The Walking Dead, Season 5, Episode 7, “Crossed”

Prologue

On Saturday, as I was cleaning up the dishes from Saturday Second Breakfast, I got a text from my WD buddy: Dude, I’m so worried we are gonna lose Carol.

Upon reading these words, I felt my breakfast twist into a hard lump inside my stomach…it was like a ball of hot pain, a sick, sick feeling…I texted my WD buddy: I just got a sick feeling in my stomach, reading this.

She texted back: I can’t stop thinking about it.

Try as I might, I couldn’t stop thinking about it, either.  While I was riding the high of such an incredible episode as last week’s “Consumed,” I couldn’t shake the horrible, nagging feeling that it had pretty much all the elements of a Carol Swan Song to it, and that the possibility was real that we may lose Carol, or Beth, or other beloved characters, come the mid-season finale of Season 5. 

Now, I don’t know what’s coming, people. I merely abide by the Law of Kirkman:  We cannot control the Mind of KirkmanKirkman does as Kirkman wants, and Kirkman can, and will, play with our emotions.  It’s nothing personal…it’s how he do. 

I can only speculate…and ruminate (for hours, days)…and obsess.  I, like you all, am merely a puppet on Kirkman’s strings.  Kirkman is the Puppet Master, and we are his puppets, and Gimple, Nicotero, and the WD cast and crew are like Kirkman’s Army, with each general, officer, technical wizard and soldier carefully chosen, trained, and armed to kick our TWD loving asses in a way that we will never, ever forget, no matter how long we live on this earth.

I, like you, can only do so much to try to prepare for the inevitable, the point where we start to lose people in our core group as The Walking Dead’s Season 5, and the storyline beyond Season 5, progress.

My personal survival methodology includes (but is not limited to) the following:  spending 8-12 + hours writing each week’s insane tweaker blog post; keeping my pharmacopeia of coping mechanisms stocked, cocked, and ready (within arm’s reach, whenever possible); and establishing a loyal, true, and similarly Walking Dead Obsessed friend to be my Daryl Partner (my WD buddy, of course…she solemnly swore to be my Daryl Partner, and I solemnly swore to be hers, and so we are bonded for life).

(For more on Daryl Partners, please refer to my Season 4, mid-season prepost, “What Happens ‘After?'”, which can be found in the archives section, February 2014.)

One other thing I know is that Sonequa Martin-Green, who plays Sasha, is pregnant, 8 months along at the time of this writing.  I first discovered this on Instagram, when Lauren Cohan posted a picture of Sonequa Martin-Green holding up a onesie that said something like, “Zombies, please…my Mommy’s got this!” 

Doesn’t exactly look great for Sasha’s longevity prospects as a character on The Walking Dead, unless they are able to work around it, and she gives birth during the filming break, and is ready to get back to work ASAP…they did such a good job hiding her pregnancy during Season 5 so far, who knows?  It seems that with the TWD cast and crew, anything’s possible!

(BTWSonequa Martin-Green was one of the guests on Talking Dead after the airing of “Crossed,”  looking very glowing and happy, beautiful and healthy, so whatever happens to Sasha with the mid-season finale, I think this beautiful mom-to-be is going to be just fine with the outcome!)

Norman Reedus said in an interview that he had to go off and have a good cry for about an hour before he was able to film the mid-season finale…sounds pretty intense.  We are going to lose at least one, or more people in the mid-season finale, so I would recommend that you get yourself a Daryl Partner, get some coping mechanisms ready, and keep reminding yourself that while the shit may go down on our favorite show, and while we may lose some beloved characters as the storyline progresses, we all must remember that this is a show. It’s not real, as much as some of us out there say they wish it were.  I am not one of them. I enjoy warmth, and creature comforts, and being alive, thanks.

So, while our show does feel so real to us WD obsessed fans (because we love it, and our gang, so much), and while some of our beloved characters may get killed off, the actors who play them will remain alive, well, and rich off the royalties that The Walking Dead will generate for the rest of their lives…and I say amen, and hallelujah, to that!

______________________________________________

“Crossed”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

To me, watching “Crossed” was like watching a beloved football team go in to play one of the biggest games of the season, the one with the highest stakes, and watching them lose it all, with one big epic fail after another…bad calls, false starts, fumbles, interceptions, dropping balls in the end zone, and in the end, a missed field goal to seal the win for the opposing team.  A crushing defeat, really hard to watch.

I can’t be mad at them, our team, our gang, for losing this round. They have been through so much, all on little to no sleep, food, or respite or any kind…they got, like, one night’s rest in a creepy priest’s cursed church after hacking the enemy camp to bits on the altar. I mean, damn. But, while I can’t be mad, I also can’t get my heart into recapping the whole mess, play by play, and reliving it all over again.

I just…cannot.  Besides, it’s Thanksgiving week in this part of the world, and the kids are off of school all week, and we are travelling to visit family. So due to time constraints, and due to the fact that there are just some things I cannot bring myself to do, I am going to get right to the heart of the matter, here.  I am going to center this post around Three Burning Questions, and Two Statements that are searing a hole in my heart after watching, “Crossed.”

(P.S.  Of course, I said all this, and then recapped the shit out of “Crossed” anyway…apparently, it’s a compulsion.)

Burning Question #1:  Why does anyone question Rick Grimes anymore?

The man had a diagram, people. He had a plan. “At sundown, we fire a shot into the air…get two of them out on patrol.  Then, once it’s dark enough that the rooftop spotter won’t see us, we go…cut the locks to one of the stairways, take it to the fifth floor,,,I open the door, Daryl takes one of the guards out…”

At Tyrese’s question, “How?”  Rick has a ready answer. “He slits his throat. This is all about us doing this quiet, keeping the upper hand…from there, we fan out, knives and silenced weapons. We need to be fast.”

Rick continues, marking the diagram he has scratched with chalk into the ground, assigning Tyrese, Sasha, Daryl to their areas, while he, Rick, takes out Dawn Lerner.

Rick adds, “If they’re smart, they’ll give up,”  as the gang will outnumber them then, five on three, six on three, once Beth gets a gun.  

Noah adds that their numbers would go up to 12 on 3 once the wards got wind of what was going down. They want out, and as Noah says, with confidence, “They will help.”

Um, sounds good to me!

Tyrese, however, has doubts. “That’s best case scenario…what’s worst case? All it takes is one of those cops going down the hall at the wrong time, then it’s not quiet…all hands on deck…you’re talking about a lot of bullets flying around.”

Sasha, who is in the throes of grief, and who couldn’t really give a fuck, says, “If that’s what it takes…”

Tyrese disagrees, says it isn’t, and proposes The Worst Plan B, Ever…if the gang gets two of Dawn Lerner’s cops, then the gang can wrangle an even trade, the two cops for Beth and Carol, “theirs for ours.”

Oh, yeah, that always works, especially in these times… Did Terminus teach you nothing, people? People are super fucked up now, and they don’t play by the rules…the only rule that seems to apply, in these dire times, is kill or be killed.

In these times, the ones that have the upper hand, and the element of surprise, win the battle.  And a battle is all it takes, in this scenario: get rid of the threat, get your people, get a working vehicle, and get the fuck out of Atlanta, grab up Michonne and the kids at the church, then go north, and find the rest of the crew.

