Mika in this episode…in Star Wars, she would have been a padawan, a young Jedi in Yoda’s training…Lizzy, on the other hand, would have def gone to the Dark Side and been one of the Emperor’s disciples

As they all approach the home, walking through the peaceful pecan grove, Carol pulls back a spare, but sturdy, barbed wire half-fence that surrounds the house and yard. “Maybe we can catch our breath here,” suggests Carol.  Lizzy asks if they are still going to Terminus, and Carol replies that maybe they can stay a day or two before moving on.  It seems like an ideal plan, as there is a well full of water, fences, deer that can be hunted, and pecans…as Tyrese says, “You can eat your fill, and then some!”

Mika seems very stoked on this. “I love pecans!” she exclaims, which is a good thing, as nuts are a key protein source for vegetarians.

Lizzy, of course, being a disciple of the Dark Side, spots the large black plume of smoke coming up from the distance, over the tree line…it is a foreshadowing of trouble to come, a course of events unwittingly set into motion, most likely by two wild young people on the run, and falling in love...ouch, Carol, I feel that arrow to the heart for you, girl, but that little killing episode was a total dealbreaker…sorry…sux 4 u. 

Carol suggests they leave the hole in the fence for the deer to come through and, “play it really safe here.”  It’s a good plan, and I am giving Carol mad props for mentally multitasking like a motherfucker right about now.  She’s got the goods.  The New Carol would have kicked Ed’s ass good, and busted a cap in his mean mug, before he ever got a chance to lay another hand on her.  That thought gives me a lot of satisfaction.

Carol and Tyrese approach the door to begin the process of “clearing” the house…they order the girls to stay outside, where they are sitting, Lizzy holding the baby and Mika holding the gun. Carol has deliberately put Mika in charge of this, to force her to shoot to protect if necessary, and desensitize her from all that pacifistic nonsense.

As they rap on the door and go inside, Lizzy begins to look more and more distressed, which Mika notices.  She tries to reassure Lizzy that Carol and Tyrese will be fine, but Lizzy isn’t worried about Carol and Tyrese…she’s worried about the walkers that will surely get killed if found inside.

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Mika and Lizzy get into it, Mika starting to lose her patience and yell at Lizzy that the walkers are not people, when Ol’ Farmer Walker comes lurching out of the house and pitches over the porch railing, landing him right in front of the girls and the baby. He begins to claw his way towards them, and Lizzy falls while trying to back away, clutching Judith and screaming in terror while poor Judith wails helplessly.

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I’m sure at one time, he was a very nice man, living a quiet living on his pecan grove, in his lovely home…

...but nowadays, Ol' Farmer Walker be scary!

…but nowadays, Ol’ Farmer Walker be scary!

Mika fires upon Ol’ Farmer Walker, but it is Carol and Tyrese that finish him off.  This sets Lizzy into a real fit of despair, which Carol cannot understand and is growing impatient with, as she keeps asking Lizzy what is wrong.

Lizzy responds that she doesn’t want to say, and turns away.   Mika fixes Carol a look, like, “What are you, new?” before going after Lizzy.

With the practiced air of someone who has done it many times before,  Mika first apologizes to Lizzy for yelling at her, then puts her arm around Lizzy’s shoulders, quietly urging Lizzy to look at the flowers, focus on the flowers, and count, and breathe.

A troubled Tyrese and Carol look on, as Lizzy and Mika breathe and count together, and Lizzy begins to calm, while the Bear McCreary music twists and turns in the background like the unraveling of Lizzy’s young mind…

Just look at the flowers, Lizzy...focus on the flowers...

Just look at the flowers, like you’re supposed to…

Later, in the evening, Carol and Lizzy are sitting at the kitchen table, shelling pecans. Carol asks Lizzy if she is still upset, and Lizzy tells her that sometimes she doesn’t understand (why the walkers must be killed), “but I am trying to, m’aam, I really am.” Mika runs up to them, beaming and clutching a sweet rag doll with long red yarn ponytails.  “Look what I found!”  Mika exclaims, showing them the doll.  “I’m going to name her Griselda Gunderson!

And with that pronouncement, Mika flounces onto the living room rug to play with her new doll. There is a cozy fire burning in the fireplace, and Tyrese cannot seem to comprehend this long-forgotten feeling of home, and hearth, and comfort.  He remarks on this as he looks around, dazed at the coziness and warmth and feeling of family in the room.

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Whoa…I forgot what this is like…

Mika, ever the sage, tells Tyrese to chillax, stay awhile…

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And then Mika plants the seed in Tyrese’s head by suggesting, “We should live here!”IMG_4107So, Tyrese abides.

The peaceful family feeling is short-lived, because the next scene is daylight, through the kitchen window, with the whistling copper kettle and the macabre game of Walker Tag between Lizzy and her new bestie, Griselda Walker, which Carol spies, disbelieving, through the window.  She rushes out, ordering Lizzy away from her grisly version of a newfound doll, Griselda Walker:

No, no, Carol, Griselda's cool...really! We're new besties!

No, no, Carol, Griselda’s cool…really! We’re new besties!

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“Get away from that walker this instant,  young lady!”    “Noooo, Carol, noooo, don’t hurt my BFF Griselda!  Griselda’s cool, it’s cool, she’s cool!”

Carol, of course, must lay down the tough love, and the blade, into Griselda Walker’s skull, inciting a full-on-fucking-freakout by you-know-who…

“Noooooo! You killed Griselda!”

“She was my BEST FRIEND, and YOU KILLED HER! What if I killed you, huh? What if I KILLED YOU?

“Griselda!” <sob!>

Carol is processing the wack attack...this is way more than teenage hormones at play...this is full-on crayzee!

As Carol, and Tyrese (who looks on from the window) process Lizzy’s full-on wack-attack, it’s pretty apparent that Lizzy is Cuckoo for Cocoa Puffs…and Carol suddenly has a splitting headache.

Later, Carol and Mika go out together, Mika carrying a shotgun. They see the black plume of smoke over the treetops, and Mika says black smoke means the fire is still burning…she learned that in science class.  “I miss science class,” she sighs, excepting when they made the students cut up planeria worms.  What an adorable little nerd she is!

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Carol tries to work the “toughen up” angle again with Mika, saying that these days, she’ll have to do a lot worse than cut up planeria worms.  “I don’t gotta,” Mika replies. (Pretty much one of my favorite lines, ever.)  Carol tells her that while Lizzy is bigger and stronger, Mika is smarter about things, that she understands about the walkers while Lizzy doesn’t. “Look out for her,” pleads Carol.  Carol then spies a young deer in the glenn.

“Go on,” she urges Mika, trying to get her to bring down the deer. “Just like I showed you.”  Mika raises the rifle and aims…

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…and then lowers the gun…

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“Nah, can’t do it.”

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She then gives Carol this sweet look and says, “We have peaches!”

Later, Tyrese is pumping well water into a bucket, with Carol. He’s been thinking, tells Carol that maybe they don’t need to go to Terminus, that maybe they can make a life here, at this house. Tyrese is thinking maybe they should stay there.

“I know Lizzy and Mika…I know Judith…I know you, I trust you,” Tyrese says to Carol, who looks down for a moment at these words. Tyrese continues, “I don’t know if I can get that anywhere else.”

Tyrese continues to look at Carol with a sweet, open look.  “We can stay here…we can live here.”

Meanwhile, back at the house, Mika is calling for Lizzy. She sees Lizzy slip off in the back, towards the stables.  She follows Lizzy to the railroad tracks, walks up just after Lizzy pulls a mouse from a box and, holding it by the tail, hand-feeds it to the stuck railroad walker.

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Yum, yum! On Talking Dead, they said the WD effects crew made an edible prop mouse for the walker actor to actually eat, grape jelly in a gelatin casing.

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On the tracks, poor little Mika really tries to reason with her crazy sister, telling her straight up that the walkers are bad, that they want to kill her, that it’s time to stop pretending things aren’t as bad as they really are. Lizzy continues to tell her sister that nobody understands, that the walkers are talking to her, and she thinks they want her to be like them.

“Maybe I should become like them,” Lizzy muses as she holds her hand out to the stuck walker, who tries to chomp at her fingers. I can make you all understand.”

Then, the rustle of nearby bushes heralds the coming of…The Char Walkers.

The latest gift to WD fans from Nicotero & Co., The Char Walkers look like black, smoking demon aliens from some heavy metal planet in the farthest reaches of the universe...

The latest gift to WD fans from Nicotero & Co., the Char Walkers look like black, smoking demon aliens from some heavy metal planet in the farthest reaches of the universe…

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The Char Walkers come lurching down the tracks after the girls, who make it to the barbed-wire fence, screaming for Carol and Tyrese…Lizzy gets through, while poor Mika gets stuck in the wire.  To her credit, Lizzy pulls Mika to safety after a close call with a particularly grabby walker.

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The girls scramble to get their guns and help Tyrese and Carol shoot The Char Walkers in a great walker kill scene that had Jon Sanders, a WD effects specialist, grinning from ear to ear as he recounted the fun they creating the effects of the walker’s brains and bodies getting blown away in a pyrotechnic display of flaming bits of brain and brawn:

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That night, as Tyrese dozes in the cozy armchair in front of the fireplace, Carol and Lizzy once again sit at the kitchen table together while Mika plays with her rag doll, Griselda Gunderson.

Lizzy is staring morosely, and breathing kind of funny, and Carol asks her gently if she is still upset. Lizzy chooses her words carefully, saying that she knows she needed to help with the walkers earlier. It seems Lizzy is upset about killing the walkers, but she also seems like she may be getting it, finally.  It seems that way, anyhow…

Carol asks her if she understands now what they really are. Once again, Lizzy chooses her words carefully, saying that she knows now what she must do. Carol, of course, interprets this as Lizzy finally getting it, that the walkers are a threat and need to be dealt with as such, but Lizzy’s true meaning is much more sinister than that.  Mika pipes up, saying she doesn’t want to kill, she doesn’t want to be mean…Lizzy turns to her sister and looks at her significantly, and says that you only need to be mean sometimes…nobody of course guesses the true import and meaning of her words.

In his armchair, Tyrese tosses and mumbles, in the grip of another bad dream.

The next morning, Carol and Tyrese are walking together. Carol turns to Tyrese, tells him that she’s on board with staying at the farm, of setting up a life there.  Tyrese seems glad to hear this. He says that maybe someday they can continue on, to Terminus, but right now…right now, he is not sure he can be around other people, around strangers.

As he says this, Tyrese leans heavily on a tree…and begins to talk about Karen. He dreams about her every night, and even though the dreams change (in some they are just talking, and in some he actually sees someone kill her, some stranger.) Tyrese wakes, each time, with the feeling like he’s just lost her all over again.

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Poor Carol’s face, as he talks! Melissa McBride delivers another amazing performance, as Carol’s face shows her conflict, and regret, and sorrow, at Tyrese’s words.  At one point, she even turns to Tyrese, about to confess…but, thankfully, she cannot bring herself to do it.

My WD buddy said later, of this scene, that it was good that Carol waited to confess to Tyrese…we both agreed that the outcome would have been way different if she had told him then, in the grove.

Instead, sweet Tyrese tells Carol  she shouldn’t be ashamed about who she is, and gives her a hug…damn, you know she’s feeling like shit right about now.

And then, it becomes…awful. Carol and Tyrese come back to the house to find Lizzy in the front yard, her hands covered in blood, holding a knife. Mika lay dead behind her, while Judith is having some tummy time on a blanket beside Mika’s body.

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As Carol approaches, and reaches for the knife, Lizzy tells them to wait, she’ll change, that she, Lizzy, didn’t hurt Mika’s head or her brain. “Just wait, you’ll see, she’ll change,” Lizzy insists. This is what she has decided must be done to have them see, finally, what she sees about the walkers.  When Carol reaches again, Lizzy pulls out her gun, to hold them off and give Mika a chance to “change.”

