Season 4, Episode 8, “Too Far Gone”

“Too Far Gone”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

Well, people, here we are already…the mid-season finale…I am not sure who, where, or whence the ol’ mid-season finale concept came, but I, for one, am grateful for the idea.  I am too busy in a million different ways to be able keep a boner going for any show, no matter how awesome, for 16 weeks in a row…especially through the holiday season. The Walking Dead would have had pretty much one of the best shots at keeping me going for a straight 16-weekerbut it would have cost me.

I would have rallied, but it might not have been pretty at the end.

So, thank you,  genius of television who came up with the mid-season break idea…for saving our collective sanity, and giving us something to look forward to in the last part of dreary winter, the January/February slump, where the weather is cold and grey, and there are no real breaks or holidays except Presidents’ Day and Valentine’s Day…and sorry, but in my experience, those two “holidays” are never really as fun as they could be.

However, Season 4, for me, as been a pretty epic one, more fun than I could have imagined.  For one, it’s been the “coming out” season of barnfullawalkers, and despite the long hours of writing, rewriting, sleep deprivation, and technical difficulties that have come with this endeavor, it’s been a super rewarding adventure to start this blog and write about The Walking Dead. My WD buddy and I agree that Season 4 has been one of our favorites so far, on many levels.

I personally have enjoyed where Robert Kirkman, Scott Gimple, Greg Nicotero, and the entire gang of WD have taken us in the story line of this season, and I like how dark elements and characters of the comic series have been woven back into the television series. For me, the writing team has done a masterful job of maneuvering the scope of these dark times while still keeping love, hope, and humanity alive in key characters…and it seems the actors have been inspired by such a high level of writing by the haunting performances that all of the key actors have delivered so far in Season 4.  For some actors, these performances were their final ones for the series, and mad props need to be given to:  David Morrissey, Scott Wilson, and Jose Pablo Cantillo for wrenching our hearts and guts all over the floor…and to the actor that played Red Shirt Walker, who rolled over from his prison cot and spilled his guts all over the floor…mad props to that guy.

I also must give mad props to Melissa McBride, who plays Carol, gone but not forgotten…I will add another level to the ongoing Carol Theory, and say the I feel that we will definitely be seeing Carol again, perhaps in some leadership capacity elsewhere, where the bounds of morality are based more on brute survival than human compassion…but we shall see, won’t we?

I have also enjoyed, in Season 4, the addition of music from different musical artists, blending with the ongoing genius of Bear McCreary, to create a soundtrack for each episode.  I have read and heard various interviews with the actors of The Walking Dead where they said that they used music to prepare for, inspire, and come down from key scenes and performances throughout the series. For me, it just makes sense…music and The Walking Dead just go together.

Ok, enough preamble…let’s get to it, shall we? I’m not really going to get all recappy with this one…if you are reading this, you know what the fuck happened.  But we have definitely got some shit to hash out here, tears to cry…memories to share.

“Too Far Gone”

I was pretty curious how the Gov was going to spring his evil plan to the RV gang, and so I enjoyed listening to the Gov’s rallying speech at the beginning of Episode 8.  And, true to form for Season 4, the beginning was double-layered, with two scenes interposed, serving to turn the plot gears at double speed and getting the viewers right in there, and I, for one, am loving it.

In this episode, the Gov’s speech scene was interposed with the scene of him ambushing Hershel and Michonne in the woods… For me, it was super-pimp the way the Gov popped Michonne with the butt of his gun, dropping her, then with a single turn of the wrist, pointed the gun straight and true at Hershel, who knew he was bested…so poor Hershel just set down his gun and put his hands up, like, “Dude, sucks to see you, but that shit was pretty Bruce Lee, right there…why the fuck can’t you be on our side, again?” (Don’t get me wrong…I am Team Prison all the way, but I just have to throw some admiration at the Gov’s style of kung-fu.)

And then, in inimitable Gov fashion, we see how “Brian Heriot” turns on his unique charm to sell the RV gang on the hostile prison takeover, twisting their emotions and the facts to achieve his nefarious scheme. “I want you to survive,” he tells them…calls the peeps of the prison the ones that destroyed Woodbury, took his eye, killed his daughter. Damn, what a storyteller…he’s good, that Gov.

And I love how he just throws in there, at the end of his initial pitch:  Oh, and btw, I just happened to capture two hostages…not that I’ve ever TAKEN hostages before, because, you know, that would be weird…I just was thinking that a couple of hostages would be a good bargaining chip for my peaceful hostile takeover plan, you know, the one where nobody gets hurt, and they leave gladly, and we live in peace and harmony at the prison for ever after…and we need to do this, like now, or we’ll lose the element of surprise and they’ll notice that their buddies are gone…not that I’ve ever done this before!

The Gov plays their emotions and fears, and before they know it, the group is nodding and agreeing to his plan…all except Lilly, who has overheard the Gov’s pitch and is not having it…girlfriend’s got her arms crossed and looks pretty pissed.  When Lilly calls him out, the Gov throw out all the stops, telling her the only judgement he cares about is that she and Megan are alive and breathing…then, the Gov throws in a, “I love you,” for a good measure Hail Mary pass.  

Lilly replies, “I don’t know who you are.”  Get used to it, girlfriend…that’s life with the Governor!

The scene with Hershel, Michonne, and the Gov in the RV, with Hard Pass Mitch standing guard outside, is pretty crazy.  I love how Hershel calls the Gov out when the Gov tells them that nobody is going to hurt them…”I don’t believe that” says Hershel.

In response to this, the Gov avoids looking at Hershel and Michonne by pretending to pack up some battle snacks for later. “Well, I don’t care,” he replies.  When pressed by Hershel to please explain what is going on, the Gov tells them that he needs the prison, nothing personal, and that he needs them to help him get it as peacefully as possible, without anyone getting hurt if it can be avoided.

It’s hard for me to know if the Governor is actually believing any of this story he’s telling at this point…is he just sugar-coating it, rationalizing it, to those around him to make them do what he wants them to do, or is he really telling himself this story, over and over, so he can believe that he really is the good guy in this “peaceful hostile takeover” scenario he’s cooked up?