Rick, however, is being a good leader, and a hot leader, as always, and deferring to his people, giving props and recognition where they are due.

He acknowledges that while Tyrese’s plan could work, his plan, with the element of surprise, and eliminating most of the threat, will work.

Rick Grimes was a deputy, and he’s done this before, professionally, before any of this zombie apocalypse shit started going down, and he, Rick Grimes, is a huge reason why many of them are still alive, this day, standing around and making this plan...just sayin’!

And this is Beth and Carol we are talking about…the stakes are too high to fuck this one up. Rick owes Carol big time, and these are Daryl’s special ladies. Do we really want to leave it all up to the generosity of Dawn Lerner and her Douchesquad, their willingness to negotiate a trade?

And, are we really naive enough to think that Dawn and her Douchesquad are going to just let the gang go, to let them drive off with Beth (their prize virginal blond ward, who happens to be Dawn’s pet nemesis) and Carol without as much as a post-apocalyptic police chase through the decaying city of Atlanta?

They have cars, they know the terrain like the back of their hands, and they could give chase, shoot out the tires of the gang’s getaway truck, injure or kill peeps in a bloody shootout. Any of these dire scenarios would certainly attract walkers to the scene and incite a real and added threat to an already cagey situation.

So. the way I see it, Tyrese’s Plan B is not the better plan, as it has way more sketchy variables than the chance of a stray cop in a hallway where he/she isn’t supposed to be. Rick Grimes’ plan of slitting some throats and taking out some crooked cops on the DL, then overtaking the hospital, is the way better plan, overall.

But, then Daryl speaks up…and sides with Tyrese.

Nah, it’ll work, too,” Daryl says of Tyrese’s Plan B, to Rick’s shock and stupefaction (and mine, quite frankly).

Daryl maintains that if they take two of Dawn’s cops away, then what does she have? He thinks Tyrese’s plan will work.

Rick’s look says it all, and the bottom of my stomach fell out at this. Right from the start, it sounded like The Worst Plan B, Ever.  And, as it turns out, it was The. Worst. Plan B. Ever.

Et tu, Daryl?

Et tu, Daryl?

Even Tyrese is like,

Even Tyrese looks over at Rick, like, “Uh oh…”

Rick in Charge is like,

Rick in Charge seems to be thinking, “Well, if that’s the way it’s gonna be…I was gonna ask you if you wanted to be blood brothers, Daryl Dixon, but now, fuck that.

Operation Plan B: Epic Fail all goes down like this:

At first, it was all going pretty well. Shepherd and Lamson, the two officers of Dawn Lerner’s Douchesquad assigned to investigate the gunshot, come speeding up in one of the Grady Memorialmobiles to some industrial looking building…at the sound of another gunshot, they find Noah, who is acting as bait, making a show of trying to limp away, but they swerve the car around, lightly clipping him and knocking him to the ground.

As Lamson, the dude cop, zip ties Noah’s hands behind him, he gently tells Noah to tell him if the zip tie’s too tight, then looks around, asks where the “rotters” are that Noah was shooting at. A whistle sings out, and the cops look up and find themselves surrounded, at gunpoint, by Rick, Daryl, Tyrese, and Sasha.

Looking majorly fine, Deputy Rick Grimes talks the cops down, telling them weapons down, hands up,

rick talks bad cops down

Looking majorly fine, Deputy Rick Grimes talks the cops down, telling them weapons down, hands up, “we don’t want to hurt you.”

After a moment, Lamson says “Ok,” puts his hands up, and soon, both cops are kneeling. Rick tells them, softly, that they need to talk…offers them water, food if they need it.

Lamson addresses Rick, “Mind if I ask you something?”

“The way you talk…the way you carry yourself...you a cop? Believe it or not, I was too…”

Lawson, you may be a glorified Grady Memorial Mall Cop...

Lamson, Lamson, Lamson… you may be a glorified Grady Memorial Mall Cop…

...but Deputy Rick Grimes is a beautiful hero. No comparison, son.

…but Deputy Rick Grimes is a beautiful hero. No comparison, Lame-son.

Noah murmurs to Rick that Lamson looked out for him and the wards. “He’s one of the good ones,” Noah tells Rick.

It seems Lamson’s shameless cop-stroking buys the crooked cops a moment of distraction, because right at that moment…

...another GM CreepMobile comes speeding up on the scene.

…another GM CreepMobile comes speeding up on the scene…

Daryl looking fine firing at the GM CreepMobile...

Daryl looking majorly fine firing at the GM CreepMobile…but not getting much done to stop that car.

Rick Blast! stands right in the car's path, firing at it...unfortunately, the windows seem to be bulletproof, and the gang must scramble out of the way, hide behind a dumpster.

Rick Blast! stands right in the car’s path, firing at it…unfortunately, the windows seem to be bulletproof, and the gang must scramble out of the way, take cover behind a dumpster.

Tyrese manages to shoot out a side window of the car, and an exchange of bullets ensues. The two captive cops manage to dive into the car, and their buddy, Officer Baldy, is firing back at Rick and the gang as the car speeds around a corner. The car almost gets away, but not before Sasha puts a well-aimed bullet into one of the car’s tires.

Yeah, Sasha, that’s what I’m talking about!

The gang chases the car around the corner of the building…they see the GM CreepMobile stopped in its tracks, a walker’s arm twisted up in the front wheel.  Above them, spray painted on a water tower, is the message “Evac Here,” and a blasted out FEMA trailer is alongside it.  On the ground, melted and seared into the asphalt, are the Napalm Walkers…

The Napalm Walkers are  all that remain of the poor people who had not yet made it out of Atlanta before it was bombed, napalmed...

The Napalm Walkers are all that remain of the poor people who had not yet made it out of Atlanta before it was bombed, napalmed…

...and this is where they have been, reanimated, melted into the asphalt, stuck and snapping, the whole time since the bombing.

…and this is where they have been, reanimated, melted into the asphalt, stuck and snapping, the whole time since the bombing. Gruesomely goretastic genius from Crazy Uncle Greg Nicotero & Co.

As the others pursue Lamson and Shepherd, who are on the lam, Daryl stays back and sleuths out where Officer Baldy is hiding.

Hmmm. not in the stalled CreepMobile, not in the FEMA trailer…

Oooff! Officer Baldy tackles Daryl...

Oooff! Officer Baldy tackles Daryl

...and it's a close call for Daryl, a couple of times, as Officer Baldy tries to shove him into the snapping Naplam Walkers...

…and it’s a close call for Daryl, a couple of times, as Officer Baldy tries to shove him into the snapping Naplam Walkers

In a moment of goretastic ingenuity, Daryl grabs a walker's skull like a bowling ball and smashes it against Officer Baldy's head.

In a moment of goretastic ingenuity, Daryl grabs a walker’s skull like a bowling ball and smashes it against Officer Baldy’s head.

A click of a gun, and Officer Baldy looks up to see Rick Smash! holding a gun to his head...cue the Rick Smash! Bear McCreary theme music, dark and pulsing...Rick Smash! wants to SMASH!

A click of a gun, and Officer Baldy looks up to see Rick Smash! holding a gun to his head…cue the Rick Smash! Bear McCreary theme music, dark and pulsing… Rick Smash! wants to SMASH!

Daryl knows that look...says No Smash, Smash bad, Rick Smash!