When Carol suggests to Lizzy that Tyrese take her and Judith inside, as being out there wouldn’t be safe for Judith, Lizzy tells them that she was about to…take care of Judith, so she could change, too.

“She can’t even walk yet,” points out Carol, who is somehow able to keep calm and talk quietly, and reasonably, to Lizzy without being too confrontational in this moment.  Lizzy nods, understands, has an, “Ok, I’ll wait until she’s older” air about her.

Lizzy agrees to go inside with Tyrese and Judith only after Carol convinces her that she will stay outside to tie Mika up, you know, so she won’t go anywhere. “I’ll use her shoelaces,” suggests Carol, putting on a brave, bright smile and blinking back her tears.

A shaken Tyrese leads the girls inside, and Carol breaks down, crying over little Mika’s body.  She pulls her knife out, tears running down her face.

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Poor Carol!

Later, Carol sits at the kitchen table, staring ahead, while Tyrese tells her that he fed Lizzy and cleared her room of any knives or weapons.  He found a box of mice in her room, and learned that she was the one feeding rats to the walkers at the prison, and that she was also the one that opened up the rabbit’s body and nailed it to the board. She told him was “having fun” with it.

Tyrese, who is looking majorly shell-shocked and creeped out at this point, wonders aloud if it was her that killed Karen and David…but how could she drag the bodies out?

Carol stares down at the table. “She would have let them turn,” she says. “It wasn’t her.”  It’s like Carol really doesn’t even give a shit about that crap right now…she’s got other, more pressing things to worry about in the moment.

Carol tells Tyrese that Lizzy was like this before, that it was already there…she blames herself for not seeing it sooner. She offers to take Lizzy, herself, to keep her away from others. Carol says she won’t be able to sleep with Lizzy and Judith under the same roof. Lizzy is clearly a threat to Judith.

Tyrese tells Carol they’d never make it…he offers to take Judith, but Carol tells him the same thing, they’d never make it…they look at each other.  Carol says, slowly and deliberately, “She can’t be around other people.” She looks at Tyrese, who looks back at her, pained.  Carol wipes away tears.

There is nothing more to say.

Later, as Tyrese looks on, out the window, Carol and Lizzy walk together in the grove, away from the house. Lizzy looks happy and at ease, taking big, high steps over the wildflowers and looking up at Carol fondly.  Carol is keeping it together, saying that they should pick wildflowers for Mika, for when she comes back.  Lizzy agrees that Mika would love that.  Carol soon after begins to break down, and Lizzy becomes upset, distressed at the thought of Carol being mad at  her.  Crying quietly, Carol tells Lizzy to “look at the flowers,” that she, Carol loves her.

And as Lizzy looks at the yellow flowers at her feet, crying, Carol, crying, lifts the gun and pulls the trigger.

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As Carol walks back to the house, she sees a deer in the glenn. She looks at it for a moment, before continuing on to the house. The next shot is of Carol digging, with Tyrese carrying Lizzy’s shrouded body and placing it gently on the ground, beside the newly dug grave.

Later, sitting at the table with Tyrese, Carol has had enough. She confesses to Tyrese, “I killed Karen and David…it wasn’t Lizzy, it wasn’t a stranger…it was me.”  She continues to tell a shellshocked Tyrese that he can do what he needs to, but she was only trying to stop the spread of the disease to the others at the prison.  It takes Tyrese a moment to recover himself…

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But, after he is assured that Karen didn’t know what was happening, or feel pain, or fear, he tells Carol he forgives her…he will never forget, but he does forgive, as he knows what she did is something she feels, and is a part of her, as it is a part of him.  “I forgive you,” he says, and Carol quietly thanks him.

Tyrese says they can’t stay, not now.  The parting shots of Episode 14 show the empty house, the kettle, the armchair, the ragdoll lying at the edge of the cold, ashened fireplace…Tyrese and Carol, with Judith on Tyrese’s back, walk through the grove, away from the home and life that seemed so promising, and down the tracks towards Terminus, as the voice over is of Carol and Lizzy’s conversation, back at the prison:

Lizzy: “I am not afraid to kill…I am just afraid.”

Carol: “You can’t be.”

 Lizzy: “How?”

Carol: “You fight it…you don’t give up, and then one day, you change…we all change.”

It’s been a crazy episode, and a crazy week, all around…so, for this week’s playlist, it seems fitting to feature songwriters who say it, and play it, in a way that nobody else can…enjoy!

Playlist:

Modest Mouse, “Dramamine”

Jose Gonzales, “Down the Line”

The White Stripes, “The Hardest Button to Button”

Iron and Wine,  “Upward and Over the Mountain”

Season 4, Episode 13, “Alone”

“Alone”

(All images used in this post are screen caps from AMC’s The Walking Dead,  and HBO’s True Detective, unless otherwise specified.)

 Alright, alright, alright! 

I need to address the first part of this post to the True Detective finale haters out there…not a confrontation, mind you, just a conversation, without spoilers, to maybe address some of the pent-up angsters who are spewing online hate-rant about the TD finale,“Form and Void.”  My intention with this brief detour into the world of TD is to merely open up a dialogue, explore an alternative perspective, and possibly redirect some of that hater energy to more positive and productive channels.  If none of that works, that’s cool too…just get meta with me for a minute, won’t you?

I am not saying it’s my job to make the hater peeps like the official ending of the True Detective finale episode, “Form and Void.”  Everybody has his, or her, opinion about things, and I am not trying to challenge that.  I am merely offering a few ideas about the finale episode and the concept of “resolution” within the realm of its ending, and how this concept of “resolution” may relate to the original, eight-episode True Detective series.

So, if you want to play along, keep reading.  However, if you tuned in soley to read about this week’s episode of The Walking Dead,, and you have not seen True Detective yet, or the TD finale, and you don’t want to join our brief TD discussion, merely soften your gaze and scroll down to the awesome picture I got of Matthew McConaughey, as Rustin Cohle, smoking the shit out of a cigarette…after that picture, my WDO darlings, we will begin our discussion of “Alone,”  the thirteenth episode of the fourth season of The Walking Dead, I promise…and thanks for being patient!

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Now, for the rest of you…if you have watched the True Detective finale and are left wanting, or unsatisfied, my first question would be, “Why?”  I am not asking to be a dick, but I would be truly curious to hear, or read, what the individual responses might be, to find out what each person was wanting the True Detective finale episode to provide, or resolve, within the story line and for the viewer.

I keep using the word “resolution” because I have heard, and read, the word used repeatedly in the TD finale hater rant…one young scenester that my WD buddy works with told her, I kept screaming at the screen while I was watching it…there was no resolution!  

First off, I know many TD fans were disappointed to learn that Matthew McConaughey would only be appearing in the original eight-part series, and not returning for a second season as Rustin Cohle.  Some of my friends who were privy to my many Facebook and Instagram posts of Rust Cohle pics over the past couple of weeks were sure that I would be among those who were disappointed…but, I am happy to say that I am not.

Matthew McConaughey just won an Oscar, people…it is pretty amazing that he, and Woody Harrelson, deigned to be in an HBO series at all.  McConaughey, who originally was asked to play the role of Martin Hart, loved the TD script and the character of Rust Cohle so much that he agreed to be in the original eight-part series, but only if he could play Rustin Cohle.

Sorry, kids, but it is not realistic to think that he and Woody Harrelson would keep it going as Rust and Marty six or more seasons later. The original True Detective eight-part series is a finite event, a standalone complex. We must take it as it is.  This begs the question:  Does a series need to go for six or seven seasons just to tell a story?

(Forgive my impertinence, Kirkman and Co., for the above comment…may you, and WD, and all our favorite WD characters, live long and prosper for many seasons to come!)

Maybe I am old-school enough to love the old-fashioned mini-series genre, and I am happy to hang with eight episodes of McConaughey and Harrelson.

I am definitely old-school enough to love the concise, exacting art form of the short story.  If a short story is well executed, there is no room for extraneous verbage, characters, or storyline…every line, every scene counts.

In our age of social media, where the sharing of our latest selfies, random thoughts, or clever links to all our Facebook friends counts as a creative act, is it any wonder that the concept of keeping a story spare, taut, and undiluted seems a little strange…lame…anticlimactic, to those who are attuned mostly to the whimsy of pop culture and social media?

Ok, so what I may call classic, you may call lame and stodgy…alright, alright, alright!  

(I do promise to stop doing that, but it’s so fun!)

As I was saying, it’s cool with me if we don’t agree on this. As someone who has always been obsessed with pop culture, I can understand what may be making the young, edgy, and discontented among us so restless with the TD finale ending. You wanted something…else, right? Something more CSI, perhaps, dramatic, with more gunfire and explosions? More scars?  A character holding up a sign that reads, “I am the Yellow King?”  I get it, I really do.  I really get off on that kind of thing as well.

But, isn’t it nice to be offered something…different?  More thoughtful, quiet, nuanced, more…intelligent?  An ending to an incredible story that makes us look inward, reflect, and meditate on the message and the meaning?

I really feel like the ending that Nic Pizzolatto went with offers this opportunity, and for me, it’s a welcome change from the usual “in-your-face” that our culture seems to gravitate towards in droves.

In offering a few ideas about “resolution,”  I invite those who were left unsatisfied by True Detective‘s finale to take a little time, and when you are ready, watch it again.

This time, you will be unburdened from the expectations that you had before. At this point, you have already yelled at the screen and posted your thoughts on the matter, so just breathe, reboot, and watch it again, with new eyes.

And while you watch, I invite you to entertain the following questions, or concepts:

What does the concept of “resolution” mean to you, the viewer; to the characters in this story; or to the entire series as a whole?

Also consider these different levels of “resolution” within the finale episode:

1) Resolution of the criminal case at hand…what elements, to you, were resolved? What elements were not? 

2) Spiritual resolution, or resolution of the inner conflict within a character’s psyche…what transformations, or resolutions, did each of the main characters come to, or experience, by the episode’s end?

3) Resolution of conflict between the main characters, Rust and Marty, and the resolution of conflicts that Rust and Marty had with other key characters, elements, and institutions presented in the story line. Where were these conflicts, and relationships, left by the story’s end?

And, after rewatching and considering the many levels of resolution that are possible within this story, does your opinion of the finale episode change or alter in any way?

The Merriam-Webster definition of resolution is as follows:

resolution (noun) : (1) the act of finding an answer or a solution to a conflict, problem, etc. (2) the answer or solution to something  (3) the act of resolving something

In my opinion, True Detective’s finale episode, “Form and Void,” does effectively resolve the crucial, key conflicts that were presented in the story, and with the main characters, on some level or another.  That is the way it goes in life, and this makes the TD finale, to me, have the ring of truth to it.

Another element that felt true to me was that feeling of anticlimax, and melancholy, that the viewer may have been left with at the finale’s end.  In real life, detectives who spend years working on a case do report feeling a mixture of elation and let-down once a case is solved…all that time with a clear purpose, working on solving a crime, and then, once the crime is solved, and the case is closed, what comes next?

That lost feeling, coupled with the fact that even solving a crime will never bring a murdered, innocent victim back to life, or undo any evil or harm that had been done to others, makes the resolution of a case, or a story like True Detective, a mixed bag of emotions.

Just because something is resolved doesn’t mean the end result brings happiness, or satisfaction, to all the elements of a problem, conflict, or situation.

If you remain unconvinced, I completely understand.  If you are all fired up, still, may I suggest you channel your considerable energies and talents into writing an alternate ending, or starting your own series of True Detective or film noir fan fiction?  And please send it to me when you do…I would love to read it.

Writing is a lonely endeavor, at times, and it’s nice to know that there are others out there, slogging away at it, writing, rewriting, editing ad nauseum, guzzling beverages, and vainly trying to keep a grip on our sanity as we try to find a resolution to our own storylines.