When Hershel proposes that the two groups can find a way to coexist at the prison, peacefully, the Governor resists, acknowledging that Hershel is a “good man, better than Rick.” Hershel points out that it seems the Governor has changed, and tells him that Rick has changed as well…the Governor stops him right there, tells him there is no way that Rick and he, or he and Michonne, can live together in the same community.

When Hershel presses, the Governor snaps, then recovers his poise, telling them there’s many ways he can do this, and this way, “You get to live, and I get to be…” 

The Gov never finishes that thought, seeming to get lost in the question of it.  Who could he really be, when it’s all said and done? Could he do it differently this time, or would things progress the way they did with Woodbury?  Things are already getting pretty fucked up as it stands.

Hershel asks the Governor, “If you understand what it’s like to have a daughter, then how can you be willing to kill someone else’s?”  The Gov replies, “Because they aren’t mine,” and exits the RV.

The Governor has the RV’s moved to the water’s edge, assuring Lilly that they will be safe there, as the walkers cannot cross the river…he doesn’t really focus on teaching Lilly, Megan or those who stay behind at the camp the basics for defending themselves while he and his Makeshift Army 2.0 go to battle “peacefully” for the prison…instead, he makes a show of giving Megan, who is making mud pies, unsupervised, by the water’s edge (and the bushes’ edge…how is that a good idea?) a big goodbye hug, and that proves to be a fatal lapse in judgement for the Governor…and little Megan.

Back at the prison, poor Glenn is still looking pretty green, not quite recovered from the Explodey Flu…but he manages to laugh with Maggie and joke about needing a vacation…meanwhile, Rick is having the dreaded Daryl Conversation, and Daryl takes it as well as can be expected, which is not very well, at first…he’s pissed, he’s pacing, he doesn’t believe that Carol would kill those people…Rick seems to convince him, because when Rick tells Daryl he still needs to tell Tyrese all of this, and that he’s not sure how Tyrese is going to take it, Daryl says right away, “Let’s go find out.”

Like I said before, Daryl understands dude code better than anyone else…he isn’t happy with Rick’s decision, but he will not let Rick go have The Tyrese Conversation without a second to back him up if Tyrese goes apeshit at Rick’s news.

They find Tyrese down in a darkened hallway…and he’s got some news for them…he shows them the creepy mutilated rabbit and brain art that some fucked up person is making…he thinks that whoever killed Karen and David is the same “psychopath” who made the rabbit and brain painting and who was feeding rats to the walkers…Rick begins to tell Tyrese that he doesn’t think it’s the same person, and when Tyrese asks why, they are (saved by?) interrupted by a huge explosion.

Cue the pulsing Bear McCreary music…and here he is, ambassador for peace, standing atop a tank: the Governor, flanked by his Makeshift Army 2.0, calling for Rick to come down and “talk.”

God, Rick is so hot when he bellows back that it’s not up to him, there’s a council now….the way Rick handles himself in this crisis just ups his hotness index by like a thousand degrees, if that is even possible.  The Gov is all silky and slithery as he asks, “Is Hershel on the council? What about Michonne?” and his minions trot out the hostages and force them onto their knees, for Team Prison to see.

When Rick asserts that he doesn’t make all the decisions any more, the Governor tells him that he, Rick, will be making the decisions today…”So come down here, and let’s have that talk.”

Rick quietly nods to Daryl, checks in with Carl, before going to face the Governor, the Gov’s tank, and his army, armed with only a pistol…like the lone hero in a cowboy movie…so freaking hot…Daryl’s making plans with Sasha and Tyrese to get everyone on the bus, to make their escape.

Rick tries to reason with the Governor, telling them there are sick children at the prison who would not survive leaving…to no avail…the Governor is being the dick with the tank and giving them until nightfall to leave.

Back at the RV camp, Lilly sees a walker making its way pretty easily so far across the water…then he goes down…Megan pulls up a flash flood area sign from the mud, and unearths a walker who was buried under the sticky mud and sign…it grabs for her, and before Lilly can get to her, poor Megan gets chomped:

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Poor Megan!

Poor Megan! My WD buddy texted me, The Gov sucks at protecting his girls…he’s gonna go batshit now..

Back at the not-so-peaceful takeover, Rick delivers his epic speech: “We can all…we can all live together. There’s enough room for all of us.” The Gov pipes in that he doesn’t think “his family” would sleep very well with Rick and the prison gang under the same roof, as they (mistakenly) believe that Rick and the gang are the bad guys, not the Gov.  Rick counters that the two groups could live in different cell blocks, that they wouldn’t even need to see each other.  Hershel turns and backs Rick up by telling the Governor, “It could work…you know it could.”

The Gov is being a big baby about it, and the camera focuses on Michonne’s face as he says he can’t, not after Woodbury, not after Andrea.

Michonne is so hating him, and right now, so am I. The Governor tortured and killed Andrea, deliberately and maliciously, and Rick and the gang were just rescuing their people.  Rick is too gracious to bring this up, saying instead that it would be hard, a lot harder to make it work than to go to battle, but that there is no other choice. Rick says they will not leave without a battle, a battle that would draw the walkers and tear down the fences, making the prison worthless.

The Governor then jumps down from the tank and seizes Michonne’s katana, holds it to Hershel’s neck.  Hershel looks unafraid.  Rick points to Tara, asks her if this is what she wants, if this is what any of them want. Hard Pass informs him that what they want is what he’s got, and it’s “time to leave, asshole.”  Nice, Hard Pass. Way to turn on the charm and the diplomacy.

Rick counters that he has fought the Governor before, and after the fight, former residents of Woodbury and compatriots of the Governor were welcomed into the prison community, where they became leaders.  Rick invites them to put down their weapons, to walk through the gates of the prison, and become “one of us.”

Rick looks right at the Governor, who is still holding the sword to Hershel’s neck, but who seems uncertain now.

“We can let go of all of it,” Rick tells the Gov, swiping the air with his arm as if wiping a slate clean, “and nobody dies…everyone’s alive right now…everyone’s made it this far…we’ve all done worse kinds of things, just to stay alive…but we can still come back…we’re not too far gone…we get to come back…I know we all can change.”