Daryl knows that look…says “No smash, smash bad, Rick Smash!”

Rick…three’s better than two.”  (Damn, good point, Daryl, but I think I speak for all of us on Team Rick when I say, Let Rick Smash! SMASH!“)

The gang brings the cops into a large room inside the industrial building, and Shepherd, the female cop, tries to tell them that their plan to trade would work if they had different cops to trade.

Shepherd, Lamson, and Officer Baldy are on Dawn Lerner’s shitlist, supposedly, as she knows that they want to replace her, Dawn Lerner, with Lamson, and have him be in charge.  Shepherd suggests that they let the cops go, who will deal with Dawn Lerner themselves, and then will let their people go.

Lamson interrupts this, saying that they’re not going to do that…he proposes that Rick and the gang let him, Lamson, talk to Dawn, as he has known her for eight years, and knows how to talk to her.  Lamson seems to be taking a page from Deputy Rick Grimes’ book of copspeak when he says, softly, reasonably, “Let me help you.”

A little later, after Tyrese and Sasha share a brother/sister moment among the Napalm Walkers...

A little later, after Tyrese and Sasha share a brother/sister moment among the Napalm Walkers…

...Lamson is cop-stroking Rick, hard, tells him that while Dawn Lerner says she won't negotiate or compromise, she will, she always does.

Lamson is cop-stroking Rick, hard, tells him that while Dawn Lerner says she won’t negotiate or compromise, she will, she always does. “Just know who you’re talking to.” (Good advice, Rick Grimes, straight from the devil’s mouth.)

My WD buddy is so cute, she sent me this email after rewatching this episode:

I just watched the episode again and I just want to reiterate how Rick Grimes would have known that cop was full of shit. He wouldn’t have trusted him like that.  The writers did not do him justice with that. And they are wrong. 

Ha! How cute is that?  I replied:

I fully agree! But, they are tired, been through a lot, and that cop was Cop-Stroking Rick…been awhile since someone recognized, and the group wasn’t giving him the love he deserved, so he was susceptible to flattery!

(See what happens when you hold back the love, people?  Don’t hold back the love!  It messes your people up!)

Rick, who is love-starved in the moment, and who was not allowed to smash, earlier, isn’t thinking straight, so he even tells Lamson the full timetable, that they’re going to leave in about 10 minutes, offering him whatever he needs, before they go.

Rick even does Lamson a solid and thanks him, refers to him as “Sergeant Lamson,” telling Lamson, “You’re still a cop.”  Lamson can’t bring himself to agree, saying, “Naw, the real ones are all gone.”

You are so wrong about that one, Lamson...there is one real cop, a real hot cop, and his name is Deputy Rick Grimes.

You are so wrong about that one, Lamson, and about many things...there is one real cop, a real hot cop, and his name is Deputy Rick Grimes. ❤

Lamson adds that his name is “Bob,” which sends Sasha’s head whirling around. Rick nods to her, and stands up to leave.

Which brings me to Burning Question #2: What the hell, Sasha?

Sasha, who is love-starved, and messed up, herself, is not her usual saavy sister self in the moment, and she plays into Lamson’s theatrics like a total rookie…like a Gabriel.

At his sighed, “Dammit,” she comes over to him, looks down questioningly.  He tells her he’ll be ok, and she replies, “So will I.”  

Uh, oh. Bonding with the enemy. Bad. Very bad.

Lamson, who knows he’s in at this point, lays it on thick about how he recognized one of the “rotters” out there, napalmed to the asphalt…a fellow officer, Tyler, who was on the team to evacuate survivors out of the hospital before the bombing, and who got assigned by Dawn Lerner at the last minute to drive the last van of survivors out of the city, replacing Lamson as the driver.

As Sasha pulls up a concrete block and sits beside Lamson, she practically cuts his zip ties and hands him her assault rifle.

As Sasha pulls up a concrete block and sits beside Lamson, she practically cuts his zip ties and hands him her assault rifle. Sasha, girl, you’re killing me here.

Lamson tells Sasha that Dawn Lerner made the change because she wanted “someone she could really trust” to do the job, and Lamson says that seeing Tyler out there, stuck to the asphalt like “an endless joke,” made him realize that it could have been him, and feel helpless, because “there’s nothing I can do.”  

Wah, wah, cry me a river of crocodile tears, Lame-son.

“Let me help you,” Sasha offers, and that line is a recurring one through this episode…there are people in these times who will say it to trick you, and people who will say it sincerely, in a real offer of help.

How can one know who to trust, in these times? Continue reading

The Walking Dead, Season 5, Episode 6, “Consumed”

“Consumed”

(All images used in this post are screen caps from AMC’s The Walking Dead, unless otherwise specified.)

The opening scene of The Walking Dead, Season 5, Episode 6“Consumed”  takes us back to Season 4’s “Indifference,” in the moments right after Rick banishes Carol from the prison community for her decision to preemptively kill Karen and David, who were sick with the Explodey Flu (which bore frightening similarities to Ebola hemorrhagic fever) in a misguided, one-woman effort of staunch the spread of the disease throughout the prison community. We see a close up of Carol’s shell-shocked face, as she starts the car, a parting gift that Rick has given her, and begins to drive off, alone.

Carol driving, shellshocked

Rick watches Carol drive off

While Carol does not look Rick’s way as she drives past him, Rick stands and watches her drive away, his hand working at his side, seemingly conflicted.

Set to the haunting “Bad Blood,” by Alison Mosshart & Erick Arjes, the sequence shows us the final banishment scene from Carol’s perspective.  We see, for the first time, Carol’s isolation and anguish at being cast out of her community, and it is truly wrenching to watch. We WD fans have gotten so used to seeing Carol the way she is around others, fronting tough and rarely letting anybody see her cry, or lose her composure. But alone, in the car, when she gets far enough down the road, away from Rick, Carol pulls the car over and dissolves into tears.

While I was initally totally creeped out by Carol's killing spree back in Season 4, it was clear to me, watching this scene, that she was really feeling the pain and regret of her actions.

While I was initally totally creeped out by Carol’s killing spree back in Season 4, it was clear to me, watching this scene, that she was really feeling the pain and regret of her actions.

Poor Carol!

Poor Carol!

Carol's much needed cry is soon rudely interrupted by Snoopy Walker, who snarls and flails at the car window, trying to get to her.  She screams at Snoopy Walker to leave her alone, before peeling off down the road.

Carol’s much-needed cry is soon rudely interrupted by Smack It Up Walker, who snarls, flails, and smacks its arm at the car window, trying to get to her. She screams at the walker to leave her alone, before peeling off down the road, leaving Smack It Up Walker to lurch and weave crookedly down the road, in her dust.

We see Carol pull up in front of a law office building that looks secure, windows intact.

Next, we see Carol pull up in front of a law office building that looks secure, windows intact.

After Carol clears the office and sets up camp inside, she beds down for the night on a couch in the office.

After Carol clears the office and sets up camp inside, she beds down for the night on a couch in the office.

But Carol cannot get right to sleep, and we see her thinking, processing in the darkness.

But Carol cannot get right to sleep, and we see her thinking, eyes open, processing in the darkness.

The next day, as Carol assembles a rain catcher out the window, she sees a black plume of smoke  in the horizon...it is coming from the direction of the prison.  After a moment's hesitation, Carol rushes out of  the office...