So, to Nic Pizzolatto, and the TD cast and crew, I raise my glass to you…cheers on a job well done.  Whatever the future holds for True Detective, I personally feel the first, original season, beginning to end, was an artistic tour de force.  Thanks for the wild ride, the inspiration, and for the characters of Rustin Cohle and Martin Hart.

Rust and Marty forever! ❤

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One of my all-time faves…

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“Alone”

The opening scene of “Alone “ hearkens back to the first half of The Walking Dead’s Season 4, showing a powerful series of shots featuring Bob, in days of his wandering the woods alone, the sole living survivor of two other groups he had been with before the prison.

Set to the haunting “Blackbird Song” by Lee DeWyze, the montage shows Bob, with an empty, dazed look in his eyes, wandering listlessly through the woods, going through the rote mechanics of survival…in one shot, he hides behind a tree, staring ahead, as a group of walkers pass yards away:

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In another shot, we see Bob, barely able to stand, rapping on the entrance of a small shelter, checking for walkers.  He secures the entrance and proceeds to drink himself into a stupor. After getting his drink on, he watches, uncaring, as a walker tries to paw its way through the makeshift fencing he erected:

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As the montage continues, we see Bob has found the back trailer end of a large tractor trailer, abandoned on the wooded road. He hoists himself onto it, lying on his back and staring at the sky as a large group of walkers pass beneath him.  Once it’s clear, Bob sits up, dismounts, and begins his shuffling walk down the road, only to be startled by the now unfamiliar sound of vehicles approaching.  It is Daryl, riding his motorcycle, and Glenn, driving behind him in a pickup truck. Bob stands, watches them pull up, get out, and approach him warily.

“Hi…hello,” Bob calls to them, his hand motioning slightly towards them.  His voice is strong, and somewhat defiant as he says this, as they do not acknowledge his greeting, nor reply in kind.

Daryl keeps his eye on Bob, asks if it’s just him out here.  Bob replies that it is.  “How long’s it been like that for?” asks Daryl. Bob replies that he doesn’t know, that he had been with one group, then another one after that. “They didn’t make it, neither one of them?” asks Daryl.  Bob shakes his head, no.

Daryl asks his name. “Bob…Stookey,” he replies. Bob looks to Glenn, then Daryl, taking in their clean, well-groomed, well-fed appearance.  “You people have a camp?” he asks.

Glenn and Daryl exchange looks. Then, Daryl fixes his eyes on Bob, and asks the first of the three questions the prison council has come up with to size up any strangers they meet outside the prison walls, to determine if the person is somebody they would want to bring into their group: “How many walkers have you killed?”

Bob takes a moment, does the math in his head.  “I don’t know, ” he replies, “I haven’t kept count…a couple dozen?”

“How many people have you killed?” continues Daryl, keeping his gaze fixed on Bob. “Only one,”  Bob answers, looking down a moment, as if reliving a painful memory. Glenn looks to Daryl, who steps one pace closer to Bob, asks the final question, “Why?”

Bob looks up then, answers simply, “She asked me to.” Now it is his turn to look at Daryl and Glenn.  His demeanor is one of a man who has nothing to hide, and nothing to lose. Daryl takes a step back, asks Bob, “You wanna come with us?”

Bob looks around at the woods he had been traversing for who knows how long, answers, “Yes.”

“You got any questions for us?” asks Daryl.  Bob shakes his head, “No…it doesn’t matter who you are.”  “Really?” asks Glenn. It is the first time he has spoken. “Yeah,” replies Bob, sheathing his machete into his belt loop. “It doesn’t matter.”

The final shot of the scene is of Bob, riding in the back of Glenn’s pickup truck. There may be the barest glimpse of a smile around his mouth. Bob seems hopeful for the first time in a long, long time.

The next scene is in the present, with Bob, Sasha, and Maggie back to back to back in a thick mist.  From just beyond the mist, we can hear the hissing and slavering of the walkers getting louder, closer.  

Sasha, Maggie, and Bob are poised, ready, and from the mist approaches the first walker…the trio are ready to strike, and the following scene is another epic walker kill scene, with Bob, Sasha and Maggie springing to action and killing The Mist Walkers one by one with fierce, on-target head kills using a sharpened wooden stake, knife, and general bludgeoning techniques. 

It is some gnarly hand-to-hand combat, from three who are seasoned warriors by now, and who can bring it:

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It’s a close call, though, as Bob almost gets bitten and Maggie gets a walker on top of her that is hard to keep back.  Sasha, ever handy, bludgeons Bob’s walker and rekills Maggie’s walker with one well-aimed shot to the head:

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After killing Maggie’s walker, Sasha turns to Bob, worried, until Bob, giddy with relief, informs them that the walker only got his bandage and not his shoulder…Sasha is unable to contain her joy and gives Bob a big hug, which is super cute:IMG_3867 IMG_3832

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Maggie looks on and laughs, but you can tell she’s thinking, “Where the hell is Glenn, dammit?”

After the celebration is over, however, the trio have some things to decide on…Maggie wants to get on the move to find Glenn, while Sasha advises they wait until the fog clears.  Maggie has some bad news…the compass is broken.  Bob reassures them things will be fine. “Sun rises in the east and sets in the west, we’ll keep an eye on it in between…we’ll be fine.”

Meanwhile, Daryl is positioned behind Beth, giving crossbow and tracking lessons…they are looking pretty adorable together, if truth be told.  Beth is trying to get Daryl to give her some clues as to what she’s looking for, but he is being a good teacher, and putting the questions to her…what does she see?

Beth can see some zig-zaggy tracks…she’s feeling pretty pleased with herself, jokes to Daryl that she’s getting pretty good that this, that soon she won’t need him anymore…

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While watching this, I actually typed, C’mon, let’s see these two get sexy.  I mean, the suspense, right?

We’ve seen them kill walkers together, get drunk together, wage drunken battle together, and then get real with each other, burn a house down together, while flipping it off in unison…is it just me, or by this point, were you all like me and chanting, under your breath (because, you know, the kids are sleeping), “Do it, do it, do it!”

Beth and Daryl spot a walker feasting on some poor animal that got caught in a steel trap, and Beth, crossbow poised and ready, steps quietly towards the walker, ready to shoot…and steps on the sharp metal spike securing the trap.  The spike sinks into her foot (owwww!), and Beth collapses to the ground.

The walker whirls and lurches towards her, and Daryl once again comes to the rescue, employing his invaluable “crossbow upside the walker’s head” maneuver, rekilling the walker and  then crouching down to gently check Beth’s foot (“Can you move it?”) She can…but it’s definitely a bad one.

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While the Beth injury scenario definitely annoyed me, I do realize that her injury set some key plot-changing elements in motion, like Beth asking Daryl for a sitting break when they arrive at a graveyard…her foot is hurting, and she needs a rest.  Daryl, who is getting better and better at recognizing good-boyfriend-opportunities as they arise, scoops up Beth in a piggyback and playfully jokes with her that she’s a lot heavier than she looks:

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Now, that is pretty adorable…

Daryl and Beth find a gravestone from long ago that reads:

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Daryl picks a clump of wildflowers and puts it on the gravestone…he then stands besides Beth and their hands find each other in a hand-hold so sweet, I actually cheered out loud:

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Personally, I am so loving seeing this sweet side of Daryl…he’s got that sexy tough & tender combo that’s a real panty dropper.

Back on the tracks, Bob, Maggie and Sasha spy the Sanctuary sign…Bob shares his memory of hearing the message about Sanctuary on the car radio during the antibiotic run.  Sasha is doubtful about the Sanctuary and its promising slogan, “All who arrive survive,”  thinking it’s too good to be true.

I am definitely giving Michonne and Sasha props for intuition regarding this Sanctuary…you can’t feed a savvy sister some white man’s slogan and expect her to believe that shit without question.

Bob, however, is on board with checking it out, and Maggie is convinced that Glenn would head there if he saw the sign, thinking Maggie would go there to find him.

In the end, Bob proposes a vote…they cannot split up, and perhaps others from the prison will be at the Sanctuary.  Sasha doesn’t like it, but she agrees to go along…and so they begin the long trek to the Sanctuary.

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Meanwhile, Daryl and Beth investigate the large white funeral home adjacent to the cemetery. It seems clear of walkers, and is clean, they notice, like somebody has been tending to it, living there.  They find a room with an embalmed body, dressed in a suit and arranged, hands folded over each other, in an open casket.  Daryl reaches out to the corpse’s face, runs his fingers through a thick layer of makeup, looks at Beth questioningly.  In this day and age, why would somebody go to the trouble?

They continue on, find a sterile processing room, with bodies on metal tables, in varying stages of being prepared and dressed, as if for a funeral.  One corpse’s face shows the telltale sign of decomposition that comes from becoming a walker…is some Mysterious Mortician preparing and dressing walkers for some crazy wake or funeral scenario? And if so, what the fuck is up with that?

Daryl comments, “Looks like somebody ran out of dolls to dress up,” and Beth comes quickly to the Mysterious Mortician’s defense, saying that she thinks it’s beautiful, that somebody cared enough to remember that the bodies were once living somebodies.

“Don’t you think it’s beautiful?” Beth asks Daryl, and Daryl has this look on his face, like,  Well, I don’t know about that…I actually think it’s pretty fucked up…But, I think that would be the wrong answer to say that, to her, right at this moment…so I will say nothing…

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Daryl looks away and gets quickly back to the business of cleaning and wrapping Beth’s injured foot.  Daryl is no dummy, and he sure as hell is catching on with this boyfriend thing really fast… Good for you, buddy!  I never had any doubt…he has always been so sweet, ever since Sophia.  (Man, I can’t wait to talk about all that shit! Season 2, we are coming, I promise!)

Meanwhile, back to Bob and Sasha…it seems to be part of their courtship dynamic to hash it all out, and call each other out.  It’s like some sort of edgy, in-your-face foreplay, and I, for one, am kind of liking it.  It fits them…they’ve both seen some shit, and they know that nobody has time to fuck around anymore.

Bob asks Sasha why she wants to stop, instead of continuing on to Sanctuary.  Sasha replies, “To not die…” She feels the close call that morning was “a warning…we get warnings, and the next time,” and she looks pointedly at Bob’s shoulder, then at him, “Next time, it’s on us.”

Sasha lays it out, as she sees it. “Odds are, Glenn is dead, Odds are, we will be too,” Sasha feels they should follow the tracks to the next town, find a building, hole up.  They only have six bullets left, Bob is bleeding…Sasha asks Bob to think about it, to help her convince Maggie when Maggie returns.

Back at the funeral home (ha! How many times does someone get to say that?), Daryl and Beth keep finding signs that someone has been keeping up the house.  Daryl finds a cupboard stocked with peanut butter and jelly, diet soda, and pigs’ feet. The cans of food, like the rest of the house, are clean and look recently stocked.  Daryl remarks on this, while helping himself to jelly straight from the jar (to Beth’s feigned disgust), saying that they will take just a little, and leave the rest.

Beth laughs at this, telling Daryl she knew he believed, deep down, that there are some good people left in this world.

Ok, you two…that’s very cute and all…now why don’t you find a couch and get down to the business of making out, so we can all watch?

Now, if I may say so, at this point, did I not call this, Beth being all cute in the squatter house, as she and Daryl get more and more into each other? Just saying, that’s some oracle shit, right there…or maybe it was really obvious.  Anyhow, feeling pretty McConaughey in the moment.

Oh, have I not mentioned that I have begun using “McConaughey” in many different contexts?  For example, it can be used as a not-so-proper noun, (“I want to do many naughty, delicious things to your McConaughey.”); an adjective (“That is so McConaughey of you.”); a mild expletive, (“Just what the McConaughey is going on here?”); a verb: (“I’m going to go take a couple hours for myself to go McConaughey.”) To McConaughey, of course, could mean you are going to take your shirt off and bang on some bongoes, or it could mean that you are going to go create a 450-page timeline and synopsis of the latest iconic character you are playing in your upcoming movie…the world is your oyster when you McConaughey!