The Gov lets the sword down for a moment…Hershel smiles at Rick, proud and happy to hear Rick speak of love and forgiveness instead of dwelling in fear and uncertainty, as he had before.

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The Governor, no doubt overcome with hatred for yet another Hero Brother, whispers, “Liar,” and slices Michonne’s katana into poor Hershel’s neck. Maggie and Beth scream, and Rick screams, “No!” and fires…and Battle Royale has begun.

As Battle Royale begins to rage, Michonne manages to sneak away, cutting ropes that bind her wrists after tripping an enemy soldier and stomping his face.

The Governor catches up with Hershel and finishes the job, badly, hacking away at Hershel’s neck until his head is severed.  He then looks up to see Lilly, bearing her daughter, Megan’s, body.  The Governor takes Megan’s body and rekills Megan with a shot to the head. Tara cannot bear to fight, dropping her gun and covering her ears, despite Hard Pass’s orders to pick up her weapon and fight.  Alisha tells Tara to run somewhere safe, and after the battle is over, Alisha will come and find her.

The Governor is in full kill mode, ordering the tank and trucks to run the fence down. “Kill them all,” he orders.  “Roger that!” yells Hard Pass, waving his shitty hat in circles above his head… it’s his big dick moment. He puts throws tank in gear and proceeds to mow down the prison fences. Tyrese orders Sasha and Bob back, and Maggie orders Beth to get the others in the bus.

“We all have a job to do,” Maggie reminds Beth. (Hershel! 😦 We love you!)

Maggie runs into the prison to get Glenn, brings him to the bus, then runs to find Beth, who has disappeared. Rick tackles the Governor, and they commence with a western saloon-style beatdown, which the Gov almost wins, until:

Enter Michonne, saving Rick and finally getting to kill the Gov's ass

Enter Michonne, saving Rick and finally getting to kill the Gov’s ass, katana-style!

Lizzy proves that she is Carol’s daughter when she saves Tyrese by killing some unnamed minion, then killing a shocked Alisha, putting a bullet right between her eyes:

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Daryl pulls off a sweet maneuver, deftly slipping a grenade into the gun barrel of the tank (while using a dead walker as a shield). He kills Hard Pass with an arrow to the chest before grabbing Beth and hauling ass away from the prison, which is becoming overrun with walkers.

Unfortunately, Lizzy and Mika forgot about poor baby Judith…after Rick and Carl find each other, they make the horrible discovery of Baby Judith’s car seat, soaked in blood, with Judith nowhere to be found.  Anguished, Rick and Carl run for the hills, with Rick advising Carl not to look back.

As walkers overrun the prison grounds, the group is splintered into factions as they flee the prison for their lives.  As the Governor lay gasping, we see Lilly come to take her revenge:

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And we see a familiar face from the past:

Creepy Clara Walker...I knew we would see her again!

Creepy Clara Walker... I knew we would see her again!

So, there we have it…the prison is gone, the gang is gone, and some beloved characters have gone. So, here’s a little something to help cheer you up…enjoy!

(After this mid-season finale post, I plan to expand to social media with barnfullawalkers, and to keep posting, starting with the Episodes Gone Bye  where we rewatch and revisit the entire WD journey thus far, starting with Season 1, Episode 1, “Days Gone Bye.”  In addition, I will watch and post on all the Walking Dead webisodes, which, if you haven’t seen them, are like creepy little vignettes that are essential to getting the full  scope of the Walking Dead story….so stay tuned, and thanks for reading!)

Playlist:

Weezer, “Say it Ain’t So”

Nirvana, “Oh Me” (for Rick)

Nirvana, “Lake of Fire” (for the Gov)

The Dexateens, “Still Gone” (for Judith, Carol, Megan, Alisha)

The Queens of the Stone Age, “Mexicola” 

Radical Face, “Welcome Home, Son” (for Hershel <3)

Walking Dead, Season 4, Ep.4, “Indifference”

“Indifference”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

Sorry this post is late…I have been under the weather but am on the mend!

I ended last week’s post with the question:

What advice would Hershel give to Marilyn Manson, after his wasted debacle on last week’s Talking Dead ?

Here’s my entry:

“Son, after watching your guest spot last week on Talking Dead, I could only assume that you were under the influence of various intoxicants…Judging from your incoherent ramblings, your inability to modify your actions in response to the negative verbal and non-verbal cues your host and fellow guests were giving you, and the general bloatedness and puffiness of your face, I would guess that you have been self-medicating with a combination of alcohol and pills for some time now.

Now, son, we all have a job to do in this life, and it appears that your job is to clean up your act.  First, I would advise that you send Chris Hardwick, Gale Ann Hurd and Jack Osbourne each a note of apology with a dozen black roses or whatever you see fit to extend as an act of contrition…Next, I would advise you to seek out an excellent rehabilitation facility that would assist you in getting sober and book yourself an extended stay in that facility and get clean of all drugs and alcohol.

Finally, I would advise you to go on sabbatical and immerse yourself in some sort of combination of exercise and meditation, like an extended yoga retreat…you will need something that rebuilds your body, mind, and spirit while diverting your attention away from your former chemical activities.  

After you get lean and clean, focus your considerable energy, talent, and intellect on your art and music, and put out a groundbreaking comeback album. It’s not going to be easy, but just remember: you are Marilyn Manson, for God’s sakes! You were doing the casual, everyday zombie look before anyone else jumped on that bandwagon…Godspeed, son, and the best of luck to you.”

How did I do?

(For a detailed look at some of MM’s weird and irrelevant ramblings on last week’s TD, check out):

shttp://comicbook.com/blog/2013/10/28/what-marilyn-manson-said-on-talking-dead-about-walking-dead/

So, when we left off last week, Hershel was ministering to the sick in Cell Block Die and probably infecting himself in the process; Daryl, Michonne, Bob, and Tyrese were making their way through 7500+ walkers to get to the vet school in a desperate search for life-saving antibiotics; Glenn and Sasha were among those infected with the explodey flu, and Carol just fessed up to Rick that she indeed was the perp who killed Karen and David, dragged their bodies outside, and burned them.