The next day, as Carol assembles a rain catcher out the window, she sees a black plume of smoke in the horizon…it is coming from the direction of the prison. After a moment’s hesitation, Carol rushes out of the office…

...and the final image, before the opening title sequence, shows Carol staring in openmouthed horror as the prison goes up in flames.

…and the final image, before the opening title sequence, shows Carol staring in openmouthed horror as the prison goes up in flames.

During the commercial break, my WD buddy and I topped off our mimosas with some more champagne and shared our thoughts on this opening.  We agreed that neither of us really expected, as the viewer, to be taken back that far, to see firsthand, flashes of Carol’s experience and process.  We also agreed that it was a fitting, powerful, and effective way to begin this episode.

I personally needed to see, and feel, things from Carol’s side…we all did, I think..  I love that this episode, “Consumed,” delves more deeply into both Carol and Daryl’s psyche…they both have developed their tough exteriors and their game faces, but it’s time for us to get a deeper insight into both of these two beloved and iconic characters.

In the next scene, it’s night.  We see a lone woman walker on the side of the road. and at the sight of headlights approaching, the walker walks into the road, just as one of the black cars from Grady Memorial speeds past, clipping the walker and sending her face down into the asphalt.

road kill walker

“Hey, watch where you’re going, asshole!”

We hear Carol’s voice, asking Daryl, “So it was just you and Beth, after?”

“Yeah,” replies Daryl.

“You saved her?” Carol asks him.

“She’s tough…she saved herself,” Daryl says. He continues, “We were out there for a while…we were cornered…she got out in front of me…and, I dunno, she’s gone.” Daryl tells Carol about how he saw a black car, with a cross painted in the back window, pull away at the moment of Beth’s disappearance. “Just like that one,” Carol says, referring to the black car they are currently following in Carol’s almost-getaway car, the one she found on the side of the road.   Before they jumped in and began tailing the black car, Daryl quickly smashed the headlights of the Carol car, so they are hanging back, and travelling in darkness, and remaining undetected by the car from Grady Memorial as it speeds along the road.

As they talk, Daryl mows down the walker in the road, not slowing down, flattening the walker’s head into the asphalt.

Road Kill Walker, another hit-and-run casualty.

Road Kill Walker, just another hit-and-run casualty.

Excellent to see you again, fine sir.

Excellent to see you again, fine sir…

New Carol riding shotgun.

…with New Carol riding shotgun.

Daryl remarks that the others are going to wonder where they’re at, and the tank’s getting low…New Carol’s take on it is pretty awesome, in my opinion…she suggests they “end it quick, just run them off the road.”  Daryl replies that they’ll be good for a bit, and New Carol replies that they can find out where Beth is, just “get it out of the driver.” Ha!  In the end, they go with Daryl’s plan, but man, would I have loved to see New Carol’s method for “getting it out of” two members of Dawn Lerner’s Douchesquad.

(And, in retrospect, maybe they should have gone with New Carol’s idea…but then, they may not have run into Noah…and, love him or hate him at this point, I believe Noah is going to be a significant part of whatever comes down the line.)

Daryl, however, has a good take as well…the driver may not talk, and right now, they have the advantage, as the black car does not know they are being followed. Daryl suggests they see who these people are, see if they’re a group, scope it out, and figure out what they’ll need to do to get Beth back.  Carol sees that the black car is going north, on I-85…

...towards Atlanta.

…towards Atlanta.

Daryl and Carol follow the black car into the city, and on a lonely street, the black car stops…and Daryl and Carol kill the engine, a block behind…and wait.

Daryl and Carol pull up behind black car

After a long moment, they see a figure emerge from the shotgun side.

After a long moment, they see a figure emerge from the shotgun side. “There are two of them, ” Daryl says, and then, upon closer inspection, “Is that a cop?” The cop turns to look in their direction for a moment before disappearing down a side street.

As they watch, and wait, Carol and Daryl are surprised by an unexpected, and unwelcome, visitor...

As they watch, and wait, Carol and Daryl are surprised by an unexpected, and unwelcome, visitor…Lemme At ‘Em Walker.

The cop returns to the black car, after dragging a couple of bodies, seemingly, out of the road, clearing the black car’s way.  He turns and looks over at Daryl and Carol’s car, as Lemme At ‘Em Walker paws and hisses as the car’s window…after a moment, the cop gets back into the black car, and it starts, makes a right turn down the side road.  Daryl tries to start their car, but the tank’s out of gas..At the sound of more walkers approaching, Daryl says they need to get out of there and find a place to hole up…Carol tells him she knows a place just a couple of blocks away, that they can make it there.

Carol rolls down the car windwo and easily dispatches Lemme At 'Em Walker.

Carol rolls down the car window and easily dispatches Lemme At ‘Em Walker.

Carol stands watch, rekilling walkers as they approach the two, as Daryl jimmies the lock of the back gate, leading into the rear entrance of the law firm.

At the office building’s rear entrance, Carol stands watch, rekilling walkers as they approach , as Daryl jimmies the lock of the back gate.

As Carol steps up to take care of

As Carol steps up to take care of “two more,” Daryl gets the lock open, and just in time…

...as the street begins to fill with a swarm of ATL Walkers of the Night.

…as the street begins to fill with a swarm of ATL Street Walkers. Daryl and Carol duck behind the tall wooden door, closing it quickly before being seen by the savage, hissing swarm.

Once inside the building, Daryl takes a ring of keys from the dead janitor’s belt and opens the door to the office.  He asks Carol, “You used to work here or somethin’?”

“Something…” Carol replies. As they move through the rooms, unlocking doors as they go from the janitor’s key ring, they come to a small room that has bunk beds, and a desk, with a large book resting on top of it…

Treating Survivors of Childhood Abuse

Daryl follows Carol into the room, shining the flashlight around, taking it all in.  “What is this place?” he asks.  “Temporary housing,” replies Carol.

Daryl looks down at the book, asks Carol, with a hitch in his voice,

Daryl looks down at the book, asks Carol, with a hitch in his voice, “You came here?”

“We didn’t stay,” replies Carol. As Daryl shucks off his crossbow, bag, and jacket (Yes! Take it off! Take it off!), Carol goes over the bunk beds, tells Daryl she’ll take the top bunk, as the bottom bunk seems “more your style.”  As she moves over to the window, she tells Daryl to get some sleep, that she’ll take “first watch.” Daryl points out that the place is locked up pretty tight…

Carol, girl, if you really must keep this

Carol, girl, if you really must keep this “hard to get” thing going, then you had better stay turned around and keep your eyes out that window, because if you did turn and take a look at what’s going on behind you, right now, you would not be able to resist it…I mean, damn.

Daryl looks at Carol’s back, says, “I’m good, then…” leaves it open, a little question at the end…(Me and my WD buddy were perched on the edge of our seats, gulping mimosas at this point…I mean, OMG, weren’t you just dying, watching this?)

Carol does turn, for a moment, sneaks a peek (right, Carol, what did I tell you? He’s putting it out there, so now all you gotta do is put one boot in front of the other, walk over to him, and get it, girl! You know you want to!)

After sneaking a peek, Carol’s voice falters a bit as she assures him she’s ok, she’ll take first watch, it’s fine.