Back at the funeral home (yes! fun every time), things are getting pretty teenage-weird. There are candles lit, which is nice, but Beth is singing some dumb song at the piano, and Daryl is getting in the coffin, saying it’s the most comfortable bed he’s been in in a long time.

Now, I do understand that Beth is a teenager and Daryl’s probably never been on a real date, but my eyes were kind of rolling in the back of my head, at this point…it’s like, Um, excuse me, Kirkman? Gimple?  When is the heavy petting going to start?

My WD buddy texted,  I am bored of Beth…where the fuck is Carol?

Ha ha! I could not stop laughing…just somebody start making out already, please!

Back at the camp, it seems that Maggie has ditched and set off on her own to go find Glenn. Bob and Sasha quickly roll up camp and set off after her. At the Sanctuary sign, Maggie encounters a snarling, hissing she-walker, who Maggie rekills…then in a moment of goretastic ingenuity, Maggie slices open the walker’s belly to scrawl a note for Glenn in walker blood. Maggie’s gotten so dark, and sexy…so not boring like Beth is being right now.

My WD buddy texted me, I want Rick, Carol, Tyrese drama…lol

I texted back, Lizzy! Lizzy!

Bob and Sasha set out to go find Maggie, Bob’s smiling because he’s not alone anymore.  I really like Bob more and more, especially after this episode…I was a real dick about him at first, mistaking his spookiness and general social awkwardness as some sort of guilt or shadiness, but Bob’s alright.  Sorry I was a dick, Bob.

Bob and Sasha find Maggie’s sexy walker blood note for Glenn:

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Back at the honemoon funeral home, Daryl is carrying Beth to the table for a pickle snack (no, a real pickle snack, like on a plate…shit’s moving Dawson Creek slow around here). They hear a scratch at the door, and Daryl’s looking like a cute protective boyfriend as he leaps up, motioning for Beth to stay put. (Put another boyfriend point up on the scoreboard for our man, Daryl Dixon!)  He opens the door to reveal the cutest, scruffiest one-eyed dog, who whimpers and runs off.  Fuck, I forgot there were dogs in the world!

On Talking Dead, Lauren Cohan and Sonequa Martin-Green said the dog used in that scene lost his eye protecting his owner from a carjacking…give up a paw for that sweet, scruffy hero!

As a sassy night walker snarls in the moonlight, Bob and Sasha are sitting on a roof, getting real, again. Bob comes out and asks Sasha why she thinks Tyrese is dead, because they both know Tyrese would go to Terminus.  Bob tells Sasha that he thinks she is too afraid to find out, one way or another, if Tyrese makes it to Terminus, if he’s alive or dead.  Bob tells Sasha that he thinks that’s funny, because up until now, Sasha had been “the toughest person” Bob had met, “which is funny, because you’re also the sweetest…” At Sasha’s “are you for real?” look, Bob laughs, says, “Just sayin’!”

At this point in the watching, I was thinking, Well, maybe somebody is going to make out in this episode!  What else is there to do on that roof?  Sassy Night Walker certainly isn’t going to let anybody get any sleep. But, alas, Bob takes Sasha’s advice to get some sleep, lies back on his makeshift pallet, leaving Sasha sitting awake, with only the song of Sassy Night Walker to keep her company. Damn!

Back at the pickle-picnic, Beth is writing the Mysterious Mortician a thank you note, for when they leave. Daryl shyly suggests that maybe they don’t have to leave…that maybe the person won’t come back, or if they do, maybe they’ll be cool. Beth laughs, asks Daryl what changed his mind about people, what made him believe there can be good people?  In response, Daryl fixes Beth with the sweetest love look, like, ever…

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Another scratching sound at the door interrupts their moment, and Daryl reaches his fingers into a jar for a pickled pig’s foot to lure the dog in, saying he’ll “give that mutt one more chance…” Oh, those crazy kids…first they fall in love, then they shack up, adopt a dog…but this time, it’s not the dog.  It’s a crush of walkers, pushing their way into the house as Daryl vainly tries to hold them back, screaming for Beth to grab her bag and get out the window, that he will follow.

What does follow is one of the most harrowing walker escape scenes in WD history, in my opinion.  On Talking Dead, they discussed the making of the scene where Daryl uses the exam tables to block the crush of walkers and buy himself a moment to escape up the stairs…the scene was shot in a small room in a storage facility to create the narrowness of Daryl’s amazing escape.  It was hard to get a good shot of it, only got this one:

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Despite poor Daryl’s superhuman escape, he just misses Beth…he sees her bag lying in the road, then sees the Mysterious Mortician’s black funeral procession-leading car speed off with poor, gimpy Beth undoubtedly inside, captive:IMG_3970

Poor Daryl! He was just starting to open up, damn…now this…

My WD buddy texted, I want Rick! Me too, dude…Rick Grimes just makes everything better.

Back on the tracks, Bob is telling Sasha that he realizes now that he doesn’t need to be afraid, that he is not going to be alone anymore like he was, not going to hold back on taking risks and really trying to live.  He is going to go on, find Maggie, go to find Sanctuary.  Then, Bob answers my prayers for a lip-lock in this damn episode and pastes one on Sasha…thank you, Bob!

Finally!

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After the kiss, Bob bids Sasha goodbye and heads on down the tracks.  Sasha looks after him for a moment, then turns to go to the building she had spotted and wanted to make a home base with Bob.  She goes inside and upstairs, finding a nice airy loft with lots of light and pretty exposed brick….but she is hating it, you can tell.  Fighting back tears, she goes to a window, looks down, and sees…Maggie! (Who is lying down among dead walkers, next to an ice cream truck, for some reason…)

When Sasha accidentally pushes the pane of window glass and sends it crashing below, it awakens other walkers, who start coming for Maggie.  Sasha runs out to help, and the brand-new besties slice and dice some walkers together, bad-bitch style:

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Maggie asks Sasha to be PSOAM’s together…Post-apocalyptic Sisters On a Missonof course Sasha says yeswho can refuse that smile?

Poor Daryl, collapsed and exhausted in the road, is not faring as well. It seems he has been discovered by the Downstairs Thug Boys, with their loud douchey leader, Joe. When Joe reaches for Daryl’s crossbow, Daryl takes him out with one upswing and sends Douchebag Joe to the ground.

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Luckily for Daryl, Joe laughs, shows Daryl props for being a “bow man.”  He orders his henchmen down, and invites Daryl to join them, rather than fight them, as Daryl’s resistance would be tantamount to “suicide.”

In the most fucked up slogan ever, Joe asks Daryl, “Why hurt yourself when you can hurt other people?”  Daryl must play along as Joe’s new pet, it seems, until he can find a way to get to Beth.

Back on the tracks, Sasha and Maggie have caught up to Bob. They embrace, begin the journey to Sanctuary, together.

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The very last shot of the episode shows Glenn, who has found one of the maps to Terminus…he touches it with his finger, and you can see the wheels inside his head turning.  Looks like there’s going to be a prison gang reunion at Terminus, if all can arrive alive…we’ll see, won’t we?

Until next week, and enjoy the playlist:

Playlist:

Rush, “Headlong Flight”

Beck, “Blue Moon”

The xx, “Islands”  (for Bob and Sasha, Daryl and Beth, and Glenn and Maggie)

Redbird, “Moonshiner” (for Daryl…and Rust <3)

alt-J, “Dissolve Me”

Lee DeWyze, “Blackbird Song”

The Walking Dead, Season 4, Episode 12, “Still”

In my world, The Walking Dead’s Season 4, Episode 12, “Still” felt kind of like a limp little paper umbrella topping off the shitty cocktail of a weekend full of feverish, pukey kids, sleepless nights, headaches, and crying jags (both the kids’ and mine).

At one point, it felt like my life was awash in tears, vomit, Children’s Advil, and finally, at the end of the vomit-soaked weekend from hell, my ultimate reward finally came: Coronas with lime, and The Walking Dead, Season 4, Episode 12, Sunday night, 9pm.

While setting up my laptop and Corona situation in front of the television at around 8 pm, I idly purveyed the red carpet fashions of Oscar night and wondered what was in store for us with “Still.”  It wasn’t until about 45-minutes into watching the episode that I realized that the entire episode would be dedicated to exploring Beth’s teen angst and Daryl’s arrested development.

By the end of it, I was re-upping two Coronas at a time…lime, salt, glug-glug-glug…but the Coronas weren’t making it better fast enough.

My ever-discerning WD buddy texted me about thirty minutes into it:  Kinda bored with this episode.  That was my inital hit as well.  My mind has changed about it, and my appreciation has deepened for it, with subsequent viewings.  That night, though, I was bored and restless with it.

While I remain fully supportive of Daryl and Beth deepening their friendship and maybe falling in love, I guess I kind of felt about it the way I feel about teen love in general: it’s great and all, but I don’t want to necessarily watch it for more than about 10 minutes, 15 minutes tops…usually.  

When teen love is portrayed right in a movie, or on television, it’s awesome.  Vampire Diaries, Buffy the Vampire Slayer, Freaks and Geeks, The United States of Tara come to mind as examples of television doing teen love right, capturing the newness, beauty and awkwardness of it while being thoroughly entertaining and relatable at any age.

I’m not trying to be a dick here. I know it’s zombie freaking apocalypse, and there isn’t that much room for witty teen banter when peeps are running for their lives…it’s actually an amazing feat that the writers of The Walking Dead have managed to interject as much love, humor, and human moments as they have, four seasons into this story.  It’s super bleak subject matter to be dealing with, and the writers manage time and time again to wow us with the depth and complexity of the characters and the human relationships they form with fellow survivors.

Maybe the WD writing team is just giving us a break before they start really kicking our asses.  I’m sure that’s it.  Knowing Kirkman and Co. (and I really don’t, although I pretend I do…delusional much?), maybe it’s the calm before the storm, the exploration into Daryl and Beth, both as individuals and as partners, romantic or otherwise, which remains to be seen.  I do like that Kirkman and Co. have kept the Daryl/Beth potential hookup card held close to their chests, for now…will they or won’t they?  

And…do we want them to?

I think, after watching “Still,” the majority of WD fans would support Daryl and Beth as a couple (unless said fans are in the creepy “I am Mrs. Norman Reedus” demographic and can’t stand the thought of Daryl with anyone other than them….those bitches do not like to share).

I don’t know what it was about this episode that left me flat. Maybe we fans are just plain spoiled with such consistent, high caliber writing. I write a freaking blog, for christ’s sake. Who died and made me some kind of expert?

There were many aspects of “Still” that make a strong case for it as an episode.  It was truly righteous of Beth and Daryl to survive both the Car Trunk Walker Rave and the Pine Vista Country Club Walkers, find the Shitty Shack and get drunk together on moonshine, work out some personal issues and deepen both their connection and their resolve to carry on. Just because I am not convinced that the episode was the most enthralling television ever doesn’t mean I am not loving those crazy kids…it’s Daryl and Beth, for chrissakes!

And as a WD fan and sometimes sideline reporter, I am also stoked that Norman Reedus and Emily Kinney got to flex their fine young talent in an episode devoted just to their characters…it’s the first time ever that The Walking Dead television series focused an entire episode upon two main characters.  Bully for Daryl and Beth in all those regards.

All props aside, I was left feeling like the episode was a bit…long-winded.  My WD buddy agreed with me. When we discussed it the next morning, she told me she felt like the whole thing between Daryl and Beth could have been consolidated into about 20 minutes, and that the rest of the time could have explored what was happening with other characters.  Agreed.