Oh, and there was a mysterious transmission on the car radio telling survivors about some “sanctuary” somewhere…but we know that the promise of “sanctuary” in post-zombie apocalyptic times seems to come with a steep price. All in all, many game-changing plot lines are in the works in Season 4.

“Indifference”

Opening scene of Rick bandaging up his injured hand and making preparations to go on a food and medicine run with Carol, while Carol goes to the visiting area to check in with Lizzy and say her goodbyes.  There is a great shot of Carol looking down at the knife in her hand, the one that she killed Karen and David with, as Lizzy approaches the glass partition. The exchange between Carol and Lizzy is profound and rich in foreboding.

“Nobody’s died yet,” Lizzy says. “Yet?” asks Carol. “I think a lot of people are going to die,” Lizzy replies. “It’s what always happens…It makes me sad, but at least they get to come back.”  As walkers, that is.  Carol tells Lizzy that if people come back as walkers, they are not the same as they were.  “Yeah,” Lizzy agrees, “but they’re something, they’re someone.”  Lizzy continues, “I know now, if I don’t die, I’ll get big, but I’ll be different…that’s how it is….we all change…we all don’t get to stay the same as when we started.”

Carol reviews with Lizzy what to do if she runs into danger…run as fast as she can, run until she is safe, and don’t be afraid to kill. “If it’s your life, or your sister’s life, don’t be afraid to kill..understand? You, your sister, and me, we are going to survive…I know it.” Carol then asks Lizzy where her knife is, and during the knife check, Lizzy slips and calls Carol “Mom.”

Carol puts the kibosh on that right away.“Don’t call me that.”  Lizzy nods to show she understands.  She is learning fast…keep a knife on you, don’t get too chummy with anyone, and don’t be afraid to kill if needed…got it, Don’t-Call-Me-Mom-NewMom!

During Carol and Lizzy’s exchange, there is a montage of Rick going through Karen and David’s cell areas, imagining Carol killing them with her knife and dragging out their bodies. Out at the car, he checks through the wrapped knife collection and sees one missing: Carol’s knife.  Rick’s face is grim…we have seen this look before…he is mulling everything over in his mind, and deciding on a future course of action…and looking majorly hot in the process.

Back inside the visiting area, Lizzy says, “I am not afraid to kill…I am just afraid.” “You can’t be,” says Carol.  Lizzy tears up at this. “How?” she asks Carol.  Carol’s answer is simple and immediate,”You fight it…you don’t give up, and then one day, you change…we all change.” 

In the woods, Tyrese is washing the blood out of his shirt in a stream…Bob calls to him to get a move on, but Tyrese seems resistant to rejoin the others in their quest to find nearby town and a new vehicle. He seems to be giving up…”My sister, the others, they are probably dead by now.” (Yes, I know now that Sasha and Tyrese were never together…she’s his sassy little sister by the same mister.)

There is some major tension in the Rick and Carol car…Carol is trying to justify her actions...Karen and David were sick, going to choke on their own blood, she was making it quicker and easier for them, blah blah blah.  Rick’s face is stony; he doesn’t reply. Carol keeps on, “I was trying to save lives…somebody had to.” Rick sounds hoarse as he replies, “Maybe.”

It took me a few watches to catch the exchange between Daryl and Michonne on the trail, when Daryl picks up the piece of jasper.  Michonne is super cute with her smile when she tells Daryl the jasper brings out his eyes…we are seeing her softer side more and more.

Daryl tells Michonne that he is bringing the rock home for Mrs. Richards in Cell Block A, that she had asked him to keep a look out for something to mark her husband’s grave.

Michonne seems surprised that Daryl knows all of the residents at the prison. “You stick around long enough, “ Daryl replies, “you’d be surprised what you can pick up.” Oooo, a subtle dig at Michonne for going off on her solo reconnaissance missions instead of connecting with her prison community.

Rick and Carol pull up to a neighborhood.  Rick sees a station wagon in good shape, keys still inside, loaded with goods.  He checks it out…we can practically see the wheels turning inside his head.  Carol seems uneasy, like she knows something is up…

She reviews the mission with Rick…in and out, get food and medicine to buy time and get needed goods until Daryl and the rest return.

Great scene at the abandoned, overgrown gas station…the numbers displaying the price of gas on the marquee are upside down, spelling, “hell.”  Daryl spies a car beneath the underbrush of a felled tree, fails to hotwire it, and tells the rest to clear a path in the overgrowth so they can get into the station for another, usable battery. Tyrese is furiously hacking at the vines, despite Daryl’s telling him to “go easy.”

Suddenly,  a walker’s arm grabs at Daryl…Michonne hacks the walker’s arm off, then Daryl knifes the walker in the head (making the “Kill of the Week” on Talking Dead). Michonne pulls off sweet decapitation of Bob’s walker with an upswing of the sword, sending the walker’s head rolling.

Tyrese, however, will not let go of his brush walker, and it ends up on top of him.  Bob shoots it through the head. Michonne turns to Tyrese, demands, “Why the hell didn’t you let go?”

Inside one of the homes, Rick looking through a medicine cabinet…a walker in pajamas appears at the top of the stairs and topples down. (Note to self: walkers cannot seem to negotiate walking down a stairway…good to know.)

Rick calls out a warning to Carol, pulls her out of the way…Carol recovers from her “whuuh?” moment, pulls out her trusty knife and thrusts it in the walker’s skull. (Rick seems creeped out as he notes her technique…it is how he imagined her doing it when she dispatched Karen in her cell.)

A scuffle and a creak of a door upstairs startles Rick and Carol. Rick draws his gun, aims at the stairway, and two hippie kids appear at the top of the stairs, holding out fruit as a peace offering, “Apricot? Peaches?”

Sam and Anna. At first, I didn’t know if I could trust them. This show does that to us by now, doesn’t it? We don’t trust anyone from outside the prison group.

But, as the episode progresses, we see that we, like the characters, are being faced with the reality…the fences aren’t going to hold forever, and the illness inside the prison may drive the group out and into the world beyond the fences. The outside world keeps making its way in.