“Suit yourself,” Daryl says

Goddamn, Carol, if that's the way you're going to be about it, then I, for one, am going to suit myself and take a nice long look at the view...and I'm not talking about whatever's going on outside that window...

Goddamn, Carol, if that’s the way you’re going to be about it, then I, for one, am going to suit myself and take a nice long look at the view…and I’m not talking about whatever sad shit’s going on outside that window…

daryl love bunk 2

Mmmm hmmm…

daryl love bunk 3

…yep.

Sigh.

So, uh, how’s the view out that window, Carol?

Carol’s resolve begins to weaken…

Without taking her eyes off the window, Carol asks Daryl,

Without taking her eyes off the window, Carol asks Daryl, “So…we get to start over?” echoing his words to her at the car, before…

Daryl says, softly,

Daryl says, softly, “Yeah,” and Carol finally turns, looks at him. “Did you?” she asks him, meaning, I think, did you start over, when you were with Beth? Daryl looks away for a moment, then replies…

“I’m tryin’.”

At this point in the watching, my WD buddy and I were freaking the fuck out (quietly, you know, so as not to wake the children), guzzling mimosas.to quench our suddenly parched throats…was it getting super hot in here, or what?

As Carol weighs all this, still at the window, Daryl says,

As Carol weighs all this, still at the window, Daryl says, “Just say what’s really on your mind.”

Carol tells Daryl that, “I don’t think we get to save people anymore.” After a moment, Daryl asks her, “Why are you here?”

Carol turns to Daryl, tells him,

Carol turns to Daryl, echoes his own words back to him, “I’m trying.”

Carol (finally!) goes over to the bunk, lies down next to Daryl.

Finally, Carol goes over to the bunk, lies down next to Daryl…

But before Daryl lies back and joins her, he has a question to ask...back at the car, if he hadn't come, what would have happened...the unfinished question hangs in the air...would she have left?

But before Daryl lies back and joins her, he has a question of his own…back at the car, if he hadn’t come, what would have happened? The unfinished question hangs in the air…would she have left?

Carol truthfully admits that she still doesn't know...Daryl lies back next to her, and they look up at the top bunk, not touching, not speaking...it's like Pee Wee Herman said,

Carol truthfully admits that she still doesn’t know…Daryl lies back next to her, and they each look up at the top bunk, not touching, not speaking...it’s like Pee Wee Herman said, “Everyone I know has a big ‘but’…”

Suddenly, a loud thud interrupts their reverie...Carol and Daryl jump up, grab their weapons, and stealth down the hallway...

Suddenly, a loud thud interrupts their reverie…Carol and Daryl jump up, grab their weapons, and stealth down the hallway…

...and see a heartbreaking sight...in one of the temporary housing units, a mother and child, both now walkers, bang and paw at the glass...Walkers Interruptus.

…and what they find is heartbreaking…in one of the temporary housing units, a mother and child, both now walkers, bang and paw at the glass…Walkers Interruptus.

Daryl and Carol silently register the import of this awful sight. (Cried every time I watched this scene...this shit is why I drink, people.)

Daryl and Carol silently register the import of this awful sight. (Cried every time I watched this scene…this shit is why I drink, people.)

Carol automatically goes to the door, so used to having to be the one to take care of things like this, these days...Daryl stops her, tells her she doesn't have to do this...

Carol automatically goes to the door, so used to having to be the one to take care of things like this, these days…Daryl stops her, tells her she doesn’t have to do this…

Carol turns and heads back to the little room with the bunk beds, troubled, and finally gets some sleep.

Carol turns and heads back to the little room with the bunk beds, looking beautiful as she processes all this,  and finally falls into a troubled sleep.

The next morning, Carol awakes, sees smoke billowing outside the window.  She goes to the window, and what she sees brings her to tears...

The next morning, Carol awakes, sees smoke billowing outside the window. She goes to the window, and what she sees brings her to tears…

...Daryl has built a funeral pyre and is carrying the child's shrouded body to the fire...

…Daryl has built a funeral pyre and is carrying the child’s shrouded body to the fire…

Carol comes and stands beside Daryl.  They watch the bodies of the mother and child burn for a moment, then Carol turns to Daryl and says,

Carol comes and stands beside Daryl. They watch the bodies of the mother and child burn for a moment, then Carol turns to Daryl and says, “Thank you.”

So, while we WD fans didn’t quite get the Daryl/Carol night we were hoping for in the bottom bunk, we got something else…something a little more real, a little more gut-wrenching, a little more poignant and beautiful…to paraphrase a Tweet that one WD fan sent to Talking Dead, later, who knew that burning bodies could be such a romantic gesture?  Daryl Dixon, such a beautiful, sweet, tough and tender man…how we love him!

Heart of gold, that one.

Later, Carol is having a flashback of she and Tyrese burying the bodies of Lizzy and Mika, as she and Daryl pack up their things.  Daryl says that it looked like the black car was headed downtown, and that they should get high up in one of the tall buildings, get a good look around, see what they see.  Carol agrees, saying that if they stay close to the buildings, stay quiet, and wait, it will be just a matter of time before they see something that will give them some more information, or a location.

Daryl and Carol keep close to the sides of the buildings, running quietly through the streets of Atlanta.  Hug the shadows, hug the shadows, Daryl and Carol!

Daryl and Carol keep close to the sides of the buildings, running quietly through the streets of Atlanta. Hug the shadows, Daryl and Carol!

Daryls sees a promising building that has a bridge walkway leading into it...between them and the buidling, however, is a street full of milling walkers.

Daryl sees a promising building that has a bridge walkway leading into it…between them and the building, however, is a street full of milling walkers.

Ever handy, ever resourceful, Daryl sets a legal pad on fire and tosses it out into the street...

Ever handy, ever resourceful, Daryl sets a legal pad on fire and tosses it out into the street…

As the walkers lurch over to the flame, Daryl and Carol sneak past them, into a parking garage, where Daryl easily takes down a stray walker.  Otherwise, all clear...except, as Daryl and Carol slip through the door to the walkway bridge, we see a brief glimpse of a dark, quickly moving figure in the background of the parking garage.

As the walkers lurch over to the flame, Daryl and Carol sneak past them, into a parking garage, where Daryl easily takes down a stray walker. Otherwise, all clear…except, as Daryl and Carol slip through the door to the walkway bridge, we see a brief glimpse of a dark, quickly moving figure in the background of the parking garage.

Upon entering the walkway bridge, Daryl and Carol see a rather confounding sight…writhing, reanimated bodies shrouded in sleeping bags, and walkers pawing from inside zipped up tents…people who had been taking shelter in the walkway, camping in there, seemingly killed as they slept in their sleeping bags and tents..how did they die?.

Later, on Talking Dead, Chris Hardwick and guests CM Punk, Yvette Nicole Brown (who was armed with her own legal pad of copious, highlighted notes from her viewing of Episode 506, which I, and the entire TD audience, loved…the audience broke into applause every time she referred down to it…girl’s a WD tweaker on a level all her own…definitely my kind of woman!) and Tyler James Williams speculated on what happened to the people in the walkway, killing them and turning them into the Urban Camper Walkers.  Yvette Nicole Brown’s guess mirrored my own thoughts, that maybe when Atlanta was bombed & napalmed, that maybe poisonous gases from the bombing killed the urban campers in their sleep.