Now, it’s time for me to make a true confession:  Aside from my being bitch-slapped by the stomach flu over the weekend, my ennui with “Still” may also have been due to the fact that my attention has also been swayed, just a little, by the arrival of a new cult classic on the scene: True Detective, and its leading man, Rustin Cohle, played by Matthew McConaughy, and his partner, Martin Hart, played by Woody Harrelson.

In the course of six episodes, I’ve only taken, like, a thousand pictures of Rust Cohle…and that’s just of him smoking

Rustin Cohle...

Rustin Cohle…

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I am obsessed with the dynamic between Cohle and his partner, Marty Hart…and pretty much obsessed with all things Rustin Cohle

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When a character is this beautiful, and brilliant, and is willing to sacrifice his own soul and sanity to save the innocents from dark forces, how am I not supposed to love that shit, I ask you?

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I have posted so many pictures of Cohle on my personal Facebook and Instagram pages that I am sure that people think I have gone a little insane…and maybe I have…it’s my Rust Period. Just go with it.  I have.

So, there it is, people…I’m cheating on WD with TD…maybe it’s not cheating, but whatever it is that I am doing right now, there are some dark-ass storylines rattling around in my subconscious these days.  For the past two weeks, I have basically been white-knuckling it, perched upon the precarious precipice of dim Carcosa…it’s like I am Method-watching these brilliant and disturbing shows, and getting a little demented in the process.

I do the mom/wife thing, go to work, but I am vague, distracted. Many details are forgotten. My friends and co-workers keep asking me if I am ok.  I don’t know if I am.  I mutter some barely intelligible reply in response, and, if I have the focus, I change the subject . If not, I simply turn away, lost in my thoughts.  My dreams have been weird as shit.  At the children’s bedtime, I hug them for dear life.  I am tweaked, people. These days, I am a junkie for the dark and crazy. So is it any wonder that Daryl and Beth’s after-school zombie special didn’t really do it for me this week around?

But, in the spirit of positivity, and because I am a loyal fan of the WD, here is my The Top 5 List of “Still”:

1) The Car Trunk Walker Rave

It is a dark and spooky night, and a storm is brewing…the camera pans to an abandoned car. The driver’s side door has been ripped off, the driver’s body spilled out from the car onto the road.  She has been dead a long time.  We hear a rustling from the brush, then we see Daryl, then Beth, emerge from the woods… she runs to the car and tries to start it, to no avail….of course.

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At the sound of walkers approaching, Daryl proves his constancy and resourcefulness yet again by quickly opening the trunk of the car and motioning for Beth to climb inside…he follows suit, fashions a quick knot to secure the trunk without closing it all the way, and props the wide arc of the crossbow sideways to prevent the trunk from closing completely. He then aims the crossbow at the small opening, ready to fire if needed. They watch and wait…

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The noise of the walkers approaching, and passing, outside the car becomes deafening…it sounds like there are hundreds, thousands outside. Time passes, the storm erupts, adding to the savage caucophany of the walkers.  The camera pans on Beth’s face, pale and frightened, and on Daryl’s, as he keeps his crossbow ready, still and watchful as the walkers outside seethe and snarl and hiss.

It is a truly terrifying scene, one of my favorites thus far in WD…The Car Trunk Walker Rave!

My WD buddy texted me, That trunk scene could have been way hotter!  Ha! Agreed, but it would have been kind of hard to get things going with all those damn walkers partying outside, even while sharing the tight quarters with Daryl Dixon.

Hey, undead assholes, keep it down…we’re trying to get busy in here!

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The next morning, sunlight shines through the tiny opening.  It is silent outside, finally…the walkers are gone. Beth and Daryl emerge from the trunk, alive for another day. After stripping the car for anything they can find (bottled water, side mirror, hubcaps, rope), Daryl looks at Beth a moment, turns and walks away while she stands there beside the car…she’s thinking…we can see the look on her face as she begins to form the idea in her head…

“Fuck this shit.”

2) Beth Needs a Damn Drink

And who can blame her, really?  I mean, while it’s pretty fascinating to watch them set up camp (Daryl hunts and skins a rattler while Beth uses the car mirror to start a small fire and drapes the hubcaps low across the trees as a walker-alert mechanism), the rote survival grind has got to be pretty dreary at this point.

 Run until you collapse. Hide. Watch. Wait. Hunt and forage for food, water. Set up camp.  Eat charred snake and huddle around the small fire. Watch. Wait. Sleep, for like 10 minutes. Hear walkers, run until you collapse. Repeat.

Beth has had enough of this shit.  “I want a drink, she announces, as she watches Daryl eat rattler by the fire.  He doesn’t say anything, doesn’t even look up from his meal, just tosses the water bottle at her and continues eating.

Beth looks down at the water bottle, then back at Daryl.  “No, I mean a real drink…as in alcohol.”   As this pronouncement fails to elicit a response from Daryl, Beth continues, “I’ve never had one…because of my dad and all…but he’s not exactly around anymore, so…I thought we could go find some.”  Still nothing from Daryl…he just keeps going to town on his grilled snake, is silent.

Beth watches him for a moment more.  Her mind is made up. She is a teenager on a mission.  “Ok,” she says, standing up. “Enjoy your snake jerky.” She walks past Daryl, yanks her knife from the log, and stalks off. Daryl doesn’t look up from his meal.

“Jerk,” she mutters, alone in the woods.  A small group of walkers appears in a clearing, and Beth hides behind a tree, lobs a pebble to distract them.  When the last walker finally turns away to investigate the noise, Beth whirls around to find Daryl, who has silently had her back the whole time:

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As Daryl leads the way through the woods, Beth directs Daryl, “I’m pretty sure we need to go that way to find the booze.”  When she steps into the hubcap-alert mechanism, she realizes Daryl brought her back to their little camp.

“What the hell?” Beth yells. “You brought me back! I’m not staying at this suck-ass camp!” And then Beth unleashes the first flip-off of the episode:

You tell him, Beth!

You tell him, Beth!

Beth whirls on Daryl, when he tries to pull her back,What the hell is wrong with you? Do you feel anything?  Yeah, you think everything is screwed…I guess that’s a feeling! So you wanna spend the rest of our lives staring into a fire and eating mudsnake? Screw that! We might as well do something!  I can take care of myself, and I’m going to get a damn drink.  And with that, Beth marches off, and after a moment, Daryl follows her.

Ha! Teenagers!

3) The Pine Vista Country Club Walkers

It is indicative of Beth’s youthful innocence that she thinks there is a drop of alcohol left in The Pine Vista Country Club by the time she and Daryl arrive on the scene…what she doesn’t realize is that even on a good day, those rich juicers are probably going to drain the bar dry, let alone their being holed up inside the hallowed walls during the first stages of a zombie apocalypse.

Good luck finding anything to drink in there, Beth.

What Daryl and Beth discover inside the Pine Vista Country Club resembles more of a class-war graveyard than a “bon voyage, life!” party.  The floor is strewn with dead bodies lying atop sleeping bags, while walkers dressed in sports coats, dresses and pearls hang, hissing and snarling, from the rafters.

Messages are scrawled on the walls beside piles of bodies, suggesting a grim humor being wielded as viciously as the weapons used to kill the priveleged former patrons of the country club.  Welcome to the dugout, reads one message, and Beth is horrified to discover a woman’s corpse, strung up on a mannequin’s stand, with the sign “Rich bitch” around her neck:

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Beth tries to remove the body from the stand, but is unable to do so, so Daryl throws a sheet over it to placate her…dark, and hilarious, especially the scene when Daryl drives a walker’s head with a golf club and sends its brains spattering all over Beth’s new white cardigan:

My new sweater!

My new sweater!

After finding nothing but cashmere and sport-coat swaddled walkers and one shitty bottle of peach schnapps at the Pine Vista, Daryl finally steps up and acts like a real boyfriend. He grabs the bottle of schnapps and smashes it to the floor, tells Beth that her first drink “Ain’t going to be no damn peach schnapps!”

And so, with that, Beth and Daryl bid “hasta la vista, Pine Vista” to the dilapidated country club and head out to go get them some moonshine at…

4) The Shitty Shack of Moonshine and Bad Memories

Daryl takes Beth to a place that he and Michonne discovered, a small cabin that has a moonshine still inside and is stocked with jars full of clear moonshine.  “That’s a real drink right there,” says Daryl.

At first, Beth isn’t so sure. “My dad said you can go blind from bad moonshine.”  When Daryl replies there’s nothing out there worth seeing anyway, Beth relents.  She balks at the first drink, but the second goes down easier. At first, Daryl refuses a taste, saying that someone needs to keep watch. Beth challenges him, “What are you, my chaperone?”

After giving Beth a run-through of the Shitty Shack, which boasts all the comforts of Daryl’s dad’s place (complete with pink plastic bra planter, an old dumpster-picked chair, buckets placed strategically to spit chaw in, and an old weekly for entertainment), Daryl relents and takes the jar that Beth offers him. He goes to the old dumpster chair and has a seat.

“Home sweet home,” toasts Daryl, and takes a drink of moonshine.

Soon, Beth is teaching Daryl the rules of “I Never.” She seems surprised that Daryl’s never played it before.  “I ain’t never needed a game to get lit before,” replies Daryl.

“Wait, are we starting?” asks Beth.

Beth starts easy…she’s never shot a crossbow before. She tells Daryl to drink.  Now it’s his turn. Daryl pauses, then begins by saying he’s never been out of Georgia…Beth seems surprised by this, but says, “Good one,” and she drinks. Beth says she’s never been drunk and done anything she’s regretted. Daryl drinks, of course.  “I’ve done lots of things.”

Daryl says he’s never been on vacation, and when Beth says she’s never been to jail (as a prisoner, that is), Daryl doesn’t drink.  He narrows his eyes, asks, “Is that what you think of me?”

Beth protests lightly, replies that even her dad got locked up in the drunk tank, back in the day…she invites Daryl to resume the game, but he tells her he needs to go take a piss.  He goes to the other end of the room, smashes his glass, unzips, and begins pissing into a corner.

When Beth tells Daryl to be quiet, Daryl snarls, “I can’t hear you! I’m pissing!” It has become apparent that Daryl has Gone to the Dark Side.  He continues his tirade, listing to poor Beth all the things he’s never done: he’s never eaten frozen yogurt, he’s never gotten a pet pony, he’s never gotten a present from Santa! ( 😦   Poor guy…he really did have a shitty childhood!)

Daryl continues his rant, flinging his ire directly at Beth (“I’ve never sung out in front of people before, out in public, like everything was fun, like everything was a big game…I sure as hell never cut my wrists, looking for attention!”)

Daryl’s rant gets the attention of the Shitty Shack Lurker Walker, who starts getting agitated outside and tries to paw its way into the cabin. Daryl continues castigating Beth. “You’ve never fired a crossbow before? I’m gonna teach you right now!” He pulls Beth by the arm, pulls her outside, still yelling, and gets behind her, sets the bow and starts shooting arrows into the poor lurker walker, impaling it onto a tree.  Beth begs him to stop, rushes forward and stabs the walker in the head, rekilling it.

“Whadja do that for?” demands Daryl. “I was having fun!”

“No, you were being a jackass!” Beth yells back.  She continues to call him out on acting like he doesn’t care about losing the people they loved and cared about…she even calls him out on Sophia, saying that she saw his face when “that little girl came out of the barn, after my mom (as walkers)…you were like me, then,” but now, Beth tells Daryl, he acts like he doesn’t care about anything, or anyone.  “You look at me like a dead girl…It’s bullshit!”

Daryl first tries to tell her she doesn’t know him, but he breaks…he blames himself for the fact that he quit looking for the Governor, and the Governor came back, mowed down their fences, and destroyed the life they had worked so hard to create at the prison.  He mentions Hershel, that maybe he could have saved him..and Beth rushes to him as he breaks down and hugs him from behind:

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Dude, how can I be such a dick and hate on this episode? This moment is really beautiful…I think I just kept wanting them to do it. Sorry, guys

Later, that night, Beth and Daryl are sitting on the porch.  They are relaxed now, joking about Beth being a happy drunk, while “some people get mean.”  Beth looks pointedly at Daryl, who agrees easily, “I’m a dick when I drink.”