But, Sam and Anna are adorable.  And funny. Their story totally checks out.

They were looking for a place to “crash” after getting separated from their group. They first found a greenhouse full of fruiting trees and were there a day before the “skin-eaters” found them. (Sam actually then calls them “killjoys”… two of my new favorite names for walkers.)

Sam and Anna ended up at the house before the “deadie in the pj’s” (ha!) surprised them, forcing them to lock themselves in the bathroom until being found by Rick and Carol.  Both of them are injured, Sam’s shoulder and Anna’s leg, which was broken when she got trampled by a panicked crowd running from a fire. It has healed funny, with Anna’s foot turned inward.

Carol assesses Sam’s shoulder, tells him, “It’s dislocated.”

Carol has Sam lie on the table and puts his shoulder back into socket.  It’s actually pretty badass, the way she sets it. Even Rick looks pretty impressed.

When the kids ask Rick and Carol what their setup is like, Rick evades the question, asks in return the first of his three questions, “How many have you killed?” Poor Rick, always having to be the heavy…the man just wanted to be a farmer, people!

I got this pic of Sam and Anna with my phone…sorry so flashy, but it makes it a little dreamy, just like them:

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Cute + cute = adorable! 

Back at the gas station, Michonne and Tyrese are chopping away the vines entangling the car they found. While they hack away at the vines, Michonne gives Tyrese the biz: “Anger leads to stupid, stupid gets you killed.”

Tyrese asks her if she is still angry at the Governor…she says she isn’t, but can’t seem to give a reason otherwise as to why she has been out looking for him.

Meanwhile, Bob and Daryl discover that the family inside the mom & pop gas station committed suicide, “holding hands, kumbaya-style.”

As we have seen in previous episodes, Daryl has no tolerance for those who opted for suicide as a way out of the zombie apocalypse, dismissing the family as “douchebags.” Bob wonders at this, and Daryl replies, “They could have gotten out.”

Bob replies, “Everybody makes it, until they don’t.”  He finds some pictures of the family in better times, arm in arm, drinking beers, laughing and smiling. tacked on the bulletin board. Upon leaving, Bob does Pop Walker a solid and drives a screwdriver (holding the Men’s room key) through his brain for a mercy rekill.

Back at the pajama walker’s house, Sam and Anna are wanting to know if they have passed Rick’s test and if they can come back to the prison with him and Carol. Rick and Carol tell them that the prison where they are staying is overrun with illness…people have died, including kids.

Anna asks Carol if any of the kids who have died were hers. Carol quickly says, “Nothank God, making no mention of having lost her daughter, Sophia, in the past. Rick shoots Carol a look as she continues, “One of my girls, she’s got it…but she’s strong..she’s gonna make it.”

Carol is becoming more and more adept at rewriting the past and penning a whole new life story for herself.

When Sam and Anna offer their help in any way, Rick tells them to sit tight in the house while he and Carol finish their sweep of the neighborhood, but Carol is quick to suggest that the kids help comb the neighborhood for supplies.  Rick is hesitant, as both Sam and Anna are injured, but the kids are eager to contribute.

Sam assures him if things look clear, they’ll go in, but if not, they will hang back. Rick reluctantly assents, handing Sam and Anna each a handgun and telling them, “Fire a shot, and we’ll come running.” The group agrees to meet back at the house in two hours.

Rick takes his watch off and hands it to Sam. “You’ll need this,” he tells him. Such a sweet hero.

Crazy Carol has already walked away at this point…that’s cold, Crazy Carol, real cold.

While Daryl works on the car, he asks Bob about the group he had been with before Daryl picked him up.  The guys have found some cigarettes, and they are having a smoke and a chat. In response to Daryl’s question, Bob exhales, asks dryly, “Which one?”

Bob then tells Daryl he had almost kept walking when Daryl found him on the side of the road. He didn’t want to watch another group die. Bob had been with two other groups before, always being “witness” to seeing them die, always being “the last man standing.”

Bob fesses up to Daryl that he had gone on the store run to get a “bottle of anything.” He tells Daryl he had reached for, then put back, a bottle at the store when he pulled down the entire shelf, attracting the attention of the walkers and getting Zack killed in the process.

After Bob unburdens himself and fesses up to Daryl about his cursed past, Daryl regards him for a moment before saying, ‘grette still in mouth, “Bullshit.”

Daryl then steps back from the battery he has just installed, and sends Bob to put the green and red wires together in the car, to try to start it. Bob fires up the engine, and Daryl whistles for the others to come, turns to Bob and tells him he’s not alone any more.

Daryl looks superfine in this scene, like the coolest dude in the world, smoking, working on the car, being way cool to poor, cursed Bob.

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The first exchange between Carol and Rick, in another house, is an intense back and forth… Carol finally walks up to Rick and asks him why he hasn’t said anything about her killing two people.

“What do you want me to say?” he asks. Carol makes some shitty farmer digs at Rick, grudgingly gives him credit for being a “better” leader than she gave him credit for.

“At least I didn’t kill two of our own, “ Rick replies. “Just one,” counters Carol.  (Oh, no she DIDN’T!)

The group reaches the vet school, and sneaky Bob sees the top of a bottle peeking out from under some books. Oh, crap…that’s never good!  Michonne almost busts him, and Bob hurries to catch up with her.

Carol and Rick in a back yard, harvesting tomatoes, Rick asks Carol how she learned to put a shoulder back in. “The internet,” answers Carol. “It was easier than telling an ER nurse I fell down the stairs a third time.”

Rick’s face registers the sadness of this, says simply, “I’m sorry.”

“Don’t be,” says Carol. “Just fixed what needed fixing.”  That has been the reality of Carol’s life, even before the days of walker apocalypse, from her days of being worked over by Ed.  It says a lot about her motivation, why she does the things she does.

While harvesting, Rick and Carol share stories, Carol telling about her stupid life with Ed, Rick telling about Lori’s terrible Sunday pancakes…it is a really profound scene, and a really sad one.