As they rekill the Urban Camper Walkers, Daryl remarks, “Some days, I don’t know what to think.” For a man of few words, Daryl Dixon really has a knack for summing it all up in these crazy times.

daryl and carol see camping walkers daryl rekills camping walker

Daryl and Carol make their way gingerly past the writhing tents, rekilling the walkers bound up in the sleeping bags as they cross to the other side of the walkway…they squeeze through the small opening of a set of double doors that have been chained and padlocked closed, but not all the way.  Carol pushes the rifles through the opening, then squeezes through, followed by Daryl, whose larger frame makes it harder to get through the small opening. He jokes that it’s a good thing they skipped breakfast..

Daryl and Carol enter through another set of doors, and find themselves in a clean, upscale office, with modern paintings, water cooler, and large windows, overlooking what was once an impressive view of downtown Atlanta.  As Carol and Daryl approach the window and take in the grim, blasted skyline, Carol asks, “How did we get here?”  Daryl replies that he doesn’t know..they just did.

As Daryl and Carol look over the ruined city of Atlanta, Carol remarks that he never asked her what happened after she got up with Tyrese and the girls...Daryl replies that he knows what happened, as the girls aren't here any longer...

As Daryl and Carol look over the ruined city of Atlanta, Carol remarks that he never asked her what happened after she got up with Tyrese and the girls…Daryl replies that he knows what happened, as the girls aren’t here any longer.

“It was worse than that,” Carol says.

Daryl tells her that’s why they need to start over, “because we gotta,”  to the way things were, before. “Yeah…” says Carol, doubtfully. So much has happened…can they really go back?

Daryl spots something, grabs the rifle with the scope, peers through, and sees:

A white van, with the telltale white cross painted on the rear windows...it looks abandoned, hanging halfway off an overpass.

A white van, with the telltale white cross painted on the rear windows…it looks abandoned, hanging halfway off an overpass.

Carol looks through the scope, says that it looks like the van has been there for a while…Daryl says that it’s a lead.  Carol suggests they stock up before leaving the office. While Carol fills her canteen with water from the water cooler and takes a long drink, Daryl stops and looks at one of the abstract paintings on the wall, remarking that it must have “cost some rich prick a whole lot of money.”

As they look at the painting, Daryl says that it looks like

As they look at the painting, Daryl says that it looks like “a dog sat in paint and wiped its ass all over the place.” “Really?” asks Carol. “I kind of like it.” Daryl looks at her to see if she’s joking then snorts. “Stop,” he says, as if she is.  “I’m serious,” Carol retorts. “You don’t know me.” Daryl reaches down, collects his things. “Yep,” he says, walking out of the office, “You just keep telling yourself that.” Oh, snap!

As Carol squeezes back through the chained doors of the walkway bridge, she does as she did before and pushes her bag and assault rifle through first, but this time, as Daryl begins to squeeze himself through, Carol quickly says:

“Daryl, don’t!” Daryl looks up to see Noah, pointing Carol’s gun at them, holding them at gunpoint.

Noah orders Daryl to get up, and tells Daryl to lay down his crossbow.

Noah orders Daryl to get up, and tells Daryl to lay down his crossbow. “You got some sac on you,” Daryl growls at him. Noah says that nobody has to get hurt, he just needs their weapons, so, “please lay down the crossbow.”

While Noah is apologetic, he is clear that he needs their weapons.  “Sorry about this,” he says, “but you look tough..you’ll be alright.” And with that, Noah takes his knife and slices open the tents, releasing the trapped Urban Camper Walkers, and giving himself time to get out of there as Daryl and Carol fight them off.

They make quick work of the walkers, Carol capping one in the center of the forehead with her handgun, then aiming the next shot at Noah’s retreating form. As she fires, Daryl pushes her arm, skewing her shot so she misses.  As they stride quickly across the parking lot, Daryl leading the way, Carol justifies herself, and her actions.

“We have three bullets…we’re in the middle of a city and he was stealing our weapons. Did you think I was gonna kill him?  I was aiming for his leg…could that have killed him? Maybe, I don’t know, but he was stealing our weapons”  

As Carol says this, Daryl does not respond, just strides quickly in front of her…they come to a door, which is locked.  Daryl curses under his breath, reaching into his bag for something to jimmy the lock. “He’s just a damn kid,” he replies.  Carol retorts that without weapons, they could die, Beth could die…as Daryl works the lock, he says, to this, “We’ll find more weapons.”

Carol stands there, behind Daryl as he pushes at the door. :”I don’t want you to die…I don’t want Beth to die…I don’t want anyone at the church to die, but I can’t stand around and watch it happen, either. I can’t…that’s why I left, I just had to be somewhere else.”

This is Daryl's breaking point, and he whirls on Carol, tells her,

This is Daryl’s breaking point, and he whirls on Carol, tells her, “You ain’t somewhere else, you’re right here, tryin’!” 

Daryl finally gets the door open, and Carol begins snatching up their belongings from the floor, saying that Daryl isn’t who he was before, and neither is she, and she doesn’t know if she believes in God anymore, or if she’s going to Hell, but if she is, then she damn sure is going to hold off on going there as long as she can.

As Carol reaches for Daryl’s bag, a book falls out of it, onto the floor…

Carol sees that Daryl slipped the book from the temporary housing into his bag, most certainly carrying the wounds of his own abusive childhood deep inside.  Carol looks at Daryl, who picks up the book and shoves it at her before stalking off through the doorway. Carol hesitates a moment before following him.

Carol sees that Daryl slipped the book from the temporary housing into his bag, most certainly carrying the wounds of his own abusive childhood deep inside. Carol looks at Daryl, who picks up the book and shoves it at her before stalking off through the doorway. Carol hesitates a moment before following him. 😦 ❤

On the bridge, Carol and Daryl approach the white van, which has gone through the guard rail and is teetering precariously half on, half off the overpass.  It is a fairly steep drop below, about three or four stories.

daryl and carol approach the white van

Behind them, a small group of walkers have seen them and are coming their way...they are still a ways off.

Behind them, a small group of walkers have seen them and are coming their way…they are still a ways off.

Daryl says “let’s get this done,” and quickly, and Carol volunteers to go in the van, as she’s lighter.  In response, Daryl looks at her and hoists himself in the van…after a moment, Carol follows suit.  In the front seat, they quickly sift through maps, papers, finding nothing that gives them a clue as to where the van came from.

On the shotgun side, Carol spies a large group of walkers approaching from her side as well…it looks like some trouble is coming fast, closing in on them from both directions.

carol sees walkes on her side

Carol tells Daryl that they’ll have to fight through them, although they are seriously outnumbered, and without most of their weaponry (thanks to Noah, you little shit, you…while I do like Noah, and realize that pretty much all of our favorite characters have had their questionable moments, Noah’s stock with me definitely dropped a few points during this scene…but I have not given up on him.)

As they file out of the van and prepare to do battle with the rapidly growing horde of walkers, Daryl spies the initials “GMH” on a stretcher in the back of the van. Carol guesses it stands for “Grady Memorial Hospital,” and then, it’s time to stop talking, because there are a shit-ton of walkers to fight through…

Carol uses one of her last three bullets...

Carol uses one of her last three bullets…

Daryl battles the bridge walkers, but there are too many and they are closing in...

Daryl battles the bridge walkers, but there are too many and they are closing in…

Daryl and Carol get back in the van, the only place to go.