Daryl reveals to Beth that before the turn, he was nothing…he was just drifting around with his brother Merle, doing what Merle said they were gonna do that day.  Daryl looks at Beth as he admits he was, “Nobody, nuthin’, just a redneck asshole with an even bigger asshole for a brother.”

Beth asks Daryl if he misses his brother, and she talks about how she misses Maggie, her big brother Shaun, and her father…Beth admits that she hoped for a quiet peaceful life for her father, with a grandbaby from Maggie and Glenn, and picnics, and life to a ripe old age, surrounded by people he loved.

“Shows how stupid I am,” she laughs, reaching for her jar to drink. Daryl is sweet as he listens, says,  “That’s how it’s supposed to be.”

Beth tells Daryl she wishes she had changed, and when Daryl tells her she has, she disagrees.  “Not like you….you were made for the way things are now.”

Daryl counters that he was brought up in ugliness, that it is merely familiar to him, like the shitty cabin they found that reminded him of his dad’s place. Beth tells him that he is not of that, not anymore, and Daryl replies, “You’ll have to keep reminding me, I guess.”

Beth then tells Daryl that one day, she’ll be gone.  When he protests, she tells him it’s true. “You,” she tells Daryl, “will be the last man standing.”  Poor Daryl’s face when she says this…it’s like she just voiced his worst nightmare.

Beth looks at Daryl and tells him that he’s going to miss her when she’s gone. “You’re gonna miss me so bad, Daryl Dixon,” she tells him with a little laugh in her voice, but it hitches with sadness, too.

Beth tells Daryl that he needs to stay who he is now, and leave who he was behind, and places like the cabin need to be put down, “or they will kill you.”

And then Beth has another great idea…

5) Let’s Burn the Motherfucker Down

And so, they splash the rest of the moonshine around the inside of the cabin, light a stack of bills from the country club on fire, and flip a double bird salute to the burning cabin.  Later, motherfucker.

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Daryl has a smile as he walks away…whatever happens hereafter, he will most surely be freed from the past…and who knows what the future will bring?

Until next week, gang.  Wish me luck with my dark and crazy, and enjoy the playlist…

(All images used in this post are screen caps from AMC’s The Walking Dead, and HBO’s True Detective, unless otherwise specified.)

Playlist:

No Doubt  “Just a Girl” (for Beth)

Bittersweet  “Dirty Laundry”

Queensryche, “Silent Lucidity” (for Daryl)

Me First and The Gimme Gimmes  “I’ll Be There”

The Walking Dead, Season 4, Episode 10, “Inmates”

“Inmates”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

Those of you who actually read my recent pre-season post, “What Happens After”?  may remember my telling you about The Law of Kirkman, which basically states that Kirkman will do as Kirkman pleases, and Kirkman and Co. can, and will, play with our emotions.

Nothing personal; it’s just how he do…well, he and Gimple and the rest of the WD gang, anyway.

I have wondered lately about how the whole Kirkman and Gimple relationship works…are they like Batman and Robin, or are they more like The Tick and Arthur? Maybe they really complement each other and are actually more like The Wonder Twins, with special rings and shit…I don’t know, but what I do know that they are pretty much kicking my ass right about now.

Back after mid-season finale, when Chris Hardwick asked Robert Kirkman on that night’s Talking Dead about the possibility of Baby Judith still being alive, I really thought Kirkman was scoffing and laughing at us sentimental fools: “There was a lot of blood in that car seat!”  I thought, “Oh, man, poor Baby Judith’s a goner for sure…” My WD buddy’s friend, Neil (the originator of The Crazy Carol Theory) even read some interview where somebody from the show said that it was “unrealistic” for the story line to keep her alive.

Now I know that what Kirkman and Co. were really doing was bluffing… and playing with our emotions.  Now I know why Chris Hardwick yells, “Kirkman!!”

Yesss, Precious, the Kirkman is tricksy, yes it is….it tricks and teases us, yessss it does, Precious….

(Despite my mock protests, I am loving every minute of Kirkman and Co. slapping us up like the baby bitches that we are.)

In Season 4, Episode 10“Inmates,”  Kirkman and Co. proved once again that they are masters of their domain by throwing down five game-changing plot developments in a single episode…Baby Judith is alive, whabam!   Carol is back, whabam!   Glenn wakes up at the freaking prison, and after indulging himself in a brief tearful moment in his old cell, looking at a polaroid of Maggie, he squares his shoulders, gathers supplies, suits up in riot gear to make his escape through the horde of prison walkers, and finds Tara having an existential crisis moment in the fenced garden area..whabam!

And to top it all off like two crazy cherries, Lizzy is a major psycho (as we all suspected), and at the episode’s end, a catalytic and iconic character from the WD comic series, Sgt. Abraham Ford, enters the arena with the line (to Tara), “You got a damn mouth on you, you know that?  What else you got?”

All I can think of to say is, “Thank you, Kirkman, may I have another?”

Inmates”  opens in a haunting sequence showing Beth and Daryl running for their lives through the woods, pursued by a large group of walkers.  Beth’s voice comes over the slow-motion, dream-like sequence, reading aloud a diary entry from their early days of the prison, when Lori was still alive and expecting her baby any day…Beth addresses the diary like an old friend:

“Hey… I know it’s been awhile…I gotta be honest. I forgot about you. After the farm, we were always moving. But something happened…something good…finally.  We found a prison…Daddy thinks we can make it into a home. He says we can grow crops in the field, find pigs and chickens, stop running, stop scavenging…Lori’s baby’s just about due…she’ll need a safe place when it comes…the rest of us, we just need a safe place to be.”

Still running through the woods, Beth is surprised by a walker…She points her pistol and tries to shoot, but is out of bullets. Daryl is there, shooting an arrow through the walker’s head, bashing another walker’s head open with the swift upswing of his crossbow, and planting his foot into the third walker’s belly and shoving it down to the ground. This gives just enough time for him to do a quick touch-check with Beth, grab his arrow from the walker’s skull, and then they must run, run from the walkers, who seem to keep coming and coming.

Beth’s voice-over continues, “I woke up in my own bed yesterday…my own bed…in my own room.  I’ve been keeping my bag packed, keeping my gun close…I’ve been afraid to get my hopes up…that we can actually stay here.  The thing is, I’ve been starting to get afraid that it’s easier just to be afraid. But this morning, Daddy said something…”If you don’t have hope, what’s the point of living?” So, I unpacked my bag….and I found you. So I’m going to start writing in you again.”

Finally free of the walkers, hidden in the underbrush, Beth and Daryl collapse onto the ground, exhausted and winded.  They have been running since the prison’s collapse, and the shot pans in closer to them, as Beth’s voice-over continues:

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“And I’m going to write this down now, because you should write down wishes to make them come true…we can live here.  We can live  here for the rest of our lives…”

Early next morning, before sunrise. Beth and Daryl are sitting on opposite sides of a tiny fire.  Daryl’s face is stony, and it feels like he may be shutting down inside, retreating back into his former persona of a lone tracker/hunter. Beth sits forward, looks at Daryl.

“We should do something,” she says.  No response from Daryl, so Beth says it again. “We should do something.” Daryl just looks up at her, says nothing. “We aren’t  the only survivors…we can’t be….they could be out here…You’re a tracker, you can track…..c’mon, the sun will be up soon…if we head out now…”  Beth stands above Daryl, waiting for him to answer. In response, Daryl does nothing, says nothing.

Beth has had enough.  She snatches up her knife, says, “Fine.  If you won’t track, I will.” She stalks off, and of course, after a moment’s hesitation,  Daryl must get up and follow her.

While I was initially resistant to the possibility of Daryl and Beth getting together, seeing how they interact in these scenes made me realize that I actually like them together. Beth has a brave honesty about her, and she not afraid to speak her mind and call someone out if need be.  But Beth is also young, with an artist’s sensitivity, and I think both her fire and her vulnerability would help to draw Daryl out a little.

Daryl has always had a youthful, childlike way about him, and I could see him being able to relate to Beth as a girlfriend…she is a good combination for him…she has a sweet innocence and openness about her, but she’s definitely seen some shit and has the strength and smarts to have survived this long.  In that way, Beth and Daryl have a lot in common.

And, honestly, while there are many of us out there who consider Daryl Dixon our pretend boyfriend (or, one of our favorite pretend boyfriends), we can’t bogart the Daryl, people. The way I see it, the only thing worse than Daryl having a cute young girlfriend is Daryl not having anybody to love at all…he is way too hot for that.  Daryl deserves love, something sweet to keep him going.  At the very least, Daryl needs a hobby, and saving Beth from walkers seems to be becoming a full-time job for him. Beth is good for him, and if I’m right, I think love is blossoming already between the two. I smell lovers.

I really liked the scene when they find some signs of others, and Beth tells Daryl to have a little faith, and Daryl responds with some shitty remark, “Faith…faith ain’t done shit for us, and it sure as hell didn’t do nothin’ for your father…”

It’s too mean, and they both know it. Beth gapes at him, while he looks shamefacedly back at her. She blinks back tears, turns away from Daryl with the pretext of gathering grapes for the others, who will probably be “hungry” when they find them. Daryl gets this sweet, regretful (totally hot) look:

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Then, in a gesture that is both tender and totally manly, he pulls a clean bandanna from his back pocket, shakes it out, and holds it out to Beth, who is still turned away from him. He gently nudges her arm with the bandanna, and after a moment, Beth slowly turns and takes the bandanna from him, and begins to put the grapes she is gathering into it.

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I texted my WD buddy, I officially approve of Beth as Daryl’s girlfriend, to which she replied, in emoji, a thumb’s up, followed by two hearts.  It’s official:  We approve.

A few moments later,  Beth and Daryl work seamlessly together to kill Pop Walker, who reanimated after getting chomped by the rails. In the times of post-zombie apocalypse (PZA), killing a walker together is like PZA foreplay. Beth and Daryl go down to the railroad tracks to find more walkers, crouched and eating human remains. Daryl makes quick work of the walkers, who are intent on their grisly feast.

Owwww...my head!

Owwww…that hurts!

When Beth surveys the carnage, she a child’s shoe that resembles the shoes Mika was wearing. Beth breaks down in tears.  More shots of Daryl, looking super fine in his sleeveless vest, walking along the tracks, then looking back at Beth, at a loss for how to comfort her:

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Daryl was looking so fine in this scene that I paused the dvr and went to find my husband for a quick

Daryl was looking so fine in this scene that I paused the dvr and went to find my husband for a quick “writing break…” sorry for the TMI, but that man is just damn inspiring.

That night, as Beth and Daryl sit across each other at a small fire, Beth rips pages from her diary and throws them into the flames. We hear her voice-over, reading the last of her diary’s entry:

“We’re not going to die…none of us…I believe now…I believe for Daddy, if this doesn’t work, I don’t know how I can keep going…”

Unbeknownst to Daryl and Beth, the sites and areas they have been tracking were the ones traversed only hours before by Tyrese, Mika, and Lizzy…carrying an unexpected surprise survivor:

Somebody get that man an Ergo baby carrier!

Somebody get that man an Ergo baby carrier…

Baby Judith!  I was alternately relieved and completely freaked out by the realization that Baby Judith was alive…it was like, “Oh, yay!” and “This sucks!” all wrapped up into one. My WD buddy texted,  I am so over worrying about Baby Judith, and then she was gone, for like 10 minutes. I was a little worried at first, but I know how we are about this show…she needed to go process for a little bit.  Been there, done that.

She texted me, once she recovered,  It was so much better for me thinking she was dead.   I get it, I really do.  My WD buddy and I are both moms, and worrying about Baby Judith’s survival brings it all a little too close to home.