We see all through this episode the pros and cons of Carol, and there are many pros to her.  She is one of the original crew, and she has proven herself to be a very useful, key player to the group, time and time again.  Carol, to me, is a very matriarchal figure, the eldest female who has actually been a mother. She teaches the children, she takes in the orphan girls. There is a lot I love about Carol, but she is on a one-way ticket to Crazytown, and she is exhibiting more and more signs that she is losing her humanity along the way.

Still crouched at the tomatoes, Rick turns to Carol and asks, “Why don’t you say her name? referring, of course, to Sophia, Carol’s real daughter, who got lost in the woods and eventually became a walker.

Carol sits back and regards Rick, with a look like, why don’t you get it?

“She’s dead, Rick. Sophia. Ed.” Carol pauses, then says, “It’s somebody else’s slideshow.”

Then, Rick sees the basket of fruit on the ground,  and then a flattened trail of blood on the grass, leading to a gate, which is propped a crack open by poor Anna’s disembodied gimpy foot.  Across the street, two walkers are feasting on Anna’s torn apart body.

A great shot of Rick, and Carol, as they watch and process this. Rick’s face shows sorrow, and I think, anger.  Those kids were hurt, and naive, without the basic skills to defend themselves.  They should never have left that house, and Anna’s tragic outcome is proof of that, and Rick knows it.

And, it was Carol’s idea to send them out there, hurt and unable to defend themselves or each other.

And Carol knows it too, but her face is different.  Her face, as she watches the gory scene, is like, “I knew it.”  And in that moment, Carol dismisses Anna altogether.  “We should get back,” she says, turning to go. “Sam will probably be back by now.”

And Rick’s face when she says that…I think that in that instant, he made up his mind about Carol.

As I rewatched this episode, I began to see more of Rick’s process of observation, gathering information, going with the evidence shown, and going with his gut instincts.

Rick sees everything, and he feels everything, and he’s been a cop long enough to take the time it needs to figure it out…and when he does, he knows it, right then, right there.

And in that moment, at the gate, when Carol said that cold and shitty thing, that was the moment, my friends, that Rick Grimes decided what he needed to do about Crazy Carol.

Team Rick! Team Rick! Team Rick!  Oh…sorry…got carried away there…but my best WD buddy and I def agreed that we were Team Rick all the way.

Back at the vet school, the gang has found the stash of meds, Bob instructs them to find anything that ends with “cillin” and talks about crushing the meds in iv’s to get the medicine into the sick people’s bloodstream sooner.

I was liking this side of Bob…then the gang runs into the Vet School Walkers, a portion of which seem to be exhibiting the signs of having died from the Explodey Flu.

Bob warns the gang away from trying to fight through those walkers, as getting their blood on them may infect them with the flu.  Astute, quick thinking, Bob…so the gang busts through the chainlocked double doors and takes another walker group head-on, so badass.

Back to Carol and Rick, waiting for Sam. Carol is playing the “wrap it up” music and ready to jet. She says, “He’s not here, and it’s time to go.” She looks down at Rick’s bare wrist. “It was a nice watch.”

Oh, man, the scene where Bob almost loses his bag over the ledge and endangers them all, clinging to it, not letting go of the bag even with a horde of walkers almost pulling him and his comrades down as they try desperately to pull him, and the bag, back up to safety…

They succeed, barely, and when the bag lands, the telltale clank from inside gives away Bob’s secret…he almost risked all their lives for a bottle of whiskey, not a bag full of meds. Daryl is pissed!  “Got no meds in your bag, just this? You should have kept walking that day.”

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Ok, now I feel bad for Bob…I know he was just trying to sneak a secret buzz, but to almost take down the group for it is cray.  He is now on Daryl’s shit list. Daryl looks smokin’ hot bowing up on Bob like that…even Chris Hardwick got all flustered talking about that scene. I love Chris Hardwick’s man crushes…he crushes on the same dudes I do!

It is now time for Rick to dump Carol.  They are loading up the car, and Carol is ready to go in the shotgun seat.  But the door is locked.  Rick speaks up, “They might have lived. Karen and David, they might have lived…and now they’re dead. That wasn’t your decision to make.”

Rick continues to tell Carol that when Tyrese finds out what she did, he will kill her. “He damn near killed me over nothing.” Rick continues telling Carol that the others, when they find out, won’t want her there, and if it came down to just him, Carol, and his children, he wouldn’t want her there.

Crazy Carol is getting DUMPED, people, voted off the island in Walker Survivor.

Carol knows it…”Rick, it’s me…nobody has to know.”

Carol protests that she was stepping up and doing what needed to be done…she tries to work the Lizzy and Mika angle, but Rick shuts her down on that one, asking her if she really would take them away from the prison, with Lizzy being sick and Mika being only 10 years old.

Then, Rick gives Carol a consolation speech (“You are not the same woman who was too afraid to take care of herself…you can take care of yourself.”) and a car.

Carol gives Rick a watch her shitty late husband gave her, and drives away.  I do wish her well, and I do have a feeling that we will be seeing Crazy Carol again in the future.

Michonne says to Daryl that she doesn’t need to go out looking for the Governor any more.

“Good,” says Daryl. He is pissed, bangs the car ceiling to signal that it’s time to go.

Questions:

Do you think Rick was right in banishing Carol from returning to the prison?

How do you think the others will react to Rick’s decision?

Who do you think is feeding rats to the walkers?

Where is Crazy Carol going to end up?

Playlist:

Modern Lovers, “She Cracked” (for Carol)

Kings of Leon, “Closer”

Rise Against, “Prayer of the Refugee”

Sharon Van Etten, “Serpents”

Season 4, Episode 2, ” Infected”

“Infected”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

I will just preface this post with this: the Season 4 premiere episode of The Walking Dead,  30 Days Without an Accident,” was watched by 16.1 million viewers, with over 10 million of those viewers being in the coveted 18-49 yr old demographic, outperforming all other programs showing at that time, including NFL football. Awesome!

“Infected”

Opening scene: it’s night, and some psycho with a flashlight is feeding the walkers rats through the prison fence. (Later on Talking Dead,  mental mastermind Greg Nicotero explained how they achieved the effect of the walker eating the rat…they used actual rats and “fed” them into an automated prosthetic robot mouth. While no rats were actually hurt during the shooting of this effect, I don’t know if any of us who watched it will ever be the same!)