Daryl and Carol get back in the van, the only place to get away from the horde of walkers…

They quickly get to the front seats, buckle themselves in...Daryl tells Carol to hold on...

They quickly get to the front seats, buckle themselves in…Daryl tells Carol to hold on…

Carol quickly buckles herself in, braces herself, frightened.

Carol quickly buckles herself in, braces herself, frightened.

Daryl and Carol brace themselves, hands on each other's, so sweet.

As Daryl and Carol brace themselves, they put their hands on each other’s, so sweet.

As the walkers swarm the van and paw at it...

As the walkers swarm the van and paw at it…

The van topples over the edge...

The van topples over the edge…

...falling, flipping...

…falling, flipping…

...landing hard.

…landing hard.

Carol is incredulous...

Carol is incredulous.“We’re ok..” As they sit, recover, walkers begin to fall on top of the van in a gorish heap.

Gingerly, they emerge from the van...Daryl seems ok, but Carol's shoulder is hurt pretty bad, it seems.

Gingerly, they emerge from the van…Daryl seems ok, but Carol’s shoulder is hurt pretty bad.

Daryl and Carol lean on each other as they help each other walk away from the totaled van and scattered walkers.

Daryl and Carol lean on each other as they help each other walk away from the totaled van and scattered walkers.

They stop to rest, and Carol is noticably hurting, although she tries to play it off. Daryl blames himself, and Carol jokes,

They stop to rest, and Carol is noticeably hurting, although she tries to play it off. Daryl blames himself, and Carol jokes, “We made good time down!”

Carol tells Daryl that there are only three blocks between them and Grady Memorial…Daryl agrees that they will find a place nearby, scope out the hospital, and see what they see. Carol asks him if he thinks they are really going to be able to find out what they need to know just by watching…Daryl tells her, “Well, it’s a place to start.”

Daryl and Carol set up a stake out in a nearby building that offers a clear view of Grady Memorial. Daryl scores both a machete and a bag with a cache of potato chips from an incapacitated walker…Daryl relieves the walker of his machete and chips, and rewards the walker with a rekill to the head with the machete.  Thanks, dude.  As they watch the hospital through the window, munching chips, Daryl turns to Carol, asks her about what she said before, about him not being like he was, before…he asks her what she means by that…”How was I?” he asks.  (Cute!  It’s Share Time.)

Daryl asks Carol about how he was before and now

Carol replies, “It’s like you were a kid…now you’re a man.” Amen to that.

Daryl ups his hotness meter even further by turning the focus on Carol, now… “And what about you?”

Carol replies that she and Sophia stayed at the temporary housing shelter for a day and a half before she went running back to Ed….at home, she got beat up, life went on, and she just went through her days like that, praying for something to happen…“I didn’t do anything…not a damn thing.” Carol looks out the window as she talks, her voice carrying the anger that she feels towards herself for taking Ed’s abuse, and not taking a stand, not doing anything, for so long.

(Really explains a lot, why Carol has made some of the overly agro, questionable decisions she has…it’s like after not doing anything for so long, the Carol pendulum had to swing too far the other way, before coming to some sort of balance, in the middle.)

Carol continues her story, “Who I was, with him, she got burned away..and I was happy about that, I mean, not happy, but…and at the prison, I got to be who I always thought I should be, who I should have been…”

Carol reveal

“And then, she got burned away…And now, it just consumes you.”

Daryl listens, looks down a moment, taps the tip of the machete  into the windowsill...he then gives Carol this sweet, beautiful, manly look, and then says the perfect thing,

Daryl listens, looks down a moment, taps the tip of the machete into the windowsill…he then gives Carol this sweet, beautiful, look, and then says the perfect thing, “Hey…” Carol looks up at him. “We ain’t ashes.”  Total tender manly perfection. <3<3

Oc course, after this amazing moment, there is a thud or slamming noise, startling them…there is always a fucking noise to interrupt Daryl and Carol’s beautiful sharing and caring sessions in this episodedamn you, cockblocking walker apocalypse!

As Daryl and Carol head down the hallway, they find a walker impaled to the wall, with one of Daryl’s arrows speared through its throat.

“Is that one of yours?” Carol asks. “Yeah,” Daryl replies.

Daryl does the walker a solid machete rekill, shutting it the hell up.

Daryl does the walker a solid machete rekill, shutting it the hell up.

Suddenly, the sound of assault rifle shots pepper the silence…Daryl and Carol know who that’s coming from…they go to investigate, and are met by a woman walker…Carol would usually be able to handle this, and goes for the knife kill upside the walker woman’s head, but her shoulder injury makes it harder, and the walker ends up on top of Carol, who is unable to fight her off.  Daryl slices the walker’s head with his machete, pulls Carol up, looks at her, concerned…Carol, barely able to speak, assures him she’s ok, to go.  Daryl rushes down the hall in pursuit of Noah.

He finds Noah, trying to barricade a door that another walker is pushing its way through with a wooden bookcase.  In one quick maneuver, Daryl strikes at Noah’s lower spine, toppling him with the bookcase on top of him.  Noah, pinned under the bookcase, pleads for Daryl to help him, apologizing for taking their weapons, saying that he needed to defend himself.

“Please!” pleads Noah. “Why are you following us?” Daryl yells at him. Noah tries to say that he thought they were following him…”Bullshit,” replies Daryl.

As Noah struggles and pleads, pinned under the bookcase, and the walker paws through the crack in the door, Daryl finds a carton of cigarettes, pulls out a pack, taps the pack, uncaring, against the heel of his hand, opens the pack, and shakes out a cigarette. Carol watches this...

As Noah struggles and pleads, pinned under the bookcase, and the walker paws through the crack in the door, Daryl finds a carton of cigarettes, pulls out a pack, taps the pack, uncaring, against the heel of his hand,  and peels opens the pack, Carol watches this…

...and Noah, terrified, watches this, weakly pleads, apologizes...

…and Noah, terrified, watches this, weakly pleads, apologizes…

Daryl pulls a 'grette out of the pack with his mouth...dude, I love a bad boy who has the art of smoking down to a sexy, natural science...a real panty dropper.

Daryl pulls a ‘grette out of the pack with his mouth…dude, I love a bad boy who has the art of smoking down to a sexy, natural science…

The money shot....Daryl lights up, then tells Noah that he helped him once before, and he's done.

The money shot….Daryl lights up, then tells Noah that he helped him once before, and he’s done. “Have fun with hoss, there,” Daryl taunts Noah, stepping over him and walking towards the door to leave.

Carol, alarmed at Daryl’s callous, uncaring attitude, calls to Daryl, looks at him questioningly to help Noah…Daryl looks at her, angry, says, “You almost died because of him!” “But I didn’t,” Carol counters, her eyes soft and pleading. Daryl looks at Carol, Noah, says, “Nah,” and resumes walking towards the door.  The walker gets free and falls on top of the bookcase, grabs at Noah…

It's a harrowing, close call for Noah, who braces himself for the bite...

It’s a harrowing, close call for Noah, who braces himself for the bite…

...when a perfectly timed arrow to the head saves Noah, just in time.

…when a perfectly aimed arrow to the head saves Noah, just in time.

Of course, Daryl won't let the young man die, but it seems he thought about it, for a moment, before doing the right thing.  A lesson, though, for both Noah, and Carol, whose pendulum seems to have found its middle ground.  Daryl looks at her significantly before walking out of the room.