I basically decided in that moment that it was time to start drinking in earnest, so I poured myself another glass of pinot noir…I am glad I did, because it was right at the scene where it’s night, and Baby Judith is crying (and teething up a storm, it looks like), and Tyrese is trying to calm the baby…Mika is fearful that the crying will alert walkers, and Lizzy looks down at the log she is sitting on and discovers:

Bunnies!

Bunnies!

And in a silent and horrifying sequence, Lizzy pulls out her knife and goes to town on the bunnies, while the camera holds the shot on her face as she makes quick work of them with her knife:

What the hell, Lizzy?

What the hell, Lizzy??

Well, it seems pretty apparent to me at this point that it was probably Lizzy who was creating the fucked-up rabbit dissection art and feeding rats to the walkers, back at the prison. A couple of my Walking Dead-Obsessed friends have been pretty certain that it was Lizzy who killed Karen and David.  They think that Carol discovered what she did, dragged out and burned the bodies, and tried to cover up for Lizzy, getting banished by Rick in the process…fascinating, right? That would morph The Crazy Carol Theory into a whole new theory, The Crazy Lizzy Formulation.  We all know that Lizzy is crazy…the question is, just how crazy is she?

Pretty freaking crazy, it turns out, as she and Mika are left by Tyrese to stand back-to-back in the woods, Lizzy holding Judith and Mika holding a gun, to defend themselves against potential walkers while Tyrese goes to help whomever is screaming, someone presumably under walker attack.

Poor Judith begins to cry, and Mika pleads with Lizzy to please try to keep the baby quiet.  Lizzy puts her hand over Judith’s nose and mouth, and she starts to get that intent, crazy look as she continues to press down, beginning to suffocate poor Baby Judith.  Meanwhile, a couple of walkers approach Mika and Lizzy, snarling and hissing. Mika’s eyes grow wide with terror and she points the gun up towards the walkers, shaking…

While watching this scene the first time, I actually typed the line, “Oh fuck, Lizzy, don’t kill the baby!”  I would like to take this moment  to nominate Brighton Sharbiro, the beautiful young actress who plays Lizzy, for a “Deadie” for a great performance in this episode, and, in general, for taking on such an intense and complex role as Lizzy.

Down by the railroad tracks, battling walkers, Tyrese hears the gun shot, and when he turns, he is surprised by yet another unexpected survivor:

Carol!

Carol!

I have to tell you, I don’t know if I have ever been so glad to see someone as I was to see Carol in that moment, holding Baby Judith (who looked super-relieved to be away from Lizzy, I might add).  Carol looked a bit nervous when Tyrese rushed up to give her a big hug, but recovered herself quickly enough to lie about her whereabouts when the shit went down between the Gov and the prison peeps.

After the lies and the pleasantries are exchanged, Carol and Tyrese approach the poor bitten father, who is crying over the body of his son, who was bitten and killed by the walkers.

This scene definitely messed me up a bit, as the walkers definitely are scoring some mad kills and general scariness points so far in these mid-season episodes.  The poor young son fought valiantly, but those damn walkers and their singular, undead purpose (to chomp the living) just keep coming and coming…the poor dad tells them to follow the tracks, that there is a safe place there to take the children…they leave him crying over the dead body of his son…he will soon die himself, and reanimate in a few hours as Pop Walker, and get rekilled by Beth and Daryl.

Carol, Tyrese, Judith, and the girls take Pop Walker’s advice and walk along the tracks for a bit, Lizzy and Mika walking ahead, holding hands. Lizzy spots a sign, and they read:

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Lizzy looks at Tyrese and Carol, who give a smile back, but seem hesitant to believe what seems too good to be true.

Meanwhile, Bob is loving being alive, chilling with two fine babes, Sasha and Maggie, getting his shoulder wound cleaned and bandaged up by Sasha while Maggie morosely carves into a large rock and looks at the engagement/wedding rings on her ring finger. Bob allows himself a smile, which Sasha sees. “It’s ok, smile if you want to…I get it, you’re alive…”  It’s actually nice to see Bob lighten up for a change.

Maggie is not giving a fuck about anything right now…she wants to go find Glenn. She tries a, “Nice spot, see ya, going to find Glenn now, and we’ll come back for you.” Sasha and Bob try to talk her out of it, but she will not be swerved from this plan.  She is going to find the bus, and Glenn.  Sasha tries to tell her, “We can’t split up!” as Maggie walks away.  Bob gets up and begins to follow Maggie, and at Sasha’s “WTF?” look, he shrugs and cheerfully echos, “We can’t split up!”

Bob and Sasha have a little back and forth as they walk behind Maggie, and Bob says that he is done with just surviving…he seems to want to embrace truly living for a change. Maggie spots the bus, which has run off the road, and of course, is full of walkers.  (Ha, it’s a busfullawalkers! Drink one if you got one!)

After stopping Maggie from charging right into the back of the bus to see if Glenn is on it, Bob and Sasha help her come up with a system to let the walkers out, one at a time…easier to manage, and less cleanup that way!

Maggie squares off with each walker as they emerge from the bus, one by one, looking majorly beautiful and badass in that fierce Lauren Cohan way she has…

My buddy says Lauren Cohan comes into his coffee shop in Atlanta, and that  she is just as beautiful in real life...even on the run from zombies and grief-stricken, Maggie is gorgeous.

My buddy says Lauren Cohan comes into his coffee shop in Atlanta, and that she is just as beautiful in real life…even on the run from zombies and grief-stricken, Maggie is gorgeous.

One by one, the walkers come out, and one by one, Maggie takes them down:

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The press of the walkers becomes too much, and Sasha and Bob cannot hold them…the walkers come flying out in a rush, and Maggie goes in some inner slo-mo moment as one walker comes lurching towards her.  Bob takes it out with a single shot to the head, jolting Maggie out of her reverie.  She then seems to take all her pent-up emotions out on the walkers, bashing one walker’s head into the bus again and again…

I called this walker Bitch Slap Walker at first, but Talking Dead's name for her, Headbanger Walker, is so much better!

I called this walker Bitch Slap Walker at first, but Talking Dead’s name for her, Headbanger Walker, is so much better!

Maggie still has to know if Glenn is in the bus…so she goes in. The bus seats are covered in blood and gore, and flies are buzzing.  I always try to imagine how it must smell…must be godawful.  There is one male walker at the far front of the bus, hard to see, but with dark hair…Maggie fears it may be Glenn, and upon discovering it isn’t, slumps into a seat and dissolves into a mixture of helpless tears and relieved laughter. Poor Maggie!

And poor Glenn, who wakes to find himself at the prison! My WD buddy texted me, Wasn’t expecting that!

Me neither.

Damn!

Damn!

Glenn gets himself to his old cell/room, and takes a moment to process this…the interior of the prison actually looks pretty solid, making me wonder if it really was such a lost cause after all…it seems a lot better than the prison gang fending for themselves out in the wild.  But, I guess the walls are probably breached somewhere, and the fences are surely shot to shit, so I guess it is time to move on.

Glenn seems to decide this as well…after taking a moment to process it all, he seems to invoke his inner badass, collecting supplies from around the prison (including the makings for a molotov cocktail, thanks to Bob’s bottle of liquor and a working lighter).

I love when Glenn invokes his inner badass…remember the interrogation room battle with the walker, then the battle with Merle, then the escape for himself and Maggie he orchestrated? I am a big fan of Glenn when he goes off.

I also love this part, when Glenn suits up in the riot gear and emerges to fight his way through the walkers and escape the prison:

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Riot Glenn!

Enter Riot Glenn!

After charging the first line of walkers, Glenn finds Tara getting meta in the garden. She is hating herself, mourning the loss of her sister, niece, and girlfriend…she cannot forgive herself for believing the Governor’s lies and blindly following in what turned out to be a suicide mission.  Glenn isn’t having it, tells her he needs her help.  He fashions a molotov cocktail with Bob’s bottle of liquor and buys them a clear line out of the prison.

Once they reach the road (a sign, riddled with bullet holes, warns motorists that hitchikers may be escaped inmates from the prison), Tara wonders how Glenn can trust her, and he basically tells her that he needs her to find his “wife,” Maggie.  They are rushed by walkers, and Glenn manages to kill one but is struggling to fight off the others in his weakened state.  Tara rushes forward and stabs one walker, then bashes another’s head open with repeated blows with the butt end of Glenn’s assault rifle.  In the midst of this carnage, a super-style military Hummer-type truck pulls up…Tara looks up in alarm, and tries to cover her fear with mock bravado: “Hope you enjoyed the show, assholes!”

Leading with his massive chest, assault rifle in hand, Sgt. Abraham Ford steps around to the front of his massive vehicle, flanked by a man and a woman:

Enter Abraham and Co.!

Enter Abraham and Co.!

“You got a damn mouth on you, you know that?” he asks Tara. And then, with a smile at his own private joke, he asks, “What else you got?”

Aw, shit…it’s Abraham! 

Until next week, gang….

Playlist: 

West Indian Girl, “What Are You Afraid Of?”

Of Monsters and Men, “Dirty Paws”

Coldplay, “Clocks”

Season 4, Episode 9 prepost, “What Happens ‘After?'”

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So, what happens “After?”

Welcome back, gang….It’s been a nice couple of months since we watched the Governor implode in a hero-brother-hating self-sabotage and basically fuck it all up for everybody, including himself, by making an ill-fated play for the prison.  

The Walking Dead’s Season 4 mid-season finale, Too Far Gone, left everybody either dead or broken and bleeding, running for their lives in ragtag bands (or alone) as the prison is overrun with walkers… and then, after the finale,  we shaken WD fans all took a well-earned break from the mayhem and went on holiday.

And it’s the day we’ve been waiting for, Feb. 9th, 2014. Tonight, my friends, WD is back with its mid-season premiere, “After,” and the blood and guts are gonna hit the proverbial fan.

After a couple of moons, many questions, predictions, and about a million social media freakouts later, the question stands:  We are back, but are we ready?

I, for one, do not know… but here I am.  So, armed with two Stellas for self-medication (and bravery), I rewatched Too Far Gone… and yes, it was even more brutal and heartbreaking this time around.

I did notice a couple of things in the episode that I guess I had missed before, like Rick’s getting shot in the leg…I did not remember that Rick had gotten shot in the thigh.

That is so not good, and his poor, beautiful face is looking like raw hamburger meat after the Gov beat the total crap out of him and almost strangled him to death (btw, that fight scene between Rick and the Gov is one of the burliest onscreen punchouts, ever).

Rick’s not looking too good in the previews, either, and then there’s that scene in the preview where Carl’s terrified face is above an unconscious Rick, screaming for him to “Wake up! Wake up!”

Oh, god…Rick…I cannot.  I just cannot.

(Stella!   At this point, I took a writing break and went to the neighborhood bodega get another twelver of Stella…I am learning that when writing, one must choose their beverages wisely and stick with the chosen kinds during the writing process. Bukowski would agree, I think.)

One of the main questions I wanted to get clear on while rewatching Too Far Gone was:  Who ended up with whom as the surviving prison peeps scattered?  

From what I saw, Glenn ended up on the bus, Maggie ended up with Sasha and Bob, Tyrese ended up chasing after Lizzy and Mika, yelling, “Hey! We go that way!”  (I sense the potential for a kooky sitcom here, NewDad and the girls braving the pitfalls and funny shenanigans of zombie apocalypse and impending puberty).

Daryl and Beth ended up together, and I have this creepy feeling they are going to hook up at some point. While I do feel a little jealous and shitty about that possibly happening, I really couldn’t blame them…they are both smokin’ hot and pumped full of adrenaline. And, I suppose you gotta get it while you can in these dire times.

I don’t hate the players, people…at times, however, I do hate the game.