Now, I know that in my last post, I was leaning pretty heavily towards Bob being the bringer of walker snacks…while Bob is still on my short list of prime suspects, I am also wondering if the walker-feeder may be Lizzy, the cute/spooky tween girl who has a penchant for naming the walkers outside of the fence. She hangs out by the fence a lot, actually, looking out towards the walkers as they hiss and snarl and bare their teeth back at her. By her own sister’s admission, Lizzy’s “messed up…not weak.”

I imagine we will learn about Lizzy, Bob, and everyone a little more as the season progresses.

While the night walkers are enjoying their midnight snack outside, inside the prison, Tyrese is making out with his hot girlfriend, Karen. He’s got the cell all cozy and shit…and then, being the male unicorn of sweetness and sexiness that he is, Tyrese actually sings to her: “got you under my skin .” Our man is busting out all the love moves.

But maybe it’s all just a little too much, too soon for Karen, because she has decided not to sleep over and is going back to her cell.

I was watching this, thinking, “Ummm, wait…whut?”   I was thinking, Girl, you should stay with that big sexy man… and now, you are in the darkest bathroom ever, and that is not great for you!

Of course, the scene is shot amazingly as Karen moves through the bathroom and showers, all dark and inky and shadowy, like a horror movie…and we know who is in there..oh God, here he is, sitting up. Yes, people, Patrick Walker is about to go nucking futs on Cell Block D.

Karen makes it out of the bathroom and retires to her cell, not knowing that Patrick Walker is lurching about a half cell-block behind her. She pulls aside her flimsy curtain and settles down for the night…alone (for some reason I still do not understand).  

Damn, I thought they had doors on those cells… I would be like, “Um, can I get one of the cells with the locking doors and bars, please? Thank you!”

Here’s what happens when you go with the curtain option in zombie prison-dorm life…Patrick Walker is gonna come knocking on your curtain (or, at least until he hears a cough a couple of cells down and goes to investigate):

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Shot of my tv…sorry for the amateur technique…I cannot seem to find the images I want to use online…I thought there was a whole world of computer-obsessed insomniacs out there posting all the pictures and clips I want to use in my blog, but apparently not!

So, I tried to shoot some video of it all going down on my phone…it took about 45 minutes of retakes and rewinds to film Patrick Walker’s first neck chomp on the Red-Shirt guy to Red-Shirt Walker’s roll-over-and-spill-his-guts-out scene.  I then finally got it so it didn’t play upside down on the computer., and then, my blog wouldn’t let me insert it into my post…damn fickle technology!  (My brilliant friend just suggested we try to download the episodes, then use images and videos from that to use for the blog..genius…and probably not legal.).

I did get one shot of Patrick Walker chewing meditatively on some of Red-Shirt guy’s innards:

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Patrick Walker is by far my favorite walker yet…maybe it’s because he is so creepy yet cuddly at the same time.  Maybe it’s because he can really bring the mayhem. Maybe it’s just because that Phineas actor kid plays a really great zombie. He was probably valedictorian in Greg Nicotero’s famed Zombie School. Check out the link about Zombie School on the AMC website:

http://www.amctv.com/the-walking-dead/videos/inside-the-walking-dead-zombie-school

I thought the whole Red-Shirt wifebeater guy getting chomped and spilling his guts on the floor was pretty believable at first, but my best WD buddy wasn’t having it. She texted me, That guy didn’t even move!  to which I texted back,  Patrick Walker chomped him good right in the front of the neck.   She replied, Yeah, but no arm reaction at all?  

Excellent point.  I answered back, Maybe he had an instant heart attack.  Pretty weak, I know, but I really didn’t have anything else. It was kind of not believable, once she pointed that out.  (Ha ha, later on Talking Dead, they refer to the red shirt dude as “Deep Sleeper” in their In Memoriam segment, when they honor the fallen, live and undead alike.)

Meanwhile, the sun’s come up and it’s time to rise and shine at the prison. Glenn wakes Maggie up taking a Polaroid of her sleeping…and who can blame him? I mean, we all have a crush on Maggie, don’t we? I am a happily married woman, and even I am a little lady-gay for Maggie.  Lauren Cohan is stupid hot.  Steven Yeun plays Glenn perfectly as the geek guy who can’t believe he landed a stone fox like Maggie.  You gotta love Glenn and Maggie. They’re so cute and flirty with each other. They manage to keep the zombie apocalypse sexy.

Out in the garden, Michonne is on her horse, ready to ride off on another weird solo adventure…Rick and Carl are seeing her off before starting work on the garden. Before she rides off, Michonne asks Carl why he doesn’t wear his (Rick’s) hat anymore…Carl answers that it’s “not a farming hat”…awww, snap! That’s gotta sting a little, but Rick plays it cool, even when Carl hints at going with Daryl on a run…and then after apologizing to Rick for his resistance to Rick’s new farmer lifestyle, Carl outright asks Rick when he can stop being gun-grounded and get his gun back. Rick doesn’t reply directly, just suggests that Carl add some worms to the slop to give the pigs more protein…I really liked the communication between Rick and Carl throughout the whole episode…by the episode’s end, you see how far they have come in their father/son relationship.

Then the gun alarm goes off, and all epidemic hell is breaking loose at the prison. It’s another wild, great scene…last week, it was raining walkers in the store, and now this week, it’s a walker prison riot.  Season 4 is not fucking around, people!  In one hot and gratifying instant, Rick drops the farmer act and becomes Rick In Charge, ordering Carl to the tower with Maggie and assessing the situation (Cell Block C is clear, Cell Block D is fucked) before running in to battle the walkers in Cell Block D.

The mayhem is so fast, with major carnage.  Rick hands off his shotgun  to someone else and turns his energies to helping get the panicked masses to safety. Glenn pulls off some major ninja-style knife kills, and Daryl saves the little curly-haired boy from Red-Shirt Walker, then saves Glenn from getting chomped by Patrick Walker by ordering Glenn down and shooting a crossbow into Patrick’s brain. “Awww, it’s Patrick,” laments Daryl as they stand over his rekilled form…yes, Daryl, your young fanboy is super dead.

The scene with Michonne and Carl at the gate is great….Two walkers on top of Michonne, and Carl blows the top walker guy’s brains in with one shot…you can see the joy in his face. My buddy texted me, Carl’s still got it ..Yes, he does, just like his dad!

Greg Nicotero said later in Talking Dead that the prison attack casualties totaled 14 civilians…men, women, and at least one child. That is a major theme in this episode, a mother losing her child in the zombie apocalypse.

In one telling scene, Beth is wrapping Michonne’s ankle in her cell while little Judith is seated on the floor, playing with red plastic kegger cups…Beth asks Michonne if there were any children killed in the attack. Michonne nods. Beth wonders aloud what someone who loses a child would be called, “We see all these widows and orphans, but what do you call someone who lost a child?” Baby Judith starts to cry at that moment, and Michonne flinches, gets a pained look on her face, like the sound of a baby crying is unbearable to her. “She always cry?” she manages, her voice tight.

Later, when Beth asks Michonne to hold Judith for a moment, Michonne hesitates before reluctantly taking the baby. She holds Judith at arm’s length at first, unable to look at Judith.

Judith begins to cry, and Danai Gurira plays it so beautifully as she slowly turns her head to look at the baby, then smiles at her and pulls Baby Judith closer to her chest. Michonne’s face lights up as she holds the baby, smiling, then dissolves into silent tears. Beth watches from a distance, realizing (as we do) that Michonne has probably lost a child herself, before walking away to leave Michonne and Judith in their moment together.

My heart felt like it had been torn from my chest watching those scenes…it’s a parent’s worst nightmare.

Daryl and Rick have to go around and rekill all the bitten people…Rick continues to show more and more edge, mixed with his beautiful look of sadness and regret…sigh….sorry, getting totally derailed by Andrew Lincoln…again.

Anyway, Rick and Daryl find a young walker teen shut in his cell…the kid that sleepwalked… Charlie…he wasn’t bitten or scratched, just the bloom of blood around the mouth and streaming from the eyes. Hershel and some young med student guy come look at the body and agree that there is a virus or aggressive flu in the works…a fast-acting flu that basically makes people’s faces explode blood out the eyes, nose, mouth and ears.

Wow, just when you think shit couldn’t get any more fucked up than it already was in zombie apocalypse. Now people can die from some Explodey Flu and turn into a walker literally overnight! Remember Ol’ Bloody Eye, the first walker featured last episode? He had the streaming blood from his eyes…Greg Nicotero said that this flu has changed the overall look for the walkers in Season 4.  Deliciously gruesome, Greg Nicotero.

Outside, digging graves, Daryl thanks Rick for his help in the prison and asks if maybe Rick is ready to come back to being in a leader role in their community…Rick hems and haws, brings up all his mistakes from before…Daryl is having none of it, reminding Rick that he is always there and always solid when the shit goes down…then Maggie comes running, yelling for Rick and Daryl to come help…the walkers are rushing the outside ring of prison fencing, and it’s starting to tip over.  Rick, Daryl, Maggie, Sasha, Tyrese, Glenn are stabbing the horde of walkers furiously (“culling the walkers,” Greg Nicotero calls it…love it!) and pushing back desperately as the fence continues to give. Maggie and Sasha see the dead rats on the ground and realize that someone from the inside has been feeding the walkers.

The fence keeps coming down…and Rick looks wistfully at his garden…he tells Daryl to get the truck…he gathers up the piglets, and they drive outside the prison gates into the mass of walkers.  This scene is so symbolic and sad, with Rick’s face a study of loss and determination as he slashes each piglet that he raised in the hind leg to draw blood and disable it before tossing it towards the walkers.  My friend had such a hard time with this scene…she texted me that the pig scene really messed her up. The music, another work of genius by Bear McCreary, was really haunting and added to the feeling of grief at the loss of Rick’s dream to rebuild a simple and peaceful life at the prison.

Honestly, I am a little on the fence about Carol right now. I totally get that after taking years of abuse by her shitty husband Ed and losing Sophia, she would feel the urgency of needing to teach the kids at the prison how to defend themselves, but I think she’s being a little weird about it,  like not telling the parents and telling Carl, “Don’t tell your father!”  All she’s gotta do is assemble a prison-PTA meeting and tell the Woodbury parents something like, “Look, I know at Woodbury you had Do-Art and Dunkin’ Donuts and shit, but around here, kids need to know how to defend themselves!”

And I’m sorry, but she was totally creepy to let Lizzy try to rekill her own dad…that girl was so not ready for that…she almost unhinged Lizzy, and then later was all like, “You’re weak, Lizzy!” I mean, I’m glad she gets to be a mom again and all, and I know she’s out of practice a little, and now it seems she and Lizzy made up, and Lizzy has a knife now…and I really don’t know how I feel about that.

Love the last scene with Rick and Carl, when Carl tells his dad about Carol teaching the kids the art of the knife kill.  Rick listens, dismantling the pig pen and pouring gasoline over it and setting it on fire.  He thanks Carl for telling him and assures him that he won’t tell on Carol.  He then opens up a tackle box, takes out Carl’s gun, wrapped in cloth.  He unwraps the gun and hands it to Carl.  Then he takes his shirt off and tosses it into the fire…yes!  Shirtless Andrew Lincoln, like a panacea for the soul after such a burly episode.

But, for poor Tyrese, the episode is not quite over. He goes with flowers to visit his sick girlfriend, and instead finds her cell splattered with blood and a big smeary blood trail meeting with another blood trail…he follows the blood trails down the hall and discovers two charred and smoking bodies, a man’s and a woman’s..sitting next to the bodies is a gas can. As he stares down at the bodies, Tyrese recognizes with horror the bracelet that Karen wore on her right wrist.

So, there it is, and here’s a playlist to wrap it all up tight like Carl’s gun.  And this last song is for you, Tyrese…so sorry about your beautiful lady friend!

Playlist:

Submarines  “1940” (Amplive remix)

Rise Against  “Death Blossoms”

Those Darlins  “Waste Away”