Of course, Daryl won’t let the young man die, but it seems he thought about it, for a moment, before doing the right thing. A lesson, though, for both Noah, and Carol, whose pendulum seems to have found its middle ground. Daryl looks at her significantly as he draws on his smoke.

The next scene, Rambo Carol flashback…Carol in the poncho, in the woods, after killing Terminus…she sinks to her knees, shrugs off the bloody poncho, and uses it to wipe her face free of the dirt and walker blood she had smeared on it to camouflage herself, and mask her smell. She holsters her gun over her shoulder and walks off, leaving the black smoke plume of burning Terminus, rising above the treeline, and the sound of gunfire, in her wake.

The scene shifts back to the present, with Carol pulling the walker off the bookcase, and Carol and Daryl pulling the bookcase off Noah, who scrambles out from under it, thanking them.  I tell you, I am impressed with Noah’s good manners, even when he was jacking Daryl and Carol’s weapons…he was definitely taught his “please and thank you’s.”  Noah hurries to the window, looking out, saying that he has to go, that “they” will be coming, as they probably heard the gunshots…Daryl asks, “Who?” and Noah tells them, as he, panicked, turns to go, “The people from the hospital.”

Daryl grabs him, asks him if there was a blond girl there. Noah's eyes widen

Daryl grabs him, asks him if there was a blond girl there. Noah’s eyes widen “Beth? You know her?” Carol and Daryl’s reactions to hearing Beth’s name are answer enough…Noah tells them that Beth helped him escape, but she didn’t get out…they still have her.

Carol looks out the window, sees a white van with a cross painted on the back windshield cruising by, slowly…she tells them they’re here…Noah tells them they need to go, and in his haste to run away, stumbles on his hurt leg, and falls.  As Daryl reaches down to help him up, Carol rushes ahead of them, out the doors, into the street…and gets hit, hard, by a wood-paneled station wagon speeding down the street. The station wagon stops, abruptly, and Carol’s body rolls off the front hood, onto the street, where she lay, unconscious, unresponsive.

carol gets hit carol gets hit 2

Daryl, anguished, tries to run to her, but Noah holds him back, telling him that they can help her, that they have the power, and the equipment, to help her, and if Daryl runs out there, he will have to fight them, kill them, and then she won't be helped, and does he want that?

Daryl, anguished, tries to run to her, but Noah holds him back, telling him that the hospital can help her, that they have the power, and the equipment, to help her, and if Daryl runs out there, now, he will have to fight them, kill them, and then  she won’t be helped, and does he want that?

“We will get her back,” Noah tells Daryl. “We’ll get Beth back.” But, Noah tells Daryl, he needs to let them take Carol, now, to the hospital, so they can help her. It is the best chance Carol has to survive.

As they watch Carol get loaded onto a stretcher, and taken away in the station wagon to Grady Memorial, Daryl asks Noah what it will take...Noah replies that Grady Memorial has weapons, and numbers...Daryl replies,

As they watch Carol get loaded onto a stretcher, and taken away in the station wagon to Grady Memorial, Daryl asks Noah what it will take…Noah replies that Grady Memorial has weapons, and numbers…Daryl replies, “So do we.”

The final scene shows Daryl, and Noah, sneaking past a large group of ATL Street Walkers which have been diverted, once again, by Daryl, who has lobbed a flame into a dumpster, setting the contents in it on fire.  As the walkers gather, hissing, around the flaming dumpster, Daryl and Noah sneak past them, and then, moments later, come bursting through a chain link fence in a truck that has surely been hotwired by Daryl.

The final fire of

The final fire of “Consumed,” the dumpster fire, set by Daryl.

Daryl and Noah drive away, heading back to get the others. Noah looks at Daryl, who is lost in his thoughts, his anguish.  You know he is really hurting .

Daryl and Noah drive away, heading back to get the others. Noah looks at Daryl, who is lost in his thoughts, his anguish. You know he is really hurting right now.

So, Season 5, Episode 6 ends as it begins, with Daryl driving, determined...but much has happened since that first scene, bringing much change,  as the fires of transformation once again burned what was away, consuming it, and leaving something new in its place.

So, Season 5, Episode 6 ends as it begins, with Daryl driving, determined…but much has happened since that first scene, bringing much change, as the fires of transformation once again burned what was, away, consuming it, and leaving something new in its place.

A few final thoughts…first, I need to apologize if some of you got a premature notification that I had published my post on “Consumed,” the night of the episode, and were served with 385 words of my primary notes of my initial watching…in a total spaz maneuver, most probably due to my manic excitement over seeing Daryl and Carol’s insane chemistry and fire together, combined with my champagne buzz, I hit “Publish” instead of “Save Draft” during a commercial break…d’oh!  

Next, I have some Deadies to award for Episode 506, “Consumed.”  Of course, the first two go to our favorite FWB’s, Daryl and Carol, for walking so honestly and fearlessly through the fires of transformation, and the fires of chemistry, and the fires of love…I do not know what the future has in store for these two iconic characters, individually, or as a couple, but I can say that my love for each of them, and for them together, has deepened to a new level with this masterful episode.  Daryl and Carol, I love you so hard. You are my total heroes right now.

Norman Reedus and Melissa McBride are such incredible actors…from the very first, their performances and portrayals of Daryl Dixon and Carol Peletier have catapulted these two iconic characters to cult status, both within the realm of WD fandom and beyond, into the pop culture stratosphere. Much love, mad props. 

Deadie #3 goes to Yvette Nicole Brown, WD superfan…girl, if I ever get a chance to meet you, one day, we will have hours and hours of glorious WD to talk about! (I am def going to find Yvette’s Twitter account, and follow her, as soon as I publish this post..)

And, finally, Deadie #4 goes to our young up-and-comer, Noah (played by the supremely talented Tyler James Williams). Noah didn’t make the best first impression with Daryl and Carol, jacking their weapons and all that, but he did have impeccable manners while doing it, Gentleman Bandit-style. I, for one, welcome him into the fold, as I feel he will have much to offer, and contribute. Welcome aboard, young padawan. May the force be with you, and with Daryl, Carol, Beth, and Rick, and Team Eugene, and the entire gang, wherever they may be at this point in time. Amen.

So, much love, dear readers.  Until next week, and enjoy the playlist:

Playlist:

Stone Temple Pilots, “Sex Type Thing”

Jucifer, “When She Goes Out” (Was wanting to include a chick-fronted rager for Carol on this playlist, and then Norman Reedus posted a clip of Jucifer on his Instagram account, playing live in front of their trademark wall of amps, sending forth their trademark wall of sound into the farthest reaches of the universe…And once again, I was like, “Thank U Norman Reedus!“)

The White Stripes, “Blue Orchid”

The xx, “Heart Skipped A Beat”

Young Prisms, “Friends For Now”  (Initially, I saw that I had six songs on the playlist, and I added this spare, beautiful track from Young Prisms  to round it up to Lucky 7…it’s the Big Game,people, lots at stake here. I’m not taking any chances…Just get your ladies out of Grady Memorial Debt Castle,  Daryl Dixon, and you can all figure out this whole love triangle thing later.)

The Shins, “Caring Is Creepy”

Bittersweet, “Bittersweet Faith”