When I suggested the Daryl Fucks Beth Postulate to my WD buddy (by texting, God, is Daryl going to fuck Beth?), she immediately texted back, No, Daryl is not!  

Hmmm….I wish I could be that confident. I do not relish the mental picture that comes up in my head when I think of Daryl and Beth getting it on… but the way I see it, while Daryl may not, Beth definitely would, and will.

I remember that long-ass hug she gave him in “30 Days Without an Accident.”  That Beth is a little Lolita, and despite his best efforts, Daryl may just give in to a “what the hell” moment late one night, when all they’ve got is each other, and Beth’s looking real cute tidying up their squatter house and singing a Tom Waits song to herself.

Whatever happens, let’s just hope that when it does happen, they don’t get walked in on by Crazy Carol. That would not go over well.

Oh, you didn’t hear? Carol’s coming back… at least, that’s what the buzz is about on social media these days.

Norman Reedus posted pictures on Instagram of Melissa McBride getting made up backstage at the Conan show, and all the comments were about how two characters from before are returning to WD.  No surprise here. I knew Carol was coming back.(Refer to the ongoing Crazy Carol Theory in previous posts)  

Nobody puts Carol in the corner!

As for the second WD alum returning to the show, my work buddy Jeff and I have been predicting Morgan’s return into the forefront of the storyline for some time now…Jeff is the maverick who offered the Carl Theory in the first part of Season 4, and I respect his WD insights (even though you still haven’t put a “Like” on my Barnfullawalkers FB page, Jeff, you cagey bastard!). https://www.facebook.com/barnfullawalkers

Ahem…sorry…where was I?

Oh yes, anyway, at the end of Season 3, Jeff and I both agreed that we thought it was Morgan who poured gasoline on the Gov’s pit of walkers and set them on fire (thus spawning The Morgan Theory. )  But, of course, at the  time, the Gov blamed poor Milton for torching his pit walkers.

Remember when the Gov asked Milton, “Where did you get the gasoline?” to set the fire, and Milt looked like he didn’t know what the Gov was talking about? Then, in a total dick move, the Gov killed Milt and left him to zombify, chomp Andrea, and, ostemsibly, zombify her… earning my vote for the Governor as the Worst Boyfriend Ever.

Anyway, Jeff and I have discussed The Morgan Theory at length during lulls at work… we’ve always said that he’s coming back to be a major game changer and fuck some shit up.

So, my pick for characters returning are (drumroll, please):  Morgan and Crazy Carol, WD’s Homecoming King and Queen!  I mean, who else is left as far as characters from before? Everyone else is all dead, right?

Three characters, however, remain a question: Tara, Lilly, and Baby Judith.  Are they alive or dead, and will we see any of them again?

Baby Judith.  Sigh…  Man, I don’t know.  Many of my friends are talking about how Baby Judith could have been scooped up and taken on the bus…yeah, yeah.  I would love that, I really would.

That last shot of her, strapped into the baby carrier and being jostled by Mika and the other cute girl as they tried to carry her to the bus, is burned into my memory…I mean, she was the most beautiful baby in the world.  We all love Baby Judith! Even Daryl named her Lil Asskicker.  I am so pro-Baby Judith being alive, I really am.  

I love Baby Judith!

But….I also know that back in Season 3, when Glenn Mazzarra was still at the WD writing helm, the other writers were pretty much wanting to kill off Baby Judith…and Glenn Mazzarra held them back…for a while.

Now, Glenn Mazzarra is out, and Scott M. Gimple’s at the helm. And, after Too Far Gone aired on AMC, Talking Dead’s Chris Hardwick asked Robert Kirkman about the possibility of Baby Judith being alive still.  In response to that question, Robert Kirkman got this look on his face, this scoff, like he was so sure that he was so doubtful about that one.

After the scoff, Kirkman kind of shook his head, and said, with a laugh,  “There was a lot of blood in that car seat!”

That, straight from The Mouth of Kirkman, people, the creator of both The Walking Dead comic series and the television series… I would say that Kirkman pretty much has the final say on Baby Judith’s fate, or anything to do with The Walking Dead.

So, unless Kirkman is totally fucking with us and playing with our emotions (and we know how he, and Gimple, and Nicotero and the rest of the gang at WD, Inc. love to play with our emotions)…

…Baby Judith is probably not one of the returning characters…I really want to be wrong about this, people.  Let’s hope I am.

I will say that with this most recent and painful viewing of Too Far Gone, I did see the possibility of Judith being scooped up by someone from the prison who had been wounded and who, perhaps, bled on her while freeing her from the car seat and carrying her to safety.

I tried to see if the car seat straps were torn or gnawed away when I watched the wrenching scene of Carl and Rick’s discovery of the bloodied and empty seat.  It was really hard to tell.

I am not sure what happened to Tara, or her sister Lilly, after Lilly pulled the trigger on her shitty boyfriend, the Gov.  It would not be hard to imagine Lilly turning the gun on herself and pulling the trigger after she did the deed on the Gov, after losing her daughter, Meghan and everything going to shit. I guess we will see if either of the ill-fated sisters shows up in the second installment of Season 4… I liked them both, so I would hope so.

I am also not sure what happened to Michonne, if she ended up with any of the other prison peeps…my WD buddy thought she had ended up with Rick and Carl, but in that final scene, when Rick tells Carl not to look back, to just keep going, it is just them, no Michonne.

I know that Michonne can take care of herself, but she was just starting to open up to the others, and to get thrust back into that bleak solitary survival mode would just suck so bad…maybe she’ll find Tara and they will travel together and be hot asskicking girlfriends!

I can’t stop thinking about that crazy scene in the “After” preview, when Carl is luring the walkers away from the front door of the house, and down the street… I have been watching it over and over and thinking about Carl a lot.

Apparently, that scene is straight from the comic series. I think this time together, with Carl and his father, is going to be really significant in the development of their relationship, as they only have each other.  And it looks in the preview that Rick is pretty messed up, and Carl has to take care of him, even screaming down at Rick in terror that Rick is slipping away… I am so freaking scared for them, for all of them, but I am especially bonded to Rick and Carl.

Ok, so this brings us to the hard hitting question that is in, I think, everyone’s hearts: How is this all going to go down? What is going to  happen to our most beloved WD characters?  

The long term prognosis is not good here, people.  While I do not pretend to be an expert on the comic series, I do know enough to know that the end isn’t exactly chocolates and roses.

At this point in the zombie apocalypse, even if a group of people establish a foothold somewhere, set up a dwelling, and find a way to feed themselves and defend themselves to whatever degree from walkers, it seems that other surviving groups and individuals may prey upon them merely to get what they have.

Resources are dwindling, and the world is becoming more and more predatory, competitive, brutal to try to navigate and survive in.

And is it just me, or does it seem that the world of WD that Mother Nature herself is dying, or sick?  In the Camp Martinez episode, the lake next to the Gov’s camp was a dead lake, and the hunting expedition in the forest only yielded a dismal haul of a couple of squirrels… Rick’s attempt to raise hogs ended in a highly lethal swine flu… it all leaves me wondering if the pestilence and decay of the walkers is infecting the world and poisoning its resources even further.

We have to steel ourselves, people.  It’s balls-to-the-wall time. Some fucked-up mean characters from the comic series are coming.

Remember the radio promise of the Sanctuary? Remember how the little camp the Gov,  Martinez, and Sweet Pete happened upon was ransacked, the people massacred? And we never found out who was feeding the walkers rat-snacks and creating gruesome rabbit-art with entrails…

Many questions remain to be answered.

Now, I must say the thing that I do not want to say, but we are all thinking it.  I have read, and commented in, many exchanges on social media about the what if scenario: What if one (or more) of my favorite characters die?

Norman Reedus’s Instagram account is a classic example of the social media panic, as is AMC’s The Walking Dead live chat page.  People are really starting to freak the fuck out…they are posting comments like, NORMAN!!  IF DARYL DIES I WILL QUIT WATCHING THE SHOW!!!! 

Now, let’s all just take a deep, cleansing breath, shall we? That level of distress at the thought of losing a beloved WD character is totally understandable.  I did try to post, in response, what I thought was a placating, soothing thought, something like, Daryl Dixon is a warrior and does not fear going into the void…and Norman Reedus is alive, well, and here to stay!   That’s nice, right?

Trying to be reassuring, and the response I got to that was like the social media equivalent to being chased by an angry mob brandishing sticks and torches…never again!

But for all my brave words, I too am freaking about this.  I called my WD buddy and asked her, point blank, “Dude, what are we going to do if Daryl dies?”

I won’t go into all the details of what happened next… let’s just say there were tears,…and more tears…and some shaky laughter, and sharing memories, thoughts, feelings…it was raw, it was real.

We needed to get it out, and we were kind of moving through it, getting a grip on it….and then, my friend spoke the unspeakable sentence.

Her voice breaking, she said, “But…I don’t know what I would do…if Rick…”

Oh, God, say no more, SAY NO MORE!  Now it is time for my shouty caps and thousand exclamation points…. STELLA!!!!!

Ok, here is what I propose…we cannot control The Mind of Kirkman … The Law of Kirkman basically states (I think) something like:  Kirkman will do as Kirman wants, and Kirkman and Co. can (and will)  play with our emotions. It’s nothing personal…it’s how he do!

We have to stay strong, people.  I advise that you all set up a Daryl Plan with a designated Daryl Partner.

Here is how a Daryl Plan works:  

You pick a close friend and similarly obsessed WD buddy to be Daryl Partners with you, so if one of your very favorite characters dies in the show, you are there for one another.

In the Daryl Plan,  you and your Daryl Partner would check in with each other…Being a Daryl Partner may entail little, supportive gestures, like sending little encouraging texts throughout the day, such as, Thinking of u! Hope your day is going well! 🙂  Load on the emoticons.

Or, perhaps you can share some uplifting links to your Daryl Partner’s Facebook timeline, like, Onward and Upward! (or basically anything that involves a photo of a kitten, puppy, or baby, preferably with an upended bowl of spaghetti on their heads).

As a Daryl Partner, you may need to go check on your designated buddy’s place, unannounced, especially if you cannot get a hold of him or her by phone, text, or computer after repeated attempts…

You may need to go to their front door and knock loudly, calling their name.You may need to go around their house or apartment, looking in the windows… and if you see your buddy, face down, sobbing in a pool of tears and vomit, you may need to break in through one of the windows to get to them.  You may need to help lift your buddy up from their prostrate grief, gently wipe away the tears and vomit, and say something to snap them out of it, like, “You have to get it together…think of the children!”

A Daryl Plan is a serious pact, and the way I see it, key to our survival as WDO’s (Walking Dead Obsessed).  

The key tenant of the Daryl Plan is:  Do for your Daryl Partner as you would have your Daryl Partner do for you.

Pop-culture histrionics aside, the second installment of TheWalking Dead’s  Season 4 is sure to be a wild, fun ride, chock full of suspense, plot twists and turns like shiny, bloody innards, and super gnarly walker kills.

Nicotero will once again outdo himself, and Kirkman, Gimple, and the writing crew will be sure to infuse dark humor and moments of respite and renewal to keep us all hanging on through these dark times.

And there is sure to be amazing music, both by the inimitable Bear McCreary and an array of musical artists, as the addition of an ongoing playlist/soundtrack is one of the new offerings of Season 4. So stock up on Stellas (or whatever your beverage of choice) and strap on your strap-on’s, people.

We are in for a wild, bumpy ride.

To kick off the music, here is my humble offering…the prepost playlist for the upcoming mid-season premiere episode, “After.” Enjoy, and cheers!

Playlist:

Iron Maiden, Aces High

Soundgarden,  The Day I Tried to Live 

Foo Fighters,  Alone + Easy Target

(Oh, and p.s., if you haven’t already done so, find my Facebook page https://www.facebook.com/barnfullawalkers and show the love…will be full of fun posts, updates, media, and wacky antics